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27008-l-c 



CPnCKOXPBATCKH 


POLSKI 


in' Hix 

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RUSSIAN 


SHQIP 


CESKY 


MAGYAR 


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TURKgE 


PORTUGEES 


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FILMS 



f EAAHNIKA 

ESPANOL 


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27008-l-c 


jlJ. q. 

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RUSSIAN 


Aida to Russian Films 


November 1956 
Revised May 1958 


United States Army Language School 
presidio of Monterey,California 





TABLE OF CONTENTS 

I^Paga 


Introduction........ 1 

Film Unit I A GIRL OF CHARACTER ... 3 

Film Unit II THE BOXERS . .. 20 

Film Unit III TWO SQL,PIERS .. 33 

Film Unit IV A MUSICAL STORY . 45 

Film Unit V LUCKY BRIDE . 56 

Film Unit VI RUSSIAN BALLERINA . 65 

Film Unit VII GENERAL SUVOROV .. . 79 

Film Unit VIII SPRING ... 90 

Film Unit IX TANYA ... 104 

Film Unit X VILLAGE TEACHER ......116 

Film Unit XI VOLGA-VOLGA .127 

Film Unit XII ADVENTURE IN BOKHARA ...140 

Film Unit XIII THEY MET IN MOSCOW .157 

Film Unit XIV THEY HAVE THEIR OWN COUNTRY .166 

Film Unit XV USSR. SIMPLIFIED VERSION.181 

Film Unit XVI USSR. .185 

* 

Film Unit XVII MEDICAL 'SiEiiVICE OF THE AIRBORN 

division 1 ; .. ... .199 







































cy r 


INTRODUCTION* 


1* This book contains commentaries to and summaries of, the 
Soviet films which are shown to the students taking the Russian language 
course* Students start attending these films approximately in the middle 
of the course* This book has been prepared in language which can be under¬ 
stood by the students at the time they are shown the film to which the 
commentary or summary pertains* Difficult words and phrases are trans¬ 
lated* Students are expected to prepare for each film in accordance with 
the instructions below* 

2* The first part of the film unit is an English commentary in 
which the background of the film is given* This material includes the 
followings when and where the picture was made, who the performers are, 
where the action takes place, a description of Soviet customs or in¬ 
stitutions which are shown in the film and which might otherwise be un¬ 
intelligible to students, and comments on propaganda contained in the films* 
In addition, there are brief explanations of parts of the film which are 
of interest but which do not materially affect the plot and which can¬ 
not be included in the Russian synopses due to their length* 

3* The second part of each film unit is a list of key words and 
phrases* Each of these lists contains words and phrases from the film 
which are important to the action and plot and words of value to 
students* vocabularies which do not otherwise appear in the course* 

These words and phrases need not be memorized, but the student will 
find it much easier to understand the film if he thoroughly familiarizes 
himself with them* In this connection it should be noted that the English 
translations have been made, not literally, but according to the use 
of the word or the phrase in the film* Insofar as possible approximate 
English colloquial equivalents have been provided for colloquial Russian 
expressions* 

lw The third part of each film unit is a list of characters 
and a synopsis in Russian* Study of the synopsis is not scheduled as 
part of any lesson, but students should read the synopsis and be sure 
that they understand it before attending the film* If some parts are 
not clear, the student should ask an instructor for assistance* 

5>* The fourth part of each film unit is a list of questions* This 
list has been prepared as a guide for the discussion of the film* The 
answers to some of the questions are contained in the Russian synopsis, 
but to answer some of them it is necessary to see the film* The student 
should familiarize himself with these questions before seeing the film* 







INTRODUCTION (Cont'd) 


6# The fifth and sixth parts of the film unit have been included 
as material for those students who desire and are able to devote extra 
effort to the film* They include excerpts from the dialogue and the 
words of some of the more popular songs which are sung in the film* 
Those students who desire may study these dialogues and songs prior 
to attending the film # 





FIW UNIT I» 


A GIRL OP CHARACTER 

/ ^EByffiKA C XAPAKTEPOM / 




(Film Unit I) 



I- 


COMMENTS TO THE FILM, 


1) In the late thirties the Soviet Government, being worried 
about the occupation of Manchuria by Japan, began developing remote 
regions in the Far East in order to create a rear-area for an eventual 
military conflict with Japan# Young men were sent to these areas#Being 
only human, these young "Builders of the Communist State" soon became 
lonely for their sweethearts and tried to sneak away# 

To keep the men on the job the Government appealed to young 
women to go to the Far East# A full scale propaganda campaign was 
launched, of which this film, made in Moscow, is typical# 

2) Several social and political events are reflected in the film# 
There was considerable tension between Russia and Japan# This explains 
the scon© in the film where a Japanese diplomat, who speaks Russian with 
a heavy accent, comes to the diner on the train but loses his appetite 
because all available meals have names connected with the Soviet Army 

and Navy or have connotations of military defeat# It was also the time when 
papers were full of reports about foreign spies being caught by border 
guards or by ordinary Soviet citizens* It became a mania, unofficially 
sponsored by the Government, to look for spies or sabotage everywhere# 

3) The situation of Soviet managers and directors in places 
where female labor was used was more serious than shown in the film* 
underpaid girls lured by good conditions in the Far East left their jobs, 
with the reaiIt that the directors, since they were held responsible 

for the fulfillment of their production plan, were continually forced 
to train new personnel# Since "Girls to the Far East" campaign was 
sponsored by the Government, it was difficult for the directors to take 
strict measures# Thus, in the film, the director of the phonograph 
record factory yields quite meekly when the secretary of the local 
Young Communist cell demands that he let the girls go# The man who 
is drinking beer on the train is in a more serious predicamenti he can-* 
not account for 300 men at his Siberian lumber camp# The reason is not 
specified, but the man obviously expects trouble in Moscow, where he is 
going to report to his superiors# 

li) There is a great deal in the film about complaints# 

Katya is going to Moscow to complain about her director at the Central 
Bureau of Complaints, thus taking a short-cut instead of going through 
channels# Many public places, especially restaurants, had huge complaint 
books for customers, installed in corners « The diner on the train has 
one, too# It is characteristic of the Soviet social atmosphere, however, 
that the man in charge of the diner does not serve food himself although 
he is critically short of waiters* he is a "director^ 

5) A part of the story takes place in Moscow* notice the Kremlin 
and Moscow River during the scene where Katya tries to escape the police¬ 
man# 


-A- 


(Film Unit X) 



Comments to the film. (Cont'd) 


6) During the episode at the factory, where girls are checking 
phonograph records, a series of current hits is shown* the "Overture 
to Carmen,* Glinka's famous song *X Remember the Wonderful Moment,* 
"Tachanka,* a popular song about the Civil Warj arias from "Rigoletto* 
and "The Barber of Seville* $ an old Russian concert song "The Nightin¬ 
gale" j a hit song from the movie "Circus" sung by Orlova *)j 
"Suliko," Stalin's favorite Georgian song and seme march music* 

A little later they play an aria from "Carmen" and the Mexican song 
"La Cucaracha*" 

7) In her speech to the girls at the end of the film the "second* 
Ivanova mentions three women-pilots at that time glorified in the 
Soviet press as heroines after their forced landing in the Siberian 
"taiga#* 

8) The hero of the film, Beriozkin, is a Sailor-of-the-Montfa 
(otjih^hkk 6o©Boii no#no tobkk) and, therefore, Katya has seen 

his picture in the local paper before their meeting# 


*) The star of H Tanya,»“"Yolga-Volga," "Spring#" 



II. KEY WORDS AND PHRASES, 


3B©pOCOBX63 
peneTwpoBaTB 
flaBaTt pac^gT 
pJ'KM BBepx! 
norpaH^^HHK 
y U6HH A0JIO epOtJHO© 
norpantf^HaH aacT^Ba 
AMBGpCEHT 
flftn;a bcmatky 
epyHfla 

noflaB^JiBinima (ocpiimiaHTKa) 
sajro6Han KHMra 
a to 6e3o6pa3Me 
K&ApH 

JI0CO3arO TOBKW 

"y m©h 6 603 6 nai 6 Ta 6 jioxa 
H© npOCK6^MT M . 

"IIpeA'BflBMTe enJiGT!" 

“Hto' bh!* 

O TJIM^HHK 6o©BOft 
noAroT6BKH 

3anncHdfl KHMiKa 


- State fur ranch 

• to rehears® 

• to release, to give leave 

- hands up i 

• border guard 

• I have an urgent matter 

- border post 

- saboteur, foreign agent, spy 

- soft boiled eggs 

- fiddlesticks 

• waitress 

• complaint book 

- this is disgusting 

- working force, personnel, staff 

• lumber camp 

• "I wouldn*t even let a flea by 
without a ticket.** 

• "Shew your ticket!" 

• "Oh, coma nowj What are you 
talking about?!** 

• (here) "Sailor of the Month** 

• note-book 


-6 


(Film Unit I) 



Key Words and Phrases (Cont*d) 


paii6HHHft jjqhtp 
M©X 

MexTdpr 

58 0tb©ph6t©cb 9 nosajiy^OTa I 

b 3£hi* b (slang) - (lit* "hare**) 

neooi}; 

OTEyOK^TB, OTnyCT&TB 

Harpd^a sa no#MKy 

^HBepcdHTa 

a 90 k Q¥4.QVi>Jft 


district seat 
fur 

Fur Trade Administration 
"Turn away, please 4" 

A person who tries to rid© on a 
train without a ticket# 

polar fox 
to let go 

award for catching a 
spy 

that brings luck 




(Film Unit I) 


III. ilEMCTBYIOIlIME JHIXA 


KdTfl MBaH 6 Ba 

- fleBymKa, KOTopaa pa 6 oTa©T B 

C 0 BX 03 © Ha ^eJiBHen Boctok© 

EKaTepftHa MBaHOBa 

»©Ha ocJWDiepa, KOTopaa 
3 aHHMa©TCfl opraHM 3 ari;H©ft 
flBMSSHMfl A©Bym©K Ha 
$ajiBH«ft Boctok 

B©p€ 3 khh 

- mophk ( sailor ) AMypcKoft 

(JUIOTHJIHPl , OTJIHHHHK 6 O 0 BOft 
nOflrOTOBKH 

^Hp©KTOp 3 B©p 0 C 0 BX 03 a 

Ha ^ajiBHew Boctok©* 


^MpeKTop MexTopra b Mockb©. 


/(lipeKTOp MOOKOBOKOK (|a 6 pMKM rpaMO$OHHHX maac TMHOK • 


CeKpeTapt Komcomo jibcko# opra HM 3 an;piM Ha to ft s© $a 6 pHK©i* 


^np©KTop BaroHa - pecTopaHa* 


4np©KTop JiecosaroTOBOK, (lumber camp) 


^upeKTop Biopo £ajio6. 


MujumnoHep. 


PenopTSp. 


MaTB p©6§HKa* 


d « 


(Film Unit I) 






KPATKOE COilEP&AHME 


3B6P0C0BX03 ( state For Ranch ) taq-to Ha ^ajiBHeu 
Boctok©. 

Pa6oTHMB^. KaTfl MsaHOBa h©aobo jiBHa AwpeKTopoM m 
xohqt httm b pafion sajioBaT bch sa Hero» OHa p©n©TMpy©T 
oboso xajxo6y nep©A *c6oaMM ( foxes ) ♦ ^npeKTop H© xo^eT ot- 
nyonaTB ©g m fobopht, *jto b©phSt eg c uvumn , Ke % 9 ©cjih 
OHa y&A^T oaMOBOJiBHol without permission ) * KaTH bc ©raKJi 

yxoflHT. KorAa ona co6Mpa©T b© mu flom, OHa HaxoAHT Ha 
HepAan© ( attic ) AHBepcaHTa. Ona nepeAagT ero no- 
rpaHMHHHKaM* 

Hs BjiaAHBocTOKa b Mocnsy hast cko£H# xxoeaA# B 
BaroH»-p©cTopaH© 6ecnopHAOK5 Ma.no o$MX];HaHTOB . $Mp©KTop 
saroHa xajsyeTCH, hto noA©BajiBmHXj^ ©AyT scePA© tojtbko 
H a ^ajiBHHft Boctok, a o6paTHo h© bo 3BpamaK)T0H » £hp©ktop 
Maras HHa m©xob h amp©ktop $a6pnKH ppaMO(|)OHHHX msaoTHHOK, 
KOTopH© HAyT 3 A©cb saBTpaKa, TOie sajiyioTOH, hto mx a©- 
ByiUKM - pa6oTHHi#£ yeasaioT Ha ^ajiBHirfi Boctok,- h y hhx 
h© XBaTaeT padoneft chjih. 

Oahh xiaccasMp cjiyHafiHO ( by accident ) ocTanaBJiH- 
saeT no©3A« KaTH otoht nan pas tsm, pa© ooTanasJiHBa ©tch 
no©3A« KaTH caAMTcn b noesAJ hmkto h© bhamt, k&k osa 
cejia • 

Ha CTasi^MH Twxan A^peKTop ssepocoBXoaa nm©T KaT»s 
norpaHMHHaH aaoiaBa xo^qt, hto6h ©g npHcjiaj&H k hum, a 
AMpeKTop 6 ohtch »ajro6H h xohqt BepHyTB KaTio Ha pa6oTy• 

-9m (Film !Jnit I) 



KpaTKoe coflepasaHMe (npoflo^K©HM©) 

Oh h© anaeTj hto K9.T0 xotht flaTB op£©H ( medal) aa to 9 
^to oHa noftMa.ua $MB©pcaHTa* 

Ha T©ft s© cTa hijmm ca^MTca b 11003,25 EnaTepMHa MBanoBa 
(to *e KMH f HTQ H y KaTM) - M3B0CTHH& QpraHHSaTOp flBMS0" 

hhh AQsymeK na $ajn>HHft Bootok • B no© 3 a© ona T©pa©T 
KomejiSK ( wallet ) c 6 mji©tom. Mojio^oft mo pan BepSsKHH- 
HaxoAMT KomejiSK# Oh anaKOMifToa o KaTeft h f Kor&a ysnaiT ©0 
hmh 9 ^yMaeT 9 hto sto ona noTepnJia KomoJueK* B kqjh©ji&k© 
ecTB TaK3K© aanncHafi khmike c $a uvljivismvi $©BynieK b Mockb©* 
KOTOPHX 1 H3B0C THEH 51 Ena T©pMHa MBEHOBa XQH0T yPOBO pHTB 
noexaTB na $ajo>HMft Bootok# 

Ha GTaHi^MH Pas^ojiBHaH, pro KaTa xoT©Jia sajoBSTBOfl 
Ha ^HpeKTOpa^ CKOpHft no 03 A H© OC TaHOBMJICH * MopHK co- 
B©Ty©T KaT© exaTB xxpnMo b MocKBy ss sajKOBETBCfi Tan# 

Ha ^pyroe yTpo flMpe kt opa npeAJuaraioT KaT© pa6oTy B 
Mockb©; b BaroHe-pecTOpaH© Toace npe^JiapaioT ©ft padoTy* 

B noesfl© nojiynaioT T©JS©rpaMMy, hto KaTa qrqt h© no OBOOMy 
dHJieTy® Htq6h floexaTB ro Mockbh, osa nocTynaeT na padoTy 
b pecTopan* 

KaTa od£HCHH©T MopaKy, kto ona Tanaa h hto ona h© 
EnaTepuHa MBaHOBa* KOTopaa noTepajia KomeJigK* Ho OHa p©« 
ma©T octebhtb y ceda 3anncHyK> KHHKKy, HTodn no Heft bh- 
hojihhtb see &ejia # 

Ha BOKsajQi© b Mockb© KaTa yderaeT ot fleByineK, ko- 
Topne ayiiaioT, hto OHa flpyraa MrnHOBa* OHa T©pa©T Mopana^ 


(Film Unit I) 


KpaTKoe coflepaaHHe (npoflOJi&eHH©) 


/InpeKTOp MQXOBoro Mara 3 Mna BeagT ee b Biopo JKajioG, a 
noTOM yroBapMBaeT ©g nocTynuTt k H©My na patfoTy. B mo- 
xo bom Mara3MH0 ©My Beg bp©mh npnxofln tch y^MTB ( to train ) 
hobhx npoflaBmnij, noTOMy hto ^esyrnKM nacTo y©3»aioT Ha 
^aJiBHHft Boctok* MopnK Bepga kmh hihot KaTK) H©p©3 mmjihe(hio* 
OHa tosq xotier HaitTH BepgSKHHa H©p©3 MHjnmHSo, ho yaHaeT, 
qTO ©g HinyT, nyraeTCH m yxo^HT* 

TenepB ona nona^aoT Ha <Ja6pHKy naT©(|)OHHHX nJiacTH- 
hok, rfle npo,zi:oJi«a©T yroBapuBaT b fl©Bym©K, MueHa kotophx 
©ctb b 3anM0H0H KHHJKK© Ena T©pHHH JlBaHOBO$• 

Bep83KHHa b mhjimbijih cjiyna^Ho to Torpa$npyioT pnflOM 
o K©HmnHoii, KOTopaa nauuia cBoero p©6gHKa« $oTorpa$HH 
HfleT b ra3©Ty« Ta 3 ©Ta no ohih6k© Ha3HBa©T B©pe3KMHa 
OTIJOM p©6©HKa # 

Kor^a KaTH paooKa3HBa©T b odmeacHTMM o /[ajiBHOM 
Bootoko h o tom, nan OHa noflMana flHBepcaHTa, oflna #©- 
Bymna eft h© BepMT* KaTH ro bo put , hto ona cnopo HaftflgT 
B©p63KHHa, M OH flOKaieT, HTO OHa O ZlaJIBHOrO BoCTOKa* 

Eft no KaaHBaioT ra3©Ty c $oTorpa$weft Bepg3KHHa m flpy- 
roft xoHmiiHH# KaTH p©BHy©T ( is jealous )• 

Ha $a6pHKy npH©3JKa©T flpyran MBaHOBa• Eg npocHT 
paccKa3aTB o ^ajiBHeM Boctoko. Ona paccKa3HBa©T o tom, 
Kan oflHa fleByniKa noftMajia ^MBopoaHTa • Bo© y3HaioT b aToft 
fl©ByniK0 KaTK) m bh^ht, hto OHa roBopmia npaB^y* ^b© 


41 


(Film Unit I) 


KpaTKoe coflepsaHHe (npoflOjnceHKe) 


MBanoBioc BGTpe^ajoTOfl f m KaTa BosBpamaeT aanMCHyio KHHXKy® 
BepSaKMH, HaKoneu;, HaxoflMT KaTio, ho oHa ho xo*j©t 
© ro bha©ts> h yderaeT, ho BCTpeuaeToa o MHJiimMOHepoM* 
HaKOHQi^, ona ysHagT, htq Miunmna MCKaJia ©e , htq6h #aTB 

©ft Opfl©H, a H© flJIH Toro, HTOdH B©p Hy TB flQMOft® ilMJIHI^JIOHep 
odiaoHH©T KaT© MCTopnio c $oTorpa$Meft BepS3KJfHa« 

$HJIBM KOHaa©TCH OTB©3flQM fl© BJTJUQK Ha ^aJIBHH# BOOTOK* 

IV® BOnPQCH K $MLMy. 

I« Kan aoByr #©BymKy b (Imjibm©? 

8® P#e ona padoTa©T? 

3* Ffl© HaXOflHTCH 3 TO T C0BX03? 

4® ^©m He^oBOJiBHa KaTa b cobxos©? 

5® Koro ona naxoflHT Ha Heptane flowa? 

6* *Ito ona c hum ^©jia©T? 

7« ^to npoHcxoflHT no flopore? 

8« Ky#a HflgT noeafl? 

9 # IIoH©My b Barone-peoTopaH© 6©cnopa#OK? 

10* IXoneMy #Mp©KTop coBxoaa sojeT KaTio? 

II* KaKaa a©H^HHa oejia Ha noes# na oTaHxjHK Tjjxaa? 

18* Kto ona h h©m saHUMaeTca? 

13* ^'to ojiyaiurooB c ©§ 6 hji©toii? 

14® Kto Taicoft BepeaKMH? 

15® ^Ito oh name^? 

16® *Ito 6hjio b Kom©-5 bk©? 

- 12 . 


(Film Unit I) 




BonpocH k (JuiJiBMy (npo^ojiaeHMe ) 


J 


17. IIoneMy oh oT^agT KomeJiSK KaTe? 

18® IIoneMy KaTH hg Morjia bh^th Ha o Ta hijmh 

PasflojiBHafl? 

19. Kyfla ona penraeT exaTB h eaneM? 

80. *Ito flMpeKTopa npe^JiaraioT KaTe? 

81. XIoHeMy KaTH nooTynaeT na pa6oTy b 
B aroHe - pecTopaHe? 

88. PacoKaaKTe o saniicHO^ khmkk© EsaTepHHH MsaHOBofi. 

83. *Itq KaTH fleJiaeT b Biopo KajioG? 

84. F#e ona HaHHna ©t pa6oTaTB b MocKBe? 

85* Kan BepSaKHH HHjeT KaTio? 

86. IIoHeMy KaTH y6eraeT ot MmumHOHepa? 

87® Kanyi) BTopyio pa6oTy nojrynaeT KaTH? 

88. ^to OHa ^ejiaeT Ha $a6pHKe,KpoM© pa6oTH? 

89® IIoneMy flesyniKH ©flyT Ha £ajiBHHfi Boctok? 

30. IIoneMy 3 TO He HpaBHTCH flMpeKTOpail? 

31. IIoneMy KaTH flywaeT, hto Bepe3KHH aeHaT? 

38. Kto npnessaeT Ha #a6pHKy pa3roBapnBaTB o 

fleBymKaim? 

33. 0 OHa pacoKa3HBaeT fleByiUKaM? 

34. JIoHeMy KaTH h© xohot bhagtb EepS3KHHa? 

35® IIoHeMy MMJiHijJiOHep nm©T KaTio? 

36. H©M KOHHaeTOH $hjibu? 


- 13 - 


(Film Unit I) 


v. JHAJront M3 SMIBMA 


MPEKTOP C0BX03At 

I. B 3B0POOOBXO3© . 

PeneTHpyemfc? IIpeflCTaBJieHM© ycTpajf- 
BaeniB? 

KATH $ 

PeneTMpyio ... A np©flOTaBJf©HM© 

6y^eT Tor^a, nor^a Komhccmh npHe^eT# 

flHP.a CPB.al 

A pa6oTa otomt? 

KATH? 

A h yat© y Bac 6ojibih© h© patfoTaio. 

H b pafloH sajioBaTBCH ©ay. 

OTP.COB.? 

IIOKa fl H0 QTXiyCTMJI, HMKyfla TH H© 
noeflemB i 

KATH? 

CTaHy h ^oatM^aTBCfl S ^ 

OTP.COB.? 

(saBxosy) Cjiymaft-Ka , Jyna $omh^i, 
pac^gTa eft h© flasaTB! 

JtyKA $OMHH? 

8) 

Eotb h© lasaTB nac^gTa. 

KATH? 

H© yflepsMT©, Bee pasno noe^yl 

OTP.COB.? 

HMKy^a th h© no ©a ©ihb! 

KATH? 

Ceftflac se, h©m©aji©hho noQflyl 

OTP.COB.? 

3 ) 

3aBX03! Jivna $om^I Ionian©** eft 

h© flasaTB! IlycTB, ©cj&m x 2Y 0T * Ha 
OTaHHMlO HOXKaMH Tona©T. 

KATH? 

Hy» m noTonaio HOSKaim. 

OTP.COB.? 

OTji©ko h© noTonaeiBl H t@6a naaa^ o 
MMJnmM©^ B©pHy. 

KATH? 

C MMjmn;ii©in? A a ato h, yupajia ^to arn 
H© 60 KD 0 B fl MMJIPmMil! 

OTP.COB.? 

Hy, noro^w ! 


1) Do you think I will wait for your order? 2) Yes, Sir* 

3) office nanagor U) «neinou S)*noflos fl M 


•14. 


(Film UHIt I) 

































AwajiQrM m (J>n,aBMa( npoAOJEseHM©) 


2 * 

nPOBOJIHMKs 

HBAHQBAs 

nPO BO £HKK % 


B noesje, 

IIp@fl'bHBMT© 6 hJ5©TS 

IIosajiylioTa! /hih©t/ H t Ka*©TCH f no - 
Tepnjia dwjieT * 

Aral Bhji©t noTepnJiH? Bh c©jih sa©ob 9 
Ha TMXoil? 


HBAHQBAt 

UP03Q/IHI1E8 

HBAHOBAs 
IIPOBOJJHMKj. 

KBAHOBAf 

IIPOBOaHMKj 

HBAHOBA; 

HPOBO,ZtHKEi 


A*p 

Bama (^awMjrnH MBaHOBa? 

R&9 fla. 

Bog hcho. Ha cjieflyio^eii QCTaHOBK© 
bh coiiAgT©* 

Kan coftAY? ¥ m©hh cosemaHH©^ ^ mqhh 
s^yr b Mockb©! 

Koro-HH6yAB m sayt b Mockb©, a sao 
»AyT Aowa« IIpoiiASMT© b c.iyae6Hoe Kyn© « 

Ra 9 ho 6mji©t 6hje y mqhh. 

Oh:©hb MoseT, hto h 6 hjj, a T©nepB h©t# 

A pas hot, to y mghh 603 6HJi©Ta k 
6jioxa h© npooKo^HT* HoKajiyftCTa* csDAa# 


I) meeting 


3 • 

RATH 8 
BEPE3RKH 8 

HATH 8 
BEP£3KHH8 

RATH 8 
BEP63KHH8 


B noe3A©« 

O&I 

Hto TaKoe? Hto cjiynmiocB? 
Rotas h caAMJiacB s... 

Bh noTQpaJiH 6 hji©t? 

$a* 

Bam 6mji©t y m©hh« 


15 


(Film Unit I) 























$Hajrom M3 $wJiBMa (npofloJiasHU©) 


HATH: 

He MoaeT 6 htb! 

BEPE3KMH: 

Bh EnaTepHHa JlBaHOBa? 

HATH: 

OTKyfla BH M0HH 3Ha0T0? 

BEPE3KHHI 

Bac bch AMypcKaH 3 na gt! 

RATH: 

Mqhh?! 

BEPfi3KHHt 

Bac • 

HATH! 

Eto bh! 

EEPfi3KHH: 

KaTepMHy MBaHOBy 3HaioT bcg KOMaHflHpH h 
K paCHO$JIOTIJHo 

HATH a 

dpocBT© bh! 1 ^ 

/BXOflMT npOBOflHHK/ 

nPOBOUHMKs 

/k KaT©/ npOCTMT©, BH CGJIM Ha CTaHI^HM 
Twxan? npGflBHBHT© 6mji©t! 

BEPfi3KHH: 

/^aeT npOBOAHHKy 6 hji©t Ena t©pmhh 
M saHOBoft/ IIoaaJiyiicTa. 

IIPOBO^HMK: 

CnoKoftHoft hohh! /yxoflMT/. 

K A Tils 

CnacH6o, TOBapiim BepS3KHH! 

BEPE3KHH: 

OTKy^a BH M0HH 3 Ha©T© ? 

KATES 

H Bam nopTp©T H©#aBHO b ra3©T© BHflQ.aa. 
B©flB BH OTJIM^HHK 6o©BO# nOflPOTOBKM? 

BEPg3KMHs 

BepHO* 3HatiMT, mh c Bairn flaBHO 3Ha- 
komh. .Aa, KCTaTH, noory^MT© Barny 
3anHCHyio khh®K y• 

KATES 

CnacH6o f tojibkq h 


1) Oh* you«r© kidding mai 


(Film Unit I) 




















^wajiorM M 3 (J)MJiBMa (npoflOJ&E©HMe) 


BEPff3KKHt 

KATfis 

BEPg3KMH: 

KATHl /BHXQflHT B 

nPOBOAHMKt 

KATfll 

IIPOBO ilHMKt 

BEP|3KMHj 

KATHt 

BEPgSKKH* 

HATH? 

BEPE3KHHS 

HATH I 


2) You*11 have a good 
!*) That *s a good idea, 


Bh, HaBepHoe, ycTajin, Hy, 6yp,eu Ha 
homb ycTpaKBaTBCH• TenepB bh otaoxhStb 
nan cjieayeT S i Ao yTpa hhkskhx CTaHijHii 
6oJiBin© h© 6yfl©T • 

Kan ro yTpa? .•• 

H 3&©cb b flopore see pacniioaHM© MayMHJi# 

KOpHflOp/* TOBapMm npOBOAHMK, oKopo 6yfl©T 
Pa3^0J5BHaH OTaHI^MH? 

A BOT OHa • Tojibko MH Ha H©ft H© OOTa- 
HOBMMCH« MH - 3KCnp©CC. 

A Kor^a e© 6yfl ©t cjieflyiomaff ? 

_ 3 ) 

EaejiM no-Ham©My, no-fiajiBH©BOOTOMHOMy, 
to yTpoii. A ©hgjim no-sam© My, ho-mockob- 
CKOMy, to 6jims© k B@Mepy• 

ToBapHn* MBaHOBa, Ky^a e© bh nponajiH? 
JfflMT©, Bam© MecTO totobo® 

CnacM6o! Oft, PasflOJiBHyio npoexajiH, a 
MH© E TaM BHXOflMTB HyEHO 6HJI0* 

A mto y Bac TaM,- po^ctbqhhmkm? 

A a h©t , y nac TaM pafioHHH& d;©htp* 

Mh© npo Hamero #np©KTopa paconasaTB 
HyEHO• 

A b Mockb© pasB© npo Hero h©jib3h 
paocnasaTB y 

Bepno «Eqjim npo Tanoro flwpeKTopa b 
Mockb© paccnasaTB ••• 3 to rqxo 
Otb©phmt©cb , nosajiyftcTa* 

CnoKofiHoJi homm! 


rest* 


3) ® ecj&K 


17 


(Film Unit I) 



















Ryiajiorn M3 $KJiBMa (npoAOJiaeHM©) 


4* B imjmvwm. 

MOHIIKOHEPs /roBopKT no T9Ji©$0Hy/ Cmyniaicu .. Gdynia©. «• 
Kan Bameft TeTM? 

BEPfi3KHHt /flyMan, mto tot o6pama©Tca k Heuy/ 

A OHa MH© C0B06M h© tSth* 

MPMIIMOHEP: /npoflojisan pa3roBop no Tejne^ony/ 

Aral B KanoM rofly nponaja Bama tSth? 
B flecHTOM? Omghb xopomo! 
npocTHTe, h roBopio xopomo h© to, 
mto nponajia, a xopomo to, hto 6yflea 
MCKaTB. /K B©pg3KMHy/ Tan KaK 30ByT 
Bamy tStid? u - u tM 3HaKouyio? 

BEPB3KMH* KaTepMHa* 


MO HU MO HEP i 

BEP£3KMHl 

MOHIIMOHEPi 

BEPfi3KHH{ 

MOMHMOHEP: 

EEPS3KMH? 


MOMHMOHEPi 


OTM0C TBO? 

IXeTpoBHa* 

Bo3pacT? 

J©T pa^aTB, 

MeCTO pOSflQHMH? 

H© 3Haio. HaBepno, rfl©-HM6y#B Ha 
^ajiBHeM Boctok©* Ona ceja Ha 
C TaHl^MM Twxan* 

npMCHflBTe Ha MMHyTOMKyf 


-18 . 


(Film Unit I) 














VI* IIECHfl HATH» 


Ecjim h ynuaa ns floiia, 
HeJi©rK6 m@hh HaiiTM. 

H oflHa wory nojicBeTa 
IgrKMM maroii o6o$th* 



Hh nperpaflir ^ Ha nyTMS 
y M9HH Tanoii xapaKTep - 
Th co mhoio He niyTHl 



IIoe3fla co scex flopor* 


H© coB©Tyio t©6© h 
HoBCTpe^aTBCH na nyTH* 

3T mohh TaKo# xapaKTep - 
Th co mhqjq h© myTMl 


1) The wide world 2) obstacles 


3) threshold 


•19 


(Fila Unit I) 







Tim UNIT II 


THE BOXERS 


/ BOKCEPH / 


• 20 * 


(FUa Unit II) 



COMMENTS TO THE FILM* 


!♦ 


1) "The Boxers" is a run«of-the«mill postwar Soviet film* From 
the technical point of view it is very weak, especially at the end* 

There are no stars in the cast* 

2) The primary aim of the film is to glorify Soviet sports* A 
quotation from the Soviet poet laureate, V* Mayakovsky, at the beginning 
of the film 5 states the main objectives of the official philosophy of 
sports* "Study English and French boxing not to dislocate other 
peopled jaws, but in order to be able, without fear of bayonets or 
bullets, to disarm single - handedly an enemy patrol* 0 Thus, purpose¬ 
fulness, morality, and patriotism make the Soviet sports what they are* 
Later on in the film, the hero, Kochevanov, emphasises the "intellectual" 
qualities of boxing, the ability to think correctly in a split-second* 

On the other hand, capitalistic boxing is put in as bad a light as 
possible* The country, although not named, is obviously Franco© Thera 
boxing is pictured as based on cruel competition, completely lacking 

in human qualities* Boxers are used by the managers as long as they last, 
and then cruelly cast aside* 

3) The organization of sports activities in the USSR is peculiar 
to that country* Although there are professional athletes, officially all 
sports in the USSR are amateur and all athletes must also have another 
job (in maqy cases a sinecure)* In the film the hero is in military 
service, while the professions of the other athletes are not specified* 

U) The terminology of Russian boxing is taken almost entirely 
from English* Examples * iiaTM, HOKayT, HOK^ayn, pMHr ,payHfl. 

The French boxer, Lance, is played by the Russian middleweight champion, 
Gradopolov (it was obviously difficult for him to pronounce French, and 
therefore the director reduced his spoken part to the minimum)* 

The villainous French manager is made to appear even mom villainous 
by his confession that he took part in anti-Soviet foreign intervention 
in the South of Russia in 1919, during the Civil War* 

*>) At the beginning of the film, the boxers parachute from a plana* 
This is part of the Soviet Preparation for Labor and Defense Program 
( GTO - ro to b k Tpyfly h obopoHoKwhich is sponsored by the 
go Vermont as part of the unofficial "militarization" of the country* 

A3 part of this program many levels of requirements or "norms" have been 
set® Parsons meeting these requirements receive a GTO badge 

6) The custom of exchanging kisses between men is an accepted 
Russian form of expressing feeling between friends under certain cir¬ 
cumstances* e*g* a meeting after a long separation, to express congra¬ 
tulations after a victory or success, or when bidding farex*ell before 
a journey* 


21 


(Film Unit II) 



XX # KEY WORDS AND PHRASES, 


rpom r*eHa 
saTaxH^u (hphek6m) 
noAroT6BKa k qt66pohhhm 

COp©BHOB&HKHM 

oawoyBepeHHHfi 
TaaeJiH^ Bee 
jgrKHil b©o 

sa CBoft xapaKTep a oTBe^iaio 
OCTaBBT© M0HH B XIQKO© 

no saji ©tb 
ynpHMCTBO 

pasra^dTB n-aas npo tkbhhk& 

sa pHHre th wyxoik 

ynaoTH© 

ko ud Hfla 

noropHHHjieH 

KOMMCCMfl 

3a oporo 6 htopo £Byx 
h©6hthx flax>T / & proverb/ 

TOHHOOTB 
no QflHoft KpysK© 

Kpenno pa6oTa$oT 


not worth two cents 

using a delay jump 

preparation for selective 
competitions 

cocksure 

heavy weight 

light weight 

My character is my 
business 

leave me alone 

to give sympathy 

stubborn©ss 

to anticipate the movement 
of the enemy 

in the ring you f re a stranger 
to me 

participation 

team 

lost my temper 
board 

One who f s beaten is worth 
two who never were 

accuracy 

one glass each 
/literally **one mug") 

they*re doing a good Job 


22 


(Film Unit H) 



Key words and phrases (ContM) 


HaSpaJBH flOT9 Vl B KOMaHAy 

h36m6hm 0 MJsaA^HHiQB 

Oh xo^eT Ka3aTB0H cm&BHee, 
*1011 9CTB 

ncHXHHeoKaa aTana 
BH30B &lQ$$Vy QOB9TOKOM7 

donogpy 

KoMaH#a npBHJfMae* BU30© 

KaKoft~TO Ko^0©iao»J 
KOTJi^Ty cflejjaeT 

dnuTHee 

MM0HHO B 3T0M maHC 

npo^epadTBCH 

yxoflmB b rjiyxyio aam^Ty 

He oymecTByeT 

MaTH Ha nepBQHCTBO 


• they sent us a hunch of boys 

• a massacre of innocents 

~ He wants to seem stronger 
than he is 

• psychological attack 

• a challenge to any Soviet 
boxer 

m The team accepts the challenge 

» Who is this /unknown/ Kochevanov? 

• He*11 make a beefsteak 
out of you 

• more experienced 

• that*s where the chance is 

• to hold on 
- to cover up 

• does not exist 

• championship match 


- 23 - 


(Film Unit II) 


III. JEfiCTByPlintE JKHA. 


Ko^eBdnoB 

— 

o(J)Mii;©p, doncep nojiyTflseJioro 
Beca 

WpiiHa 

- 

jieTHMi^a 

ilOPOXOB 

- 

^©mhhoh b noJiy thxgjiom seoe 

Rplrsi Bojioah 

- 

TP©H©p 

Jane 

- 

^©MnHOH EBponH B no JiyTflH§JI01 
B0C© 

IlMnpoccapMO laHca 


( Lance’s manager) 

Xp6mm©hko 

- 

Macca»MOT( masseur ) 


- 

6okc©p JierKoro seoa 

BoaBinoft ilxeK 

- 

(^paHBiys, dHsmifii 6 ok cep 

^©PHH# 3Ib©tok 

- 

Herp - doncep 


KPATKOE COJEPgAHHB 

nOKa3HBa0T SM3HB 60 KC©p 0 B MOOKOBCKOFO OnopTMB- 
Horo o6mecTBa« BoKcep Ko^eBaHOB m MpMHa jho6ht 

Apyr flpyra* ^©mhhoh ^opoxos - xopomHft 6okc©p, ho oh o*jqhb 
ropHM m o jimiukom jik)6mt c©6h m cbo# ycnex* Ko^eBaHOB ~ 
odpaaesq; ( a modal) coB©TCKoro ^©JioBeKa h cnopTCMena f KaKMM 
ero XOTHT BMA0TB B CCCP . OH OKpOMQH { mod©8t ) , MHOPO 
padoTaeT m HaKOHei? AejiaeT ms c©6h oneHB xopomero doKcepa# 
Oh jiio6mt 6oko hq paflH ( for the sake of ) caworo donoa, a 
AJH Toro, hto6h BHpa6oTaTB Ka^eoTBa ( qualities ), HysHH© 
AJtn odopdHH ( defens© ) ct pa hh• Oh TaKie cMHTaeT, hto 
6oko - **MHT©jrjieKTyajiBHHfi M onopT, rAe Hysno dHCTpo m 


•2li ( 


(Film Unit XI) 















KpaTKoe QOflepaaHH© (npOAOJiaeHMe) 


xopomo AyMaTB b flecHTH© aojkm c enyH an* 

B Hanaoie $HJiBMa doKcepn HaxoflHTCH Ha aapoAPOM©. 

Ohm cflaiQT ho pirn na 3HanoK PTQ no npnsKay c napamroTOM 
(See comments § 5) « CaMOJ&eT BefleT JieTHMUja JfpMHa « 

^©miimo h ^opoxos xon©T nonasaTB ©ft CBO© repoftcTBO H 
npHPHyTB aaTHHHHM xipHSKOM , ho GTapniHft rpynim, K^tieBa'HOB, 
eanpema©* #opoxoBy npuraTB cobcqm, 

HaHHHaroToa ot6opo^hh® copeBHOBaHMH flJia noeaflKH b 
BBpony * Tpenep /$h#h BojuoflH mhqpo aannuaeTca c 6okc8- 

pailH H CMOTPHT 3a MX BQCOII. KOH©Ba HOB CTaHOBMTCfl XO- 

poniMM 60 ko ©poi£ « B Tp©HMp6BO^Hoy 6 ok> ^opoxoB XIOJiyMa@T 
OT Hero HOK^dyH« 

MpuHa h© JiiodHT doKoa m #a»© p©Bny©T ( i® jealous ) 
k H©My f no Tony mto bo bp©mh 6oh KoneBanoB naaeTca eft 
nysHM # Oh fiaxe depeT OTnycn y csoero KoyaHAnpa fljra 
Tp© HMpOBKH 9 a H© flJIH TOTO, HTQ6H npOBOflHTB BpQUfl O 
HpMHOft* 

Ha QTdopOMHHX COpeBHOBaHMHX ^OPOXOB no6©Sfla©T 
( defeats ) KoneBanoBa, ho kommccmh Bce-TaKM KoneBaHOBHM 
flOBOJiBHa. JfpMHa npnxoflWT k neMy nocj&e 6 oh m xomgt no- 
sajaeTB ero b HeonaoTBU, ho bmpt, ^to oh h© cnnTaeT 
cedfl h© cnaoT hhm« OHa paaonapoEaHa ( disappointed ) # 
/[opoxoB xom©t MonoJiBBOBaTB 3 tot cjiynaft, ho y Hero 
HMMerO H© BHXOflMT* 

BoKcepn ©flyT bo $paHD,MiD. Ha nepBoft bctp©h© c $paH- 


25 


(Film Unit II) 


KpaTKoe co#ep2caHMe (npoflOJiseHMe ) 

r^yaaMH cobgtckmm doKcSpaM TpyflHo* Ohm h© iipmbhkjim k 
"K anMTajiMCTPi^ecKOMy n doncy. Ha 3Ty BCTpeny npMXOflMT 
$paHn;y3CKMii HeMnwoH doKca JaHC co cbomm MMnpeccapMO# 
HMiipeccapMO JIaHca ynacTBOBaji b mht©pb©hb;hh npoTUB CCCP 
bo BpeuH rpas^aHCKOM bo $ihh m noBTOMy HeMHoro roBopMT 
no-pyccKM* Ohm Hadjiro^aioT, Kan flepeTOH ( fights ) .ZJopoxoB* 
Ilocjie 60 a apy3BH no3,a;paBjrflK)T ^opoxoBa, ho KoMeBanoB KpM- 
TMKyeT ero m rosopMT, hto jHopoxoB nodeflMJi doJiBine ncM- 
XOJIOTMMQCKM f M©M T©XHMtJ©CKM 9 M MTO yMHH# npOTMBHMK, 
kotophm dy#©T 3 HaTB ero moto;*, JierKo nodeflfrT ©ro, 
MMnpeccapMO JEaHca npMrjiaiuaeT Boex cobqtckmx donc&poB b 
K oiy6 ‘Tojiydafl jr©HTa w , hto6bi nonasaTB, kek flepeTCH lane* 
npOTMBHMKa laHOa - MaJIBHMKM M CTapMKM , H OH JieTKO M 
rpydo 6BeT mx• KoneBaHOB 3aMena©T f hto lane xom©t Ka- 
saTBCH cMJiBHee, h©m oh ecTB. Ilocjre 6 oh JaHC flejiaeT 
BH 30 B .JIKDdOMy COB0TCKOMy 6oKC©py* COB© TCKaH KOMaH^a npii- 
HMMaeT BH3 0B, ho odeiijaeT o 5 bhbmtb npOTMBHMKa Janca Ha 
cjie^yioinMii fl©HB• Be© scflyr, hto otmm rrpoTMBHMKOM dy#©T 
/topoXOB , HO BOJIOflH HQOIMflaHHO Ha 3 Ha HelOT KOHQBaHOBa, 

KOToporo aarpaHMn;©^: hmkto h© 3 na ©t • .Z^opoxoB ohohb ho- 
AOBOJI0H, HO £«#£[ BOJIOflfl OdBHGHHQT ©My OBOfi MaH©Bp t 
laHC BMfl 0 .II, KaK fl©p©TCH ,Z(opOXOB, M M3yHM JI ero HOflOCTdTKH 
(weak points ), a KoHQBaHOBa oh h© 3 iia©T. 

IIjiaH flflfl m BojioflM: Jlanc 6oji©e cm JiBHHii m oriMTHHft 


26 


(Film Unit II) 


KpaTKoe ooflepsaHMQ (npoflOJiKeHM©) 


doKcep, *i©m Kotj©BaHOB« UoaTowy b nepBHX p&yHflax Haflo 
tojibko 3aii^MmaTBCH m 6mtb bcg bp©mh b cepflQe • Korfla 
lano yoTdHQT, Torfla Haflo HacTynaTB. 

HaHHHaeTOH Ma 9 KOTopuft cJiyniaioT m b Mockb©. JaHC 
odemaji b ra3©Tax HOKayT Ha h©tb©ptom payHfle. Boft ajih 
K oneBanoBa oh©hb thkSji, ho oh cji©#yeT coB©Ty flHflH 
Bojioflu h nodexfldeT. 

B CBoeM OTeJie oob©tckm© doKcepn np&3flHyioT ( celebrate) 
nodefly. KoneBa hob roBopHT no T©jiec£oHy o MockboJI. B 
Mockb© ^opoxoBa m Ko^eBaHoaa ifleT MaT^ na n© pb©hotbo 
CCCP* 

$hjibm KOHnaeTOH nocHeft m OTBesflQM cobqtckhx 

dOKOgpOB flOMOft. 

IV. BOnPOGH K SKJBMy 

1. Honewy doKc&pn npnraioT c napamroTOM? 

2. Kto Tanan Mpuna? 

3. Koro ona jnodwT? 

4. Kto ^©mhhoh no doncy? 

5. Kano# xapaKTep y /Jopoxosa? 

6. Kto Tanoft KoneBaHOB? 

7* IIoH©My oh h© nosBOJiHJi ^opoxosy 
npnraTB o napamroTow? 

8. K HQliy rOTOBHTOfl COB 0 TCKM© dOKC^pH? 

9. Hto flyuaeT MpHHa o done©? 


27 


(Film Unit II) 



Bonpoon K (npOAOJI»©HM© ) 


10* Kto no 6 ©sflaeT Ha ot 6 opohhhx copeBHOBaHnax? 

II* IIoHeMy MpHHa nooji© 6 oh h©#oboJ iBHa Ko^eBaHOBHM? 

IS* Kto ©m© yxascHBaeT sa MpHHoii? 

13, Kan npoxoflMT nepBan BCTpe^a cobqtckmx k 
< f)paHi];y3CKHX 6 okc©pob? 

14* Satieii Ha 3Ty BOTpeny npjfxoflHT $paHi*y3CKHii 
HeMHHOH? 

15* Kyfla npur-namaeT cobotckmx tfoKcepos 
MMnpeccapHo JaHca* 

16* Hto Ko^eBaHOB flyMaoT o lance? 

17* ^to laHC o 6 bhbjih©t noojie 6 oh? 

18* Kan npuHHMaeT cob©tcK an KOMaHfla 3T0T BH30B? 

19* IIoHeMy BojuoflH bh6 Hpa ©t ajih 6 oh 

o JaHcoii KotiesaHOBa? 

SO* Hto roBopHT 06 3 tom bh 6 op© ^opoxoB? 

SI* Hto roBopHT 06 3 tom MMnpeccapno JaHoa? 

28. Kanoft xuiaH Bojioflw? 

S3, ^to lane o6©maji b ra3©Tax? 

24* Kan MflgT CHanajia 6 oii? 

25. *lTO npOHCXOflMT B 3TO Bp©MH B MOC KB©? 

26, ^©M KOH^a©TCH 6oft? 

27* ijto roBopHT MMnpeccapHo o Jane© nooji© 6o h? 

28, C k@m KoneBa hob roBopHT no T©JJ©$OHy? 

29* ^to ifleT Kon©BaHOBa w .ZlopoxoBa b Mockb©? 

30. ^QM KO HaaeTCfl (ftHJIBM? 

31. Sc tb jih, no-Bameuy, pa3HHE(a Me*#y aM©pnKa hokhm 
h pyCCKHM 6 okcou? 


28 - (Film Unit II) 


OTAJrorH M3 c&HJILMA 


V* 


JOPOXOB t 

MPHHAs 

flOPOXOBi 


KPKHAt 


^OPOXOB: 

MPHHAt 
KO^EBAHOB{ 


I • B caMQJigTe » 

SflpaBCTByjlT©, MpHHa! 

3flpaBCTByiiT© • A h sac h© 3 heed* 

3to R6BS.SH0 • 3aTO a Bao 3HaK>« 
BoKcep, 3Ha©T© jim, flojiaeH mpho- 
B6HH0 OPMeHTMPOBaTBOM D 

b jno6oft odcTaHOBKe. MHaM© ©My 
rpom n;©Ha. 

A BOT nOCMOTpMM, KaK BH B 
B0 3flyx© OpM©HTMpy©T©OB• 

IIpoBepMM # 

A BH H© 6oMt©CB. XOTMT©,C©ft^aC 
SaTHSHHM npHPHy? 

Hgt, h© xo^y* 

3to kto se saTHHHHM npnraTB 
X0R6T? 


flOPOXOB t A MTO? 


KO^EBAHOBl 


MhT©P©CHO # BXOflMT©, TOBapM^M# 


1) to adapt himeelf 


MPMHAl 


S * Iloojre dog Ha QTdopoHHHX 
oopeBHQBaHHax, 

^TO c to6q$i? 


KO^EBAHOBi 


MPMHAt 


Tan h s t©6©. roBopMJi j 6oko - 
3 TO H© JIOTO ^ I A aTO O T060&? 
T©6h BOJIHV0T o6nieCTBQHHOe 
MHQHMQ? 

A T©6H,Boo6m© t Kaa©Tca ,hhwo 
H© BOJIHy©T* 


1) lotto 2) public opinion 


29 


(Film Unit II) 
























/fosajroPH M3 $s!.i£Ma (npo^ojiseHMe) 


KOHEBAHOB 8 Hy q©ro th cep^MniBOH? Th flyiiajia, 

fl OMSy 3fl0CL OflMHOKKft, paOCTp6©H~ 
hh&. Th npMflenifc m noaajieemi* 

M0HH • A H B3HJ M MCIIOPTMJI 8) 

b©cb tbo ik skimcejT^ 


1) X went and spoiled li) plaa 


flOPOXQB i 

KOHEBAHQB t 

AOPOXOBt 

KQHEBAHOB t 

ilQPQXOB l 

KQHEBAHOB t 

flOPOXOBf 

KOHEBAHQB % 


ffOPOXOBs 

mm Bojoiig i 


3* KOMBBaHOB M /[OPOXOB « 

Ho noftMM, KHpfuui 9 a to rjiyno® 
Th Be^B naB©pHHKd npoHrpaem£« 

Mo»©t 6 htb« 

B©ab 3 to 6y^©T noa6p^ #jih 
BC 0$ KOMaH,Z*H. M H© TOJIBKO 
flJiH KO MaHflH * 

A th h© nyraft* 

Hy CKa&M ^©ctho, kto chjibh©©^ 
th mjtm h ? 

H© BHaio* 

A nopa 6 h shstb• OTKasucB, 
nona h© no3flHO© 

n©TH, Hy HTO TH BO@ 
xsacTaeniB? 

BXOflMT BOJIO^H* 

BOJIOflH, JaHC BH3Ba«ffl U6HH} 
a H© K0H©BaH0BaI 

JaHC BMgeJs t© 6 h Ha pmhp© , 
roJOBa I3J HoHMMaTB Haflo! 

Kpo m© Toro, th ropn^i m Mac TO 
AojiaoiHB rjiynooTH« 


1) disgrace 2) boast 
3) m you fooli 


30 


(Film Unit II) 





















.AiiajiorH M3 (npoflOJiraeHHQ) 


.ZIOPOXOB: 

Ho no^MMTe , JIaHc M3 Hero kotji eTy 
c^eJiaoT! 

/IMA B0I0,ZIHt 

IIpOTMBHMKOM laHCa 06 'E>flBJI©H 
KoHeBaHOB » 


4. Ilepefl 6ogm c laHCOM. 

JaHc TexHMHecKM cjuiBHee tg6h m 
O nHTHGG. M BCg-TaKM TH MOSGIEB 
BHMrpaTt 6oii* 

KOHEBAHOB* 

Xony BHMrpaTB• 

mm 

JIaHc oTapme tg6h, m y Hero 
cepflii;© xyae TBooro. Mmghho 

B 3 TOM inaHC* 

KOHEBAHOB* 

06pa6aTHBaTB o6jiacTB cepflixa?!) 

ilHJIH BOJfOilHt 

y^apaMM M 6HCTPOTOM TGMIia « 


1) Work on the region of the heart 


31 


(Film Unit II) 












V. 


IIECH3 HA CKAMEfiKE 


CMfleJIM flBa 

Ha B^TK© aojioT<5ft t 

Oahh cmaqJI KaK ojidflyeT i) 

.Qpyroft 6ojiTaji 2 ^ Horoft# 

CjieT©aiM 3 ^Ba ueRBeRn 
C B0TKM 3 0JI0T0ft , 

OflMH JI0T©Jff KaK OJIG^yeT , 

£pyroft 6ojiTaji hqto#* 


1) the normal way 2) was swinging 3) fell down from 




‘32 


(Film Unit II) 





FILM UNIT III* 


TWO SOLDIERS 
/ £BA BOftlft / 


•33 


(Film Unit III) 



I* COMMENTS TO THE FILM* 


1) This film was made in Tashkent, Soviet Central Asia, during the 
last war, and a few views of Leningrad were added from newsreels* The film 
contains surprisingly little Communist propaganda* At that time, the 
Communist party temporarily withdrew its familiar slogans and soft-pedaled 
the glorification of Stalin (his name is not mentioned once in the entire 
film)* The story is about the friendship and courage of two simple soldiers 

2) In the film, one may see many of the bettei>known sights of 
Leningrad: St Isaac's Cathedral, the banks of the Neva River* The Fortress 
of St Peter and Paul, the Nevsky Prospect, etc* The front is located in 
the suburbs of Leningrad , an area of luxurious palaces, beautiful parka 
and statues, which was one of the former residences of the Czars* 

3) The soldier, Sasha, is a blacksmith from a plant in the Ural 
Mountain Region* His friend, Arkady, is a welder from Odessa* Odessa is 
a port on the Black Sea, the Marseille of Russia® The inhabitants are 
noted for their city patriotism and their love of jsnsic and poetry* 

(Not© Arkady's answer to Tasya's question "Are you an artist?" 

"No, I'm from Odessa*") Many people from Odessa speak a peculiar dialect 
of Russian, full of charming irregularities in grammar and usage* 

Arkady's speech is a mixture of slang, proverbs, poetical clichds, puns, 
quotations, and expressions coined on the spur of the moment; it is highly 
ornamental and humorous; moving abruptly from one topic to another* 

Examples of his grammar are: 3a 0$eccy ( instead of e>6 Oflocce), 

#0 flepeBa ( instead of Ha $ep©BO ) . 

At the time the film was made, Odessa was under si@g© and bom¬ 
bardment by the Germans* Among the soldiers there is a Ukrainian who 
speaks his own language (e*g* H© MOiHO ( instead of h©JIB 3 h) » 

( instead of bmahmb)# 

4) Arkady very often makes fun of Sasha* In the first long scene 
in the dugout, he tells a long story in which he describes how Sasha 
practiced shooting a captured German Mauser, by firing at a flower and 
how the Germans mistook that for Russian artillery and opened fire on 
him® A little later in the film, Arkady receives a letter describing the 
result of a German bombardment of his dear city of Odessa* When Sasha 
fails to distinguish between the damage done in Odessa and in other places 
by the Germans, the patriotic Arkady gets angry and accuses Sasha of being 
insensitive and of lacking appreciation of Odessa, "the finest city in the 
world*" 

5) Tasya is an engineer and, therefore, is treated with respect 
by the two friends# In her room, Arcady says, looking at her 3 lide rule, 

"An intellectual girll" 

6) The only deviation from realism is in the last scene of the film 
where dozens of Germans try to seize the pill-box from the two Russian 
machine-gunners, regardless of the cost* This type of attack was typical 
of Russian, rather than of German, tactics* 


-34* 


(Film Unit III) 



II* KEY WORDS AMD PHRASES. 


onepeflfiTB aTany 

IipOTIlBH MKa 

rJiaBHan qacTB naifloro 
opysMH ecTt roJiOBa ero 
Bjiafle 

no^Mi , rpdMO i ra 

np6nycK 

yracna 

colloq# for $yr&cHaH 6oM6a) 
30 MJIHh 6 k 

( diniin. of 3 ©m^k) 
na§K 

Boafljiaafl Tpeedra 
E© th o6ftfl©ji 
nocHJiKa 
Bh 0<5ftfl©jwci>? 

IIpOfl0p)g^T©OB H0MHOPO 

naTpoHN Ha wcx6fle 


to anticipate the attack of the 
enemy (to beat the enemy to the draw) 

the main part of each weapon is 
the head of its owner 

political indoctrination 

password 

demolition bomb 

buddy 

individual ration 

air raid alert 

It's her you insulted 

package 

Are you offended? 

Hold on a little longer 
we*re running out of ammo 


III • ilEfiCTByiOmME * 


ApK&flMM 


C^ma Cbmhu;6b 

T&on 


nyjieMgTqMK, nepBH# hom©p 
( machine - gunner ) 

ny^©M^THHK y BTOpO# HO M©p 
( machine « gunner®s assistant ) 
jr©HMHrpaflCKafl fleBynina, 

3 Ha koM an Cara 


Mafio p 


KOMaHflMp no flpa3fl©JieHMa 


Anyji^Ta 


yKpaMHQIi - nyJTOMQTHHK 


■ 34 -A- 


(Film Unit III) 









‘ ftl : h ■ i . 

2 








. ■ 














-1 




















^eftoTByiomHQ Jinija (npoflojiKQHHe ) 


w CTYfleHT {t - nyJI©MgTt|HK 

A-pTPiJijre-pnoT 

HpOlfteCCOp MaTQMaTHKH 

MejcecT m 


KPATKOE COilEPJKAHME . 

B 1941 r« OC6HBK), BO BpeMH BTOpOM MMpOBOft BQ&HH, Ha 
$poHT9 nofl leHHHrpafloii GJiyataT pa cojiflaTa-nyji©MgTnHKa 9 
ApKaflM^ M Gama* 0 6a ohm xoponiM© coju^aTH m 6ojibihm© 
flpysBH. ApKaflK# - cbAp^mk { welder ) ms ropo/ja O^ecoH; 
oh jik)6mt uryTHTB m MrpaeT Ha FHTap© « Cama-KysHen; 

( blacksmith ) c STpaJia, c©pBe3HH $ 9 cm ji bhh # 9 h© oh©hb 
3 TMHHM, ho flo6paft. ApKaAM# naoTO myTMT Hafl Cam©#, ho h© 
no 3 bo jih e t 3Toro flejiaTB HMKOMy flpyroMy » 

#py 3 ©ft nocHJiaioT Ha cy tkm b JeHMHrpafl. TaM ohm pe- 
niaioT safiTM k Tace, fleByniK©, c Ko-ropoft Gama no 3 Ha ko mm ji c h 
pan Bin© b 0 H©p©flM 3 a JiMMOHaflOM ( lemon soda ). C Tex nop 
oh ©e h© BMAeJi. Tacn yse 3a6njia 3 Ty BCTpeny, ho bc©—T aKH 
npnrJiainaeT apyseft k o©6 © Ha na ft. Korfla ohm cmaht y H©g f 
HanMHa©TCH BOSflynraaH TpeBora# Ohm 6hctpo MflyT b 6om6o- 
y6©HHnp ( shelter ). Canra h©aoboji©h t©m , hto ApKaflHft 
ojimihkom MHoro roBopMT o c©6 © c ©ro fleByrnnoft, m yxo^MT 
Ha yjiMny • Ha Kpmuy floua na^aioT aasnraT© jibhh© 6om6n 
( incendiary bombs ). HaMMHaeTCH nosap. Gama ji© 3 ©t Ha 


-3 5 - 


(Film Unit III) 







KpaTKOG COAQpsaHMG (npOflOJISCGHMa ) 

KpHiuy h TymMT nonap* Kor^a Apy3BH eflyT odpaTHO Ha $poht, 
Canra paccKa 3 NBaeT ApKa^wro (kqtoph# citht) o cBoeft jho6bh 
k Tace* Ha (ppoHT©, noKa flpyaBfl HaxofliuiHCB b ropofle* dHJia 
dojiBinaH aTaKa hgmi^gb, MHoro coji^aTB nx noflpa3flGJi0HMM 
y6ftTO hjih p^hgho. ApKaflHft xohgt pa3Bec © jimtb ( cheer up ) 
coJtflaT vl pacoKa3HBaGT mm c KJMopoM o Came h ero fle- 
syniK©. Oh roBopMT, hto fleBymKa h© ohghb KpaoMBaa m 
C amy OHa m JiiodHT* /tpy3BH ccophtch ( quarrel )* Canra 
Mfl^T K KO MaH^Mpy M TOBOpMT, HTO OH dOJIBH© H© XOM0T 
6HTB B OflHOM OTflGJieHMM C ApKaflMQM* KOMaHflMp nepGBOAMT 
ero b flpyroo OTflejieHHe . Cobgtc KMe nacTM sflyT aTann npo- 
TMBHMKa* HgMDIH A© JiaiOT CTpaHHUft MaH^Bpj TaHKM MflyT B 
COBGTCKMG ok6iih ( trenches ), a od tom b flpyr noBOpanMBaiOT 
M MflyT odpaTHO. Maftop nocHJiaeT Apna^MH y3Ha tb, mto xotht 
C flGJiaTB H 0 MIJH • ApKaflMft BHflHT, MT O TaHKM nDflB03flT n©XOTy t 
KOTopaa flojixHa npo^o^aaTB aTany.. Oh flaeT 3 HaT b od a tom 
CBOMM MaCTHM. H©MIJN HaqMHaiOT CTpGJIHTB no ApKaflHiO* Ma#Op 
nocHJiaeT ©My Ha noMoinB Camy* PyccKM© oTKpHBaioT opohb no 
npOTHBHHKy, M H 0 MHJEI OTCTynaK)T # 

Pane h nil Causa JiexMT b rocnHTaji© * Oh bcg em;8 cepflHTOH 
( is angry ) Ha ApKaflKH m h© xohgt ©ro bma©tb» 

H©p©3 TpM MGCHi^a, Korfla Cam bhxoakt ms roonMTajiH, 
oh BCTpenaoT na yjiHn,© Tacio* Tacn djiaroAapHT ero 3a no- 
cbijikm m aa jho6obhh© nMCBMa « Cama HMnero h© noHMMa©T f 


-36 


(Film Unit III) 


KpaTKoe co;;ep)KaHMe (npoAOJiseHne ) 


noTOMy xito oh He nocHJiaji ©ft HMKaKMX hhcgm® HaKOH©n; # OH 
noHumeT, hto ApKaA*$ nocnjiaji nocnjiKH m niicBMa Tace 
h noflnwcHBajiCH ero hmgh©m. 3a 3 to Bp ©mh Taca oh©hb no- 
jnodwjia Camy. Gama bmamt, hto ApKaAH# cobcgm h© yxaacMBaeT 
sa ero AesyniKoft h bcg bp©mh 6hji xoponiHM Apyrow. 

Korfla Cama BoaspamaeTCfi Ha $poHT, h©me;h OKpyawjiH 
ApnaAMH . y ApnaAMH hgt naTpoHOB. Maftop nocHJiaeT Camy 
c naTponaMH k Apna awk>« $hjibm koh^gtch aTanoft pyccKHX, 
KOTOpH© OKpyacaiOT H©MDi©B # 

IV. BOnPOCH K JILMY o 

I. Kan 3 OByT A©yx coJiAaT? 

8. Ma Kanoro ropoAa ApKaA^ft w OTKyAa Cama? 

3. PA© HaXOAHTCH tfpOHT, KOTOpuft no Ka SHBaiOT 
B d?MJIBM© ? 

4. B[to roBoppiT ApnaA^ft apTMJUi©pMCTy 9 KOToptift 
nonpodoBaji nry tmtb HaA Cameftv 

5. HotjGMy Apna A^ft He nnineT nxicoM Aowoft? 

6. 0 hgm noJiynmi nncBwo ApKaA^ft? 

7. IIOH©My Apy©i>« noexamw b Jgh h HrpaA 7 

8 • K KOMy ohm saxoAHT? 

9. Kan Cama no 3HaKOMM jich c A©BymKoft? 

10. ^to cjiytm jiocb, ko rAa ohm 6hjih y h©g b 
rocTflX? 

11. KyAa ohm rr> mjm TorAa? 

IS. IIoHGMy Cama ymeji Ha yjiMi$y mb 
doM6oy6e&Mn?a ? 


« 37 ~ 


(Film Unit III) 



Bonpocn k (ripo^o ji^ghm© ) 


13. *Ito 6hjio Ha $ponTe, nona flpy3BH 
6 hjih b JeiiHiirpa^e? 

14. IIOHeMy ApKaAMM paccKasuBaeT nenpaBfly 
o Cam© m er o #©BymKe? 

15. 3a^i©M Cama k KOMaH^npy? 

16. Kano# 6wi otb©t KOMaHflHpa? 

17. Kyfla Maftop nocnjiaeT Api<a#MH 9 Kor^a TaHKM 
MflyT Ha HMX? 

18. IlotieMy Maiiop noTOM nocnJiaeT Camy k ApKaflMio? 

19. P[to cjiyHMJiocB c Caine ft? 

50. IIOHQMy Cam h© xotiot bm^otb ApKaflHH b 
rocnMTaji©? 

51. *Ito ^eJiaeT ApKaflMft c 6yK^TOM? 

55. PacoKasMe o bct pa qe Canm m Tech. 

53. Kto nnoa^ xiMCBMa Tace? 

54. IIOHeMy Canra tek o6paflOBaJi gh ? 

85. ^TO B 3TO Bpewa flejiaeT ApKaflPl#? 

56. noHewy hhkto h© moh©t ©My noMOtiB? 

27. Kto Cam© Ha iiomohb? 

28. HeM ko HtiaeTCH $hjibm? 


-38 


(Film Unit III) 


V. m AJOm M3 TKJLWU 


I • 3eMJiH Hi<a_( dugou t ) * Ho^b. 

Bee cnHT,KpoM8 ApKaflWfl m 
CamH. 


APKAHHft : 


Cama! 


CAEA: 

APKAMih 

CAEA % 


Th Ha MQHH oceptiaJi ? 

C Hero a to ? Bo t. to to .. . 


APKAUMfi 1 A th ne ceptiaft. Th ace 3 HaenrB, qTO 

h a jch XQ-pomoro cJiOBa nanamy He 

no %a jiqio. ^3 


CAMA t 

apkaMj. 

CAEA? 

APKAMtl 


CAEA? 

APKAiU# ? 


3Haio 0 

Mexfly npouMM, HanmcHO th Tan 
ffyMaeniB , 4 ' A ecJiw a niy^, Tan 

TH rL/IK>HB H — HO JIB BH HMa HMfl« 5 ' 

A H H nJIIOK)* 

Bot 3to Toace, Meatfly npOHHM, 
Hanpaciio. H » t©6h Kan poflHoro 
jik>6jiiq. Ckojibko mh c To6:oft hgmqgb 
noHJiaan okojibko HaTepneJMOB 7 ) 

- a to at KoigMap 8 no flyMaT b 1 

3to npaBfla. 

Tanow flpyat6H, KaK Hama, Ha Bceu 
CB6T0 HOT* Th Tfle 6 hji? 


CAEA > Mghh noBeJiH k KOMaHflwpy® 

rojoc it Pe6&Ta, xopomo 6 h nocnaTtl 

APKAHI4# 8 /mono tom/? K nano My KOMaHflwpy? Th tjTo, h© 

Mo&eniB 6ncTpee roBopKT? 


I) 

3) 

4) 

6 ) 


* pa c cepflHJiCH 2) why should it be? Of all things! 


I wouldn't spare my own father for the sake of pretty phrase. 


You shouldn't think so 5) (lit.) spit on it and - zero of attention* 
/ „ . v ignore it and pay no attention 

(slang) - y^HJiM 7) endured 8) nightmare 


- 39 - 


(Film Unit III) 
































^waJiorH ms 

(npoflOJixeHMe ) 

CAI1IA: 

K KOMaHAMpy nojiKa, 

APKA^HJlt 

3aq©M? 

CAIHA: 

Oh XOT 0 JI MGHH BHfleTB, 

APKAflKfit 

3aM©M? Th noHMMaeniB pyccKH# 

H3HK r 3aneM? 

CAIHA 2 

CnacHdo, roBopMT. TOBapmn; CbmhqobI 
Xo do mo BO k>©_bib * 9 ' 

APKAMih 

A hto th TaKO© y»© cflejiaji? 

CAHIAi 

A h noKJiaji HQMHoro HeMn;eB b 
pvKonainHoft«, 10 ' 

APKAiUlJil 

Ckojibko ? 

CAIHA 2 

A flO 0 MB niTyK noKJiaai* 

APKAJOlIlH 2 

Kdom© nryTOK? 11 ^ 

CAIHA: 

A M©ro? Tomho. 

APKAHH0: 

Bot a to Aa! ) 

Bot 3to Caiua c 7pa jiM ania ! 

tojioc: 

/laHT© cnaTB, TOBa pmujh! 


9) you 1 re a good soldier 10) hand-to-hand combat 


11)no kidding? 

12) (exclamation of admiration) 

APKAHHK t 

2* B JleHMHrDafl© • 

3HaMMT MH , MMG©M ©E^S IJGJINX HHTB 
tiaCOB. ^TO MH MOH0M FTP© AITpM** 

HHTB I* 

CAIHA: 

A& y f. He 3Haio* * * Ectb y m©hh 

3A©Cij npM&TejiB 2 ) oahh . . . Haao 6 
©My no TGJie&oHy sbAkhvtb 3) 

1) undertake 

2) - Apyr 

3) (slang) 3 no 3bohmtb 


-40 - 


(Film Unit III) 





























/Juajiom ms (tMJLbwx (npoflo jnzenm ) 


apkaotB j 

IIpMHT ©JIB? 

CADIA: 

Hy, HG npMHTGJIB, a Ta K 3eMJIfltl6K • . • 
BpOJSe KaK 4 ' 6h CTyflQHT, ^TO JIM • . • 

APR Ail Mil : 

Th mghh, ko He mho , M3bmhm Gama: 

TBOM 30MJIHXIOK HG B fc>6K©? 

CAULA: 

Hy. . . 

APRAHMM : 

Hy, Bee flCHo • A hto, ©cjim mn noftflgii 

RO TOPO SGMJIHtlHa? 

CAULA: 

ila yac h© 3Ha k> •«. Ona-TO, boo 6m© , 
K0H8MH0, mghh npMTJia ma Jia , Kor#a 

MH C HG M DO 3 Ha KOMMJIMCB ... 

APR Ail Mil : 

Cmotpmt© m Horol y Hero gotb 
fleBymKa! Ona b Hero 6©3 ^mho 7) 
bjiio6ji@h&! A oh oto ckpnb&gt! 8) 

Hy, roBopM kg, nyfla math I 

4) something like 

5) skirt 6) (ofleccK.) - k to My 

7) madly 

8) conceals 

CADIA * 

3. y flBGPM B KBapTMpy TaoM• 

OHa OTKpHBa© T flB©pB. 

Ona* 

TAGS: 

BaM koto? 

CADIA: 

SflpaBCTByJiTe, Tad 

TAC5I: 

3ApaBCTByMT© ... A bn, npocT mt© f kto? 

APKAjHHK s 

Tn He ohim6ch? 

CADIA: 

HeT , OHa • 

APKAflHfil 

Bn - Tacn? 

TACH: 

Tacn* 

APKA4HM* 

A oh Cama.Cama c ypajmama . Bn h 
© ro 3Ha©Te. 


-41- 


(Film Unit III) 



























^Majiorn M3 c£miBMa (npo^ojiaonKe ) 


CAIHA 3 

J\a mh c BaMH b onepe^H Ha JiMiionafl 
no 3 na ho mhjimcb • H eme cnpaniMBaJi, na k 
Bac 30syT, a bh CKa3aJiM - Tacn. 

APKAilHft t 

A a, mh cnen;Ma7i bho c $poHTa npn- 
exaJiH, hto6h Bac noBMflaTb. A bh 

HaC B flBepHX flepjKMTOo 

TACH* 

Hy, hto s, 3axoAiiT©! 3axoflMT©, 
pa 3 I) BH yse 3fl0C£./npOXOflflT 

B KO MHa Ty / 9 A BH 3Ha©T© t ce- 
ro^HH b aoonapK© $yracKa ynajia * 
ToBopHT, yfiMJia cJioHa* 

APKA^I# : 

AM-aft-aft! Th cjiHrawniB^Caina, hto 
flejiaoTCH b THiisf 2) Hy Tan a Bac 
cnpaiUMBaio: aojukoh 6hji tot cjioh 
yeasaTB M3 cBoeft po#Hoft M jib6h- 
Mott naTaroHMH, hto6h Tyr no t© phtb 
ceoft xo6ot? Hey^anal 

I) since 

2 ) rear area 

TACHs 

4. B JleHMHrmiie * 

Cama! Cama! Bh iom ko mho? ^a? 

Bh non©wy Ha mqhh Tan cmotpht©? 

Bh, hto , He ys HajiM m@hh? 

CAIHA 2 

H©t, ysnaji, Tacn« 

TACH: 

Bh, HaBepHo, npHMO M3 rocnMTajiH? 

CAIHA t 

Ka rocnMTajiH-TO h flaBiio BHnMcaJicH* 
Ymo HGTHp© flHH w 

TAC5I* 

3naHHT, bh 6hjih y mqhh? Bh npMnuiM, 
nocTynajof, saw hmkto h© otkphji 
m bh ynuiM? 

CAEA t 

Hot, He cTynaJi. He 6hji h* 

TACH { /o6msqhho/ 

He 6hjim? A h Bac ac^ajia! 

CAIHA 3 

A bh hto, o6ft,a; ©jzmcb , Tacn? 


- 42 - 


(Film Unit III) 

















^Majiorw M3 (npo^oji® 0 hmg ) 


TACfls 

Bh, no^ajiywcm , h© Aywa^T©, mto mh© 
HysHbi 6 hjih BamM nooHJiKM. 3 tm 
npo^yKTH I) ejm Bee. bch KBapTiipa. 

CAMA* 

KaKM© IIOCHJIKK? 

TACHs 

BaniM• H xflajia mx He M3-3a npo#y ktob 9 
a H3~3a nwceM. Ms-3a Baiimx nifceM. 

cama: 

Mo mx nncew? 

TACH* 

Ha! H mx 6eper^i 8 ^ Homy c co6o# - 
Bee BamM MeTHpHafln;aTfc nMceMl 

BOT OHM,BO3BMKT0I 

CAIHA 5 

IIoroflftTG. 3 ) Taofl. Kyaa bh? Haao 
pasodpdTBCH 4) B a tom iiejie. 

/BepgT nMGBMa/o 

TACHs 

A bh em;e ctmxm nMcajiMS 

Koraa mhq 6HBa@T.Tyro 5) 

B ropHHGM jimx6m° t 6ok>, 

H noMHio tg6h, noap^ra, 

H nOMHIO jiio6obb CBOIO* 

CAMAS 

ApKaflMft I 

TACHs 

HTO? 

CAMAS 

ApKa p,jm , roBopio* £pyr Y mghh ©otb. 

£a bh ero sHaeTe. IIotiTM TpH Mecnija 

He BM^eJi mcb• A bh 3HaeT© Taw Ka k?I 
IIOBMflaTB mh© ero naflo, ceftnac xe f 
HGMGflJieHHO . Ao CBMflaHBH, Tacn! 

TACHS 

IIocToiiTe, Kyfla x bh? 

CAMAS 

A HMCBMa BO3BMMT 0 ,TaCHI B HMX BCg 
BepHO HaniicaHO. Moigt , ko hghho f hg 

TaK KpaCMBO, HO BCS BGpHO M TO^HO* 

/y6era©T/® 


1) food 2) keep 

4) straighten out 

3) - nOflOHflMT© 

5) difficult 6) spirited 


-43- 


(Film Unit III) 




















VI* nECHfl "TEMHAH HO^b " . 

TeMHan Hotcb , tojibko nfrjiK ^) cBH CTftT S )io cT©nft> 

TOJIBKO B0T0P ry^flT B ITpODOfl£ x3) TyCK JIQ 3Bg3flH 

Me pit Shot *4~) 

B TeMHyio Hoqt th , JiiotfHMafl, 3Haio , h© crwniB 
H y AeTCKoft KpQBaTKi TaMK6M 5) TH cje3y yTHpaenrB» 6) 

Kan h jho6jiio rJiytfMH^ tbomx jsA cko bhx 7 ) rjiaa! 

KaK h xcmy k hmm npMK&TBCH xotb paa rybaMM!.*# Q * 

T^MHaH HOtIB pa3 fl0JIH0T , JHOOMMaH , Ha c , 

M tpqbc?K H afl 9 ) tiepnaa ctohb rrpojierjia Me«flv HaMH♦ -EQ) 

Bepro b t©6h, floporyio noApyry mobd, 

3ja Bopa ot nyjni m©hh t e mhom hqhbio xpaHMJia* 
PaflOCTHO MH©, H CnOKOeH b cm©pt 6 jibhom 6 ofo 9 
3HaiO, BCTpOTMEIB C JH 060 BBK) MQHfl, H T O 6 CO MHO# 

HM C JiytlHJTOCB * ~rrr 

CMepTB H 0 cTpamHa: mli hb paa c BC'rpetiaJiHCB 

b cTenn; 

Bot w TenepB HaAo mhok> OHa Kpyn fiTOH ,12) 

Th X M 0 HH H y AeTCKOft KpOBaTKH H© CnHIHB, 

M no3TOMy, anaio, co mho# Hjmero h© cJiy^HTCH* 


1) bullets 2) to whistle 

4) stars twinkle dimly 
6) wipe a tear 7) kind 

9) full of anxiety 10) stretches 


3) hums in the wires 

5) stealthily 

3) to press my lips at 
least once 

(lies) between us 


11) whatever happens to me 


12) is circling 


-JBBBBBBHBftt 


-44- 


(Filrn Unit III) 

















FILM UNIT IV, 


A MUSICAL STOR Y 

/ MY3HKAJLHASI MCTOPMH / 


.45. 


(Film Unit IV) 



I 


COMMITS TO THE FILM* 


1) This film was released in 1940 in Leningrad* It was the first real 
Soviet musical-comedy, released as an answer to the ,, capitalistic H musical 
”1000 Men and a Girl” starring Deanna Durbin, which was a great hit in the 
USSR* The part of the hero in this Soviet-style rags-to-riches story is 
played by the still famous Russian tenor, Lemeshev, of the Bolshoi Theatre 
in Moscow* 

2) The film contains little propaganda and even presents quite 
realistically a Soviet “communal apartment” - i*e* an apartment in which 
many families live together due to the permanent living-space shortage in 
the USSR* The apartment shown in the film has one kitchen and only one 
bathroom for a dozen families* (One of the characters, Tarakanov, wooing 
the heroine, tries to attract her with the prospect of living in a less 
“overpopulated” apartment with a “private” telephone in the corridor and 
a bathroom “where one could do one*s laundry.") 

3) There are many scenes of Leningrad which show the famous 
“white nights," St. Isaac Cathedral, the monument to Nicholas I, and the 
Palace Square with the Winter Palace, the former residence of the Russian 
czar* 

4) Lemeshev sings many numbers during the film. In the taxi, he sings 
excerpts from the operas "Prince Igor", “A May Night" and "The Queen of 
Spades"* The whistle of a policeman trying to 3top them for violation of 
traffic rules, is jokingly considered as an insult to the singer, since 
whistling in Russian theaters is the equivalent of American booing* 

In the bathroom, while shaving, he sings the popular folksong “Snowstorm" 
(see the text), and in the park he sings another folksong "Ah, you, my 
darling girl*" At the examination at the Cdnservatory her performs the 
well-known aria from Flotow*s "Martha." 

5) Love scenes are presented in the modern Soviet "Victorian" style. 
Scenes of kisses and embraces such as are usually shown in American films 
are avoided* 

6) The garage shown in the film is a taxi terminal* Notice how the 
employees hang their metal numbers on the board to show that they are 

at work* This is common practice in Soviet institutions* 

Like all institutions in the USSR, the garage has its local 
union ("mestkcm")♦ Its head is the bald fellow who likes to give speeches* 
Here,the "mestkom" is presented as favorably as possibl©$it arranges 
a year of study at the Conservatory for the hero* 

7) Some scones take place at the Auto Workers* Union Club* Such a 
club has reading rooms, & room for playing chess, political indoctrination 
lectures and amateur theatrical productions. In the film a production of 
the most popular Russian opera, Tchaikovsky*s "Eugene Onegin," is being 
rehearsed* The hero sings in that opera the part of Lensky, a romantic 
poet who dies in his youth* 


-46- 


(Film Unit IV) 



Comments to the film (Cont*d) 


The most famous aria of that opera is " Ky#a*Ky#a" (Where to* 
Where to)* which practically everyone in Russia knows by heart. During the 
rehearsals* there is a conflict between Soviet "longhairs" and "jazz-lovers.” 
The Polar Ball at the club (complete with snow confetti and a freshly 
painted white bear) is probably being held in connection with a Soviet 
Arctic Expedition which took place at that time. 

G) The Russian custom* shown here, of throwing a person in the air 
and catching him is commonly used to show affection for the person or to / 
congratulate him* (The Russian word for this is " Ka*i&TB " which means 
literally* 11 to shake.") 

9) For an explanation of the custom of kissing among men see the comments 
to the film "The Boxers*" § 6# 

10) The hero 1 s debut in opera is in the part of Levko in Rimsky«Korsakov*s 
"A May Night*" an opera with a Ukrainian background, the plot of which is 
taken from a story by Gogol. 

11) Tarakanov is the villain of the story. He is stupid, likes money (at 
the end he gets a job in another garage where they pay more money)* and is 

a liar (part of the plot depends on his lie to the hero during the performance 
of the opera at the club.) It is typical Soviet propaganda that he is also 
shown as'-'being proves tern. (He changed his Russian name to Alfred). 

His speech is filled with misusages of language , boorish expressions and 
newspaper cliches; sometimes it sounds almost like gibberish* thinly dis¬ 
guised as intellectual speech. 


-47- 


(Filxa Unit IV) 



II 


KEY WORDS AND PHRASES, 


HHTepeoHHft maT^H 
pa3roBOp He okohhgh 

A&pow aob eay 

GCJIW 6 BH 3HaJIM t KaK BH 
MHO HaflOGJIHl 

nojiyti^Te Hap&A 

r6pe th mog! 

peneT6n;iiH 

peneT&poBaT b 

A*aa 

h eseflH^BHO padoTaro 
Ha a co 6ofi 

3&HaB©C 

nPQB&JIIlBaT BCH ) 

npOBaJlTBCH ) 

AaBaft mm pft tbch 

TpaKAaHKa BeJi km Ha b 
J leHMHrpaA© He npoxHB&eT 


- handsome man with brown hair 


- curtain 

- to flop, to fail (as a theatrical 

production) 

• let*s make up 

» citizen Belkina is not a resident 
of Leningrad 


- the conversation is not 
over yet 

- 1*11 take you without charge 

- If you only knew how you 
bore mei 

- take this call (the dispatcher says 
it to the taxi-driver) 

- you*re my burden] 

- rehearsal 

- to rehearse 

- jazz 

- X work on myself daily 


III. ilEftCTByiOME IHUA» 

116th (n^TBKa) rOBQ-pKdB. moc&gp TaKCSl 

KJid'ea (Kji£bahh BacftjiBeBHa E^JiKMHa) , AweneTnep rapa&a 

TaKCll 

Taipa kAhob, A^Bd>T)6A Tep^HTBeBira , niotpSp Ta kcm 

MaKe fl 6HCKH&« Bac#JiM% 6 hbihh^ onepuN# neB^i; 

( a former opera singer ) 


-48- 


(Film Unit IV) 









^eftcTByiomne jnma (npoRojmenm ) 

HaqaJiBHMK KJiy 6 a. 

^MpHs^p m , Jsasa • 

Metb n©TH. 

CecTpa IIgth* 

IIpe^ceflaTejr b xisctko va. * 
PadoTHMKM rapasa. 


KPATKO E CO AEPJKAHKE » 

mo$gp TaKcw n©Tf3 roBOpK<5B otj©HB joo6mt OIX©py • y 
Hero xoponiHM tojioc , ho oh h© ^yna©*ff, hto mosgt OTaTB 
neBijOM (singer )• OflHas^, b TeaTpe , Ha on©p© "Kapii^n", 
OH 3HaKO MUTCH C 6HBIHHM OnepHBIM n© BIHOM MaKGfi OHCKMM• 
no flopore flOMoii MaKeflOHCKMii OTKpHBaeT ,tjr o y n©TH ©ctb 
rojiioc»ii roBopwT ©My, hto qep©3 rofl Tobopk6b 6yfl©T ii©tb 
b onep© • 

n©TH m Hjiasa BeJiKMHa, ^Mon©TH©p rapaaca, rfl© n©TH 
pa6oTa©T, jik>6ht flpyr flpyra. Ho n© th 6ohtch cnasaTB o 
o bo© ii jiio6bh # B KJiaBy Ta kxc© bjho6ji6h mo^gp TapaK&HOB* 

Oh ayp&K w arofiCT • KjiaBa ero He jho6mt* 

Hano h©b; n©T h cnasaji KJiaB© o cBoeft jik>6bw * Ohh 

CHaC TJIPIBH t HO 3 fl©CB Ha HH Ha © T CH KOH$JI&KT MGEfly JIIO6OBBIO 
H 3K© Jia HK0M n©TH CTaTB OnepHHM neBEIiCM • n©TH XOH©T 
cHanajia chgtb napTHio Johckopo b KJiy6Hoft nocTanoBKO 
( production ) one pH 0 Ebp©h lift. 0 hqphh rt 9 a no tom sghhtbch 
H a KJiaB©• lUaBa ho b©pht, hto n©TH 6y^©T apTficTon, 


-49' 


(Film Unit IV) 



KpaTKoe coflepsaHMe (npofloJiKGHHe) 

M efl He Hpa BUTCH, TIT O OH npOBOflHT MHOrO Bp© M0 HH He 
c Heft, a Ha peneTimunx. 

Kor^a oh ono3flajr Ha 6a ji , rA© ohm aojihhh 6njim 
bct peTHTBCH, KJiaBa ccopMTCH ( quarrels )c hum h HatjHHaer 
TaHi^eBa tb c TapaKaHOBHM • 

npHXOAHT a©hb npeMBepH ( opening night ) • IleTH no St 
J leHCKoro c 6 ojibihjim ycnexoM. KJiaBa xohqt ybma©tb ero b 
aHTpa kt© h noMHpHTBCH ( to make up ) , ho eg He nycnaiOT 

k neT© . TapanaHOBy yAagTCH nonacTB k n©T©,H oh roBopMT 
ewy, hto KJiaBa ero 6oJiBme h© xohgt bma©tb k npocuT h© 
tivlc aT b nwc ©m 0 

IlocJie 3Toro paaroBopa Fobopkob He mohgt neTB, 

Ha APyrofi a©hb APyaBH npwxoAHT k h©M y h npwHOCHT xo- 
pomyio hoboctb: aAMMHMCTpa h;mh rapaaca nocmiaeT ero b 
KOHC epBaTdpHK) ytdTBCH neTB, 

KJiaBa nepoxoAHT Ha paboTy b APyroft ropoA* H©AaJieKO 
ot JleHHHrpaAa, h IIqth h© mokgt HaftTH eg, 

n©TH KO HHaOT KO HCepBaTOpMIO Ji nOgT B T©aTp© B 
nepBH# pas. KJiaBa cjihiuht no pa a ho ero rojioc h ©a©t b 
J leHHHrpaA • IIgth Jiue&r 6ojiBmoft ycnex, IIocji© cneKTaKJiH 
KJiaBa BCTpetiaercH c hmm, h bc© ko Hna ©tch xopomo. 


-50- 


(Film Unit IV) 


IV. BOnPOCBI K §VULbWr. 

I• Tfl© pa6oTaeT IIoth Tobopkob? 

2. Kto Ta ko ii MaKGAOHcicwfi? 

3. Kan IIgth bctjb na ©tch c MaKeflOHCKMM? 

4 • KaKyro fleByniKy jiio6ht Tobopkob? 

5. Kto Tanaji KjiaBa? 

6 • Kto ©me BJiio6jigH b KJiasy? 

7* OmimMTe xapaKTep TapaKaHOBa. 

8. B KaKoii KBapTup© scmbSt JIgth? 

9. PaccKasHT© o koMM yna jibho^ KBapTKp© « 

10. 0 qew IleTH MeqTaeT nocjie pa3roBopa c 
MaKeflOHc khm ? 

11. ^to TapanaHOB noflapnji KjiaB© Ha fleHB ©6 
pOSCfl©HHH ? 

12. IIOH©My IleTH flojiro h© roBopHT KjiaB© o cbo©^ 

JHO0BM? 

13. Korfla oh xoneT jkqhmtbch Ha Kjrase? 

14. Kanyio onepy potobot b KJiytf© h kto 
b h© ft yqacTByeT? 

15. IIoqoMy KjiaB© h© Hpa bm tch , hto II©th noeT 
b onep©? 

16. IIoHOMy npoHcxoAMT ccopa uemffy MaKQflOHCKKM 
m ^sca30$^? 

17. Kto do Se&flaer (wins) b ©tom cnop©? 

18. noHewy II©th ona3flHBa©T Ha 6aji? 

19. U!to Torfla fl©JiaeT KJiaBa? 

20. y^aeTCfl jol KjiaB© noroBopuTB c IloToii? 

21. J\jlr tiero TapanaHOB npwxoflHT k n © T © 
bo BpeMfl onepn? 


•51- 


(Fila Unit IV) 



BonpooH k (J)MJiBMy (npoflo Ji&enne ) 


82. ^Ito nocjie 3Toro nponcxoflUT? 

23. Kan IIoth xiyBCTByeT ce6a nocjie ototo? 

24. Kto npuxoflMT k H©My Ha cJieflyiomnft fleHB? 

25. HanyK) hoboctb npnH ©cjim euy pa6oTHHKH 
rapasa? 

26. Il0H©My n©T© ho yflaeTCH iiomjiphtbch 
c KJia bo ii ? 

27 . HpaBMTca Jim oct slji bhbim sHJiBijaM II©tmho^ 
KBapTPipa, hto n@TH y^HTCH neTB? 

28. IIOHeMy n©TH ho i/d se t Ha^TM KjiaBy? 

29. ^to H©th fleJiaeT nocJie OKOHtjaHMH KoncepBa- 
TOpmi? 

30. KaKHM o6pa30M KjiaBa y3HaST, hto IIqth 
itoSt b onep© ? 

31. *Ito OHa Tor^a fleJiaeT? 

32. IIOH©My II©th He cobc©m CHacTJiMB noca© 
ycnexa b onepa? 

33. Kto mo$8p TaKCH, b kotopom ©flyT IIgth 
m KJiaBa? 


MAKEUPHCKMfis 

rOBOPKOB: 

MAKEJlOHCKIlfi: 

rOBOPKOBl 


flKAJOrtt M3 3KJBMA. 

I. ITocJie onepH. 

3to tito - Bama? 

TaKOM! ByflB oho np6KJiHTol I) 

Tan bh moc£gp? ff ^yuiaji, bh 
MyaHKaHT. 

By^eniB TyT My3HKa htom ! . . * 

A BaM ny^a exaTB? 


1) a curs© upon itj 


-52- 


(Film Unit IV) 










^waJiorH M3 (npoflojisoHMe ) 


MAKE^OHCKMii s 

£a MHe HeflajieKO . , . 

H Ha flByx TpaMBanx floefly. 

TOBOPKOB : 

CaflMTecB, h Bac flapoM flOBeay# 

Kan jik>6mt9JIh MysNKM* 

makehohckh® : 

H* MMeiiT© bbmuv .foHonra. 2 ) 
djiaroTBOP&T0JIBHOCTM He jiioCjik). 

A bot y Me hh eoTB hhtb pytfjieii - 
B03MTO MeHfl nona OHM He KOHMaTOH* 
A noTOM h Ha TpaMBae floefly. 

MAKEZI OHCKWft t 

Ca^HTOH b ManiHHy m e^yT 0 

Hy mto a, K>Homa, /laBaftT© noaHa- 
KOMMMCH • Mon $aMMJIMH MaKeflOHCKM# 
BaCHJIMft $OMHH* 

tobopkob: 

A moh - Tobopkob, 3HaeT©, omghb 
npMHTHO FID 3Ha KO MMTBCH C TaKMM 
jno6MTeJieM^] . 

MAKE^OHCKHiit 

Haflo, loHOina, flyMaTB npesfle mom 
roBopMTB. H iwumfr mo#, h© 
jho6mt©jib. 4 ' H - at )tmot • 

H TpMfll^aTB JIGT TIGJI B OnepHOM 
TeaTpe* TeHopoM, 

TOBOPKOB: 

H b nopBHii paa bct pe Maio HacTOfl" 
mero onepHoro apTMCTa* 

2) young man /youth/ 

3) charity 


4) a pun upon two meanings of the word 11 ,oo6HTejiB*; 


a fan and an amateur. 

8. Ccopa MaKea ohckoto c 

^MpeKTOBOM aacasa. 

makejohckhJ} t 

y Bac ©ctb coBec tb? i) 

MPiiafiPt 

^ TO SHatlMT, y MGHfl ©CTB COB 0 CTB? 

MAKMOHCKHiit 

IIotjeMy bh h© xotmt© peneTM~ 
pOBaTB B TMMHa C TMM 0 C KOM 3 aJie? 

HHPWffiEP* 

A noMeMy a to a flojuxeii peneTM~ 
POBaTB B TMMHa CTMM 6 CK 0 M 3 ajie? 

1) conscience 



“53- (Film Unit IV) 






















^Majrorw ms 

(npofloJixeHHe ) 

MAKEHOHCKHft j 

noTOMv uTo bh Ha u Mema©T©* 1 * 3 * * ) 

UMPJOtfiPs 

Mh Ban Meraaew! A bh HaM hg 
MG nraeT©?! 

MAKEHOHCKHfiJ 

Xopoman My3HKa hmho r^a hhkomy 
h© M©maeT« 

UMPMSfiPt 

TaK no^©My BaM M©ma©T mo# flxas? 

MAKEHOHCKJtii t 

IIoTOMy hto y Bac mioxoft flxa3* 

2) disturb 

3. Ha 6ajiy* 

TOBOPKOB t 

KJiaBa. h Tan cnemrfji! 

Th flaBHo npMinjia? WflSM CKope© 

Tan n,©BaTBl 

BEJIKMHA. J 

Bh 8 ) HanpaoHO Tan TOponMjmoB 3 1 

TOBO PKOBj 

H© cepflMCB, KJiaBa* Aa, ©cjim 6h 

TH 3HaJEL , KaK BC§ XOpOIHO* H KaK 
h cqacTJiHB! 

BEJIKMHAl 

^ax© CHaCT JIHBH? 

TOBOPKOB t 

OqeHB. £a tjTo c to6o# cJiytiM jiocb? 

BEJKMHA. X 

Hwiero h© cjiyxiMJiooB* IIpocTO h 

H0 JIIo6jI10 XflaTB* 


1) I was in such a hurryi 2) Klava, being hurt,ussa the polite 

fora, M bh tt # 

3) You shouldn*t have 

hurried so* 


5K 


(Film Unit IV) 




















VI, 


IIECHfl "METEMIIA" 


Baojib no yjnme mbt6ji vim 

3a MQT©join;©^ mo# m^jiqhbkm^ M^eT 0 


IIpiineBi 
(refrain ) 


Th nocT6fi , 3 ^ nocToil,KpacaBima moh, 
il03BO JIB 4 ) HarJTHJ 0 TBOH . 5 )paflOOTB,Ba 

t©6h* 


Ha TBOK) JIM Ha npMHTHy KpaCOT^, 

Ha TBOg JIM HTO JIB Ha 6©JIO0 jimii;6. 

KpacoTa tboh o vm& mb ha obbjiIu 6 ) 
MccymftjEa., MCTQMftjia, M3b©ji&» 17 ) 

1) blizzard 

4 ) - nosBOJiB 

7) shrivelled me. 


2) sweeps 3) • OCTaHOBMCB 

5) take a long look 6) drove me out of my mind 
exhausted me. 


*55- 


(Film Unit IV) 











FILM UNIT V. 


LUCK! BRIDE 

/ A3 H $EPT / 




(Filfc Unit V) 




I 


COMMENTS TO THE FILM* 


1) This is a postwar musical whose plot is taken from an old short 
comedy* Such short comedies were performed in theaters at the beginning 
of tho 19th century accompanying and complementing a serious production* 

They were called "vaudevilles" (as used here, the term does not have the 
meaning which it customarily conveys in English)* Such "vaudevilles" always 
contained songs and dances « This particular "vaudeville" was revived be¬ 
cause of its patriotic overtones and its similarity to the situation in 
tho postwar period* In 1945* as in 1814, Russian troops were returning, 
victorious, from abroad and were enthusiastically received by the populace* 

The happy ending is also patriotic* No one inherits the money, which is 
used instead for the reconstruction of Moscow, which was burnt by the enemy* 
One scene of the film shows a view of the Red Square and St Basils Cathedral* 

2) The whole plot is constructed around a misunderstanding in which 

several letters of the Old Russian alphabet play an important part* Some of 
these letters were changed or abolished in the alphabet reform of the 
20th century* At that time the modern letter "A" was called "Aa" and 
two letters, $ called " $epT "and 0 called " » were pro¬ 

nounced the same as the modern letter $ * Thus the name of the hero, 

Fadeyev was pronounced with an "F", but did not meet the requirements 

of the aunt *s will, since it was spelled with 0 rather than $* 

3) It is very difficult to understand the speech of the characters 

in this film, since it is highly stylized and many old expressions are used* 
The speech of the character, Mordashov, is particularly hard to under*- 
stand, as he uses the ancient Russian bureaucratic language and super¬ 
latives of his own construction, which are sometimes fantastic 
(e.g* Haxi$epTejSunift &3; HaH3aK0 jioti&tb bo© oKHaj* 

4) The songs of the films are often stylizations of sentimental 
songs of the period* Luba*s first song tells of the Moscow fire in 1812 
and of their first meeting with Fadeyev* The hero 1 3 orderly sings a patrio¬ 
tic song relating the heroic deeds of his master* Fadeyev*s song with 
guitar accompaniment compares Russian and French beauties, to the ad¬ 
vantage, of course, of the former* Most of the remaining songs are love 
songs* 

5) The custom of throwing a person in the air is explained in the 
Comments to the Film "A Musical Story," § 8* 

6) "Gor^o" (It»s bitter) is a customary exclamation of guests 
at wedding party* Upon hearing the word, the newlyweds are required to 
kiss each other* 


•57« 


(Film Unit V) 





II. KEY WORDS AND PHRASES, 


a3 

$epT 
T^Tymna 
no K^iinan 

3aBQE$HH9 

aaBeis^ tb 
npiiA&Ho© 
m^rm,ecTBO 
Bens© xk (plur.) 

HQHfiX 

"*Iyp MQHHl* 

Tpy c 

Bam© 6jiarop6flH© 

’*IIoc t6 & HanioJi n 
b.sio6mt£C£ 

64pHnrHH 

w Bhtb mh© 3 a.uyxeu n 
w ^©jio MacTepa doMTca** 

6dpHH 

6dpnna 

rycdp 

"Hapa^® 

3ai<D JIOT^TB OKHa 


the old Russian name for the letter "A** 

the old Russian name for the letter '* 

aunty- 

deceased 

last will 

to will, to bequeath 

dowry- 

property 

initials (obs.) 

niece 

bridegroom, fiancfc 

(a magic expression used to ward off 
evil spirits) 
coward 

(the way of addressing nobility used by 
common people) 

I*ve found a billet 

to fall in love 

master's daughter (unmarried) 

I'm destined to marry (him) 

(proverb) lit,* '’Work is afraid of a 
master**,i,e. In the hands of a master any 
work goes smoothly, 
master 
mistress 

hussar 

Help! Police! 

to board up the windows 


58' 


(Film Unit V) 



Key words and Phrases (Cont*d) 


hji6thmk 

6&TK>mKa 
B0KC0 JlA (plur.) 
"BpHCfc!" 

T& 

ceaflBda 

yB©3TH 


• carpenter 

- daddy 

- promissory notes 

- Scatl 

- the name for the letter ,, © H 
(now abolished) 

- wedding 

- to elope with 


III. jlE^CTByiOmilE JMHA. 

HBaH AHj-pieBiiq Mo-pjanr6B, xhtsjib Moc kbh (an inhabitant of 

Moscow) 

I&flyiHKa. ero flo^B 

AKfjiLKa « ©§ cJiysaHKa (her servant) 

Aht6h n©T-p6BMg $afl6©B« rycapcKHft o$im©p (an officer of the 

hussars) 

$a RRbVi , ©ro fleHmftK (his orderly) 

EBnt)aKo6H $6pcHKOBa, 6oraTaa seH^MHa 

ABryo? HOMeij 

HaJi.gp /iijiothmk/ 

K 6 . 1 ©HBKa a 0 $HIJ©p 

^©Ttip© TSTymKM ^MpCMKOBO^ 


KPATKOE COflEFKAHME. 

1814 rofl. BoKHa c HanoJi©OHOM ko hv&i jra cb • PyocKM© Boficna 
B0 3 BpamaiOTCH H3-3a rpaHHBSbl • BCfl MOC KBa paflOCTHO BCTp©^a©T 
no de^fiTe Jie% • Mhotm© cojiflaTH sce hhtch • Tojibko rocnoflHH 
Mop^ainOB He Becejr • y Hero flOMamHJie npo6ji©MH. 


59 


(Film Unit V) 













KpaTKoe cofl€>P*aHK9 ( npoflOJiseH^a ) . 

T^TyniKa ero flogepH JIio6n 6 njia oyMaoneAinaH ( crazy ) 

seHmMHa# Ona 6ujia BJno6jieHa b oflHoro ne-noBeKa* 

KOTOpH# yMep pan Bine , h©m OHa ycnejia buEth 
aa Hero aanya* Ho TUTynina* ©mg kd r^a 3 tot 
H © J! OB © K 6bIJI SUB, nOCTaBHJia MHMUiHaJEI ero MM0HM Ha BC ©X 
C BO MX B©max« 

3th KHMI^HaJIH - A (KOTOPO© HaSHBa JIQCB B OTapOM 
pyccKOM aji^aBHTe "aa*) m $ (kotopo© h aaMBa ji oc b "c^epT")* 
IIotom TSTynKa Toxe yM©pJia « OHa aasemaJia bc8 
cboS HMymeoTBO Jio6yiii3t®* Ho ona nocTaBMJta qaho 

ycJiOBM©: Jx)6yffiKa AOJixHa bh^th aaMyx aa ne-noBeKa c hhk- 
n;iiaJiaMH “aa® k "c^epT"* MHan© ( otherwise ) bc£ HMymecTBO 
no^A^T h© JIio6yiiiKe > a ropoAy Mockb®. 

MopAamoB xoamt no Mockb© h mh^©t neJiQBeKa c HyxHHMH 
MHimHajiaMH, hto6h xsHKTB ero Ha cBoeii AonepH. Oh HaA^- 
©tch Ha^TH TaKoro H©JiOB©Ka cp©AM oo JiAaT „ kotoph© Boaspa- 
tmjimcb TenepB b MocKBy. Oh bc©m paocKaaHBaeT HCTOpHio 
TSTyiUKM , H JIK>AH Ay^aiOT, nTO OH CywacmaABIH^* 

Ahtoh $aA©eB, mojkoao# o^npep, BepHyji ch b MocKBy. 

Oh nojroH naTpHOTftnecKHX nyBCTB, ho oAHa mhcjib Ae-aaeT ero 
nenajiBHHM* ^sa roAa TOMy HaaaA» KOTAa pyocKH© BoftcKa 
OTOTynaJiM M3 Mockbh, oh bctp©tmji Ha Aopore A©ByniKy> ko - 
Topaa HaaBajia ero TpycoM* Oh ao chx nop h© mohqt 3a6HTB 
aTy AasyniKy h xohqt yBH a©tb eg * MopAamoB cjihuiht, hto 
o$nn;epa aoByr Ahtch $aA©©B f n Aywa© t f hto Hanreji HyxHoro 
tia«OB0Ka» ho t©p«©t ero b TOjm§ ( crowd ), 


-60 


(Film Unit V) 


KpaTKoe coflepsaime (ripoAOJiHeHM© ) 

^oByniKa , KOTOpan Tor^a Ha3Bajia Tpycow m 

©ctb aoxjb MopAamoim, JiodyniKa • Ona toec© He mokgt aa- 
6htb Toro o<pmepa m h© mosqt cede rrpocr ktb, uto ohe 
od^AQJia ( insulted ) ero # Tor^a $aA©©B HaxoflMT KBapTMpy 
("nocTdft") b aom© doraTofi »©HmHHH $hpomkoboK . £om $MpCH- 
kobo# h AOii Mo pa aiEO Ba mmgiot 6 6Tu,vift ABop* $aA©©B bhawt 
b okh© JiodyinKy, y3Ha$T eg h BHdnpaeT b aom© KOMHaTy, 
mb KOTopow MO 2 C 0 T ©g bha©tb « C Jry scaHHa ( servant girl ) 
JjodyntKH, AnyjiBia , BJirodjineT ch b A©HmnKa (orderly) 
o^imepa, ^>aAfl©a. 

<£mPchkob£ saMeaaeT, aTO $aAe©B m JIiodymKa jnodaT 
Apyr APyra, w xo^gt aTowy noMeinaTB, Ona paccna3HBa©T 
MopAanroBy, tiro ero a©J iiodjiT yejiGBeKa c MHHu;ji&JiaMH, 
KOTOPB© HO nOAXOAHT* 

MopAamoB npwKa3HBa ©t sano jiotmtb onna b KOMHaT© 
JIJOdyiffKM H HHKOTO H© IiyCKaTB B AOM M BO ABOp. ^TOdH yBH- 
A©tb JIiodyinKy^^aA©©© nepeoA©BaeT ch MaJinpoM, ho ero bh3&t 
KOH^iaeTCH m yAa*iH o ( unsuccessfully ) Ero r6 paoctb ( pride ) 

O^'imepa HG MOIGT BHHG CTH t ^TO OT0B; AagT ©My 9 KEK ME" 

jiHpy, w Ha boa Ky tt ( tip money ), h oh ro bo pifT # kt o oh TaKoii. 
Otgu; h© yanagT ero w rrpoonT yiiTH H9 a om£ . 

^HpcHKOBa HaxoAMT flJsa MopAaiuoBa qeJiOBeKa c nysHHMH hhh- 
AHaJiaMM* 3to HeMeu; ABrycT $wnu Oh a©Ji*©h eft 150 pydjioft 
m h© mo scot 3 amiaTMTB« CpoK (deadline ) - c ©r o a hh « 
$MpcMKOBa ot AagT b©kc©ji6 H©Mu;a MopAanroBy. TenepB MopAa- 
ihob mo K0T aacTaBMTB (to force ) h©me^. ^©hhtbch Ha jfiodyniK©« 


- 01 - 


(Film Unit V) 


KpaTKOe coflepacaHiie (npoflojizceHM0 ) 

^npcMKOBa oneHB AOBOJiBHa: TenepB Q$Hn;ep f KOTopnft Hpa- 
BUTCH eft caiaoft , He jkqhhtos iel Jio6yiiiKe# 

$afle©B ycjminaji o6 3T0M h npHXOflHT b #om MopflamoBa, 
rfle Bee yse s^yT seHHxa -HeMija • MopflamoB TenepB y3HagT 
^afleeBa h pemaeT B3HTB b ateHHXH ero, a He HeMn;a. <3?afleeB 
nJiaTHT 150 py6jieft 3a HeMBja ns cbo© ro KapMaHa ( bcS ero 
sajroBaHBe ) # MopflamoB oqeHB pafl s mhm h;m ajiH noflxoflHT (fit), 
S0HHX 6oraT ( oh Ta k JierKO sanJiaTMJi sa Hewtna CojiBniyio 
cyMMy), ho $npcHKOBa npoflOJixaeT Mem a tb © OHa npMB03HT 
nopTpeT JK)6yniKH, KOTOpift $afle©B HanncaJi y HeS b flOMe# 

Ha nopTpeTe ctoht KHimHajiH "aa" h f a He "aa 

h <£6pT*# Mop^anroB bm^mt cboio oiMf6Ky# $afle©B Hwnero 
He MOS6T nOHHTBJ OH HB 3HaJI HCT OpHH C HHMQIia JiaMIl« 

^eHnjHK pemaeT nonpa bmtl flejio. Oh anaeT, hto $HpcH- 
KOBa otieHB xoHeT BHftT h sa My#, h npe^JiaraeT eft My»a, ** 
cawor6 MopaanroBa# $HpcHKOBa hb xohot, ho Remumt yroBa- 
pwBaOT ( persuades ) eg# JiodymKa yae nepeo^eJiacB b nJiaTB© 
AnyjiBKH h xotieT y6esaTB c o$mi;epoM. Ho bcS ko Hna ©t oh 
xopomo: $KpcJtKOBa bhxo#ht sawya sa Mop^amoBa h flagT 
MHoro fleHer Ha npuflaHoe JIiofiyuiK©; jK)6yniKa bhxoamt aawy# 
3 a o$jin;©pa, a AnyjiBKa - 3a ero Aeaapusa.# ^©HBrn cywa- 
cnre^Moft TUTyinKii HflyT ropo^y Mockb©* 


— 62 ~ 


(Film Unit V) 


IV, 


BOnPOCH K 


I# B KaKOM ropofl© n b Kanoe bp©mh Bee 3T0 
npOMCXOflMJIO? 

2. OTKyfla BO 3BpaTHJUICB B MoCKBy COJIflaTN? 

3* Kanan BoJiHa KOHqjuiacB b qto bp©mh? 

4• IIotjeMy AeBymKM 6©raK>T aa ocpmepaMM? 

5« *Ito fleJiaeT MopflamoB Ha yjumax Mockbh? 

6* Kan 30Byr ero flOtjB? 

7. Kaicoe 3aB©maHM© ooTaBiuia TSTyniKa? 

8. IIotieMy oHa ocTaBHJia Ta Koe 3aB©maHne? 

9. Kto Tai<oii Ahtoh $afl©@B? 

10• Korfla oh botp©thjich b nepBHft pa3 c 
lK>6yniKo£ h rfl© ? 

11. Vto ©My Torfla Jio6yiiiKa cnasajia? 

12. 3to 6hjio npa bh ji rho? 

13. B[©ro TenepB xo^ier $afle©B? 

14. IIoq©My MopflamoB 3aw ht© p© c ob slji ch §afle©BHM? 

15. noMHHT j m lD6ymKaL o^injepa m *ito oh a 
flynaoT o hSm? 

16. B xjb^m flows §afl©9B HaxoflMT KBapTHpy? 

17. OiramMTe xoaaftKy stopo flOMa. 

18. IIoqeMy ^afle©B BH6paji KOMHaTy, rfl© Mano 
co ? 

19* Kai< aosyT cjiy^aHKy liobyuiKH h b noro ona 
bjik)6jih©t an 7 

20. noq©My ^MpcMKosa MeniaeT joo6bh V 

21. Kai< OHa noueuiaJia BCTpa^e mojioahx jnofleii? 

22. KaKoro iteHiixa OHa npeflJiaraeT OTijy 
JIiodymKM? 


- 63 ~ 


(Film Unit V) 



BonpOCH K (npOflOJIHQHH© ) 

S3* IIoqeMy oHa flyMaeT, hto h©m©u; sqhhtca m 
JIro 6 ymK 0 ? 

34• notion Jio 6 yiiiKa m ryoap SojiBine h© Mory? 
bhaotb flpyr flpyra? 

85. Kan $afle©By yfla^TCH bctpgthtbch o Heft? 

86 . Hto oh flejiaeT, ko rfla npuxofliir OTen;? 

27* Kan otgi* HaxoflHT ©ro? 

28* IIotiGMy oh OTKpHBaer OTE(y, ht o oh o$imep? 

29. IIOHOMy Jio6yiiiKa Tan neqajiBHa? 

30. IIoqeMy ot©ij T©n©pB xopomo BCTpenaeT $afl©eBa? 

31. IIoqeMy TenepB OTn;y h© Hyste h HQMeij? 

32. Kto nJiaTHT sa flOJirfr ( debts) HeMija? 

33. Kan ^wponKOBa BTopoft pa3 MeinaeT cqacTBio 
mojioahx Jirofleft? 

34. Kanan pa 3 Hima Meatfly * , $©ptom m m w <|)jiToft *? 

35. IIoqeMy TenepB otou; HecorJiaoeH Ha 6paK 
rycapa M floqepM? 

36. *Ito <&HpcMKOBa coB©Ty©T o^imepy TenepB 
CflGJiaTB? 

37. Kanoft nJiaH y flenmuKa? 

38* Kanoro Mysa oh Haiirgjr $MpcMKOBoft? 

39. ^to pGiHM^a fleJiaTB JIio 6 yniKa? 

40. Kto flagf lK> 6 ymKe fl©H©r h noqeMy? 

41. KaKH© Tpw napH at ©hatch b kohb;©? 

48. Kyfla noftflyT fl ©hbpii T^TyniKH? 


— 64 •** 


(Film Unit V) 


FILM UNIT SI 


RUSSIAN BALLERINA 

/ CO.MCTKA BAJETA / 


■ 65 - 


(Film Unit VI) 



I 


COMMENTS TO THE FILM, 


1) This film was produced in 1947* It stars several young dancers and 
a young singer, otherwise completely unknown. It vividly and realistically 
shows the life of students of music and ballet in modem Russia* 

2) All Russian theaters are federal institutions. All of them are 
repertory theaters - i.e*, they show one or two dozen different shows 
a year* The actors are permanent employees* The best theaters also have 
their own academies where they prepare young actors • The relations between 
thater and school are symbolized in the film by the old usher and the 

old ballet school janitor* While at school, the young singers and dancers 
are discouraged by their teachers from performing in public because they 
are '’not yet ready” and may develop "bad taste"* 

The pupils, however, seldom follow this advice, being in need of 
money or wishing to build a reputation. Therefore, they seek a chance to 
participate in the numerous concerto in workers 9 clubs ( 4 om& Ky.HBT'^pH) 
which are often presented on Communist holidays. Because of such per-* 
fa mane os the students are often criticized in the school wall newspaper 
(as is the case with Olya in the film)* 

3) At the beginning of the film Alyosha cannot get a ticket because 
the performance is already sold out* His friends help him by taking his 
overcoat with them. Cloak room in Russian theaters are located inside* 

Tickets are checked before the people check their coats* After that many go 
out again to smoke* In winter and fall people without coats are readmitted 
without checking tickets, as it is presumed that they have already entered 
one© & checked their coats* 

4) The ballet performed on the stage at the beginning of the film is 
"The Swan Lake" by Tchaikovsky. The ballerina is Ulanova, recognised by many 
as the greatest classic dancer in the world at the present time* At the end 
of the film is another of Tchaikovsky^ ballets "The Sleeping Beauty," 

a fairy tale in which the heroine of the film, Natasha, dances the part of 
Princess Aurora* 

5) The conflict between Natasha and her teacher arises out of the 
fact that Natasha, while preparing her part, is dissatisfied with the 
accepted dance pattern created by the famous 19th century choreographer 
M* Petipas and changes the end of the dance* After that her teacher 
vetoes her selection for the part in the concert. Later she explains that 
she punished Natasha not for her "rebelliousness" but for her "half-measures" 
in changing only the ending and not the entire dance* 

6) The melody which serves as a signal for Natasha and Alyosha is 
from the opera "The Barber of Seville" by Rossini* 


- 66 - 


(Film Unit VI) 



Comments to the film (Cont*d) 


7) The professor at the Conservatory criticizes Alyosha for ju3t 
singing brilliantly without trying to put his soul in his song. He men¬ 
tions as an example worthy of imitation by Alyosha the work of a 
Stakhanovite bricklayer whom he saw at work on the reconstruction of 

a house which was destroyed by German bombs; that bricklayer*s work, says 
the professor, has rhythm and purposefulness which Alyosha*s singing 
does not have. 

8) Several views of Leningrad are shown, among them the banks 
of the Neva River and St. Isaac* s Cathedral. 


-67- 


(Film Unit VI) 


II 


KKY WORDS AND PHRASED. 


“Hot Jiftranero bMJioTa?" 

OOJlflOTKa (f) 

/ipyo 

oneKTdiaB 

HOMep6K Ha naJiBT6 

"Kto t©6h thh'J'ji aa hshk?* 

W H OHQHB xopomo pa36Hp^K)OB 

B MOKjoCTB©"* 

Kapi>6pa 

BiinycKH6ii aK3a m©h 

"CnHiHafl" a contraction of 

"Cnfonan Kpac&Bima w 

ne b6a 

ni l0OTHO0 ojiobo ! * 

•Hoflejiaji dojiBinyio iMynocTB" 

T^GJIBKH 

paccTp6eHH 

"H Bac ceroflHH oflHoro h© 

OOTaBJIK)* 

HyTB-^yTB, caMyio m£jioctb 

"Crimiy flepaaTB!" 

OT(56poqHan komhcchh 

hm n^xa, hji nep& ( idiom) 

"Du oy mg Jin nepeflaTB" 

"Tiumy^T© no-cBO©My* 

"Ho ocTaBJiafiTo m©hh ceroflHa - 
ofluy " 


Do you have an extra ticket? 
3oloist 

tier in a theator 
a performance 
coat check 

Why didn’t you hold your tongue? 

I have an understanding of 
the arts* 

career 

final examination 

("Sleeping Beauty 11 ) 
singer 
On my wordj 

I did something foolish 

slippers 

depressed 

I'll keep you company all day- 

just a tiniest bit 
Hold your back straightJ 
board of judges 
I wish you good luck 
You were able to express 
Dance your own way 
Don't leave me today 


-68- 


(Film Unit VI) 



Key Words and Phrases (Cont*d^ 


a<£ftina 

w npon3oniJio H0flopa3yM6HMe 

BHCTyilJI&HK© 

w 3tO BN e§ flOBQJIH* 

" n0p0nyrA.ua Bcex* 
cyMacimS aura# 
neptidtTKM 

n 3ati©M onpaB^HBaeTecB?" 

"B03BMH c©6h b pyKK 

III* 


- hand bill 

- There*s been a misunderstanding 

- public appearance,performance 

- You drove her to it 

- You alarmed everybody 


madman, lunatic| crazy fool 
gloves 

Why do you make excuses? 

„ - Take hold of yourself 

flEMcTByKTOE JMIIA . 


AJeKo 6 fl 03 eT>QB (AJigma) . CTyfleHT KOHcepBaTopHH. 


HaT&ma Cy 666 THHa 

Qjii>ra Be-p^^cKafl (OjieqKa ) f 


ytienAijN 6aji©THoro 
ytnumina 


(students of the 
Academy of Ballet) 


Bepa Fed pmeBHa « npeno #aBAT©Ji£Hima ( a teacher at the Academy 

6 aJi©THoro yqMJmn^ 0 f Ballet) 

knojui6n Kbojphh . aKKOMnaHHaTop 

BeP^jlCKM^ . MHJS 0 H©p-nJiaHOB^K f OT 0 I^ OJietIKM 

Ero *©Ha 

^©flyniKa m 6a6ymKa HaTamM 

CTOpoac 6aJi©THoro yxiHJinsa ( the janitor of the Academy of Ballet) 


CKH 6 .g£ HH KOBa . 3HaM@H HTa h 6 aJiepjiHa 


KPATKOE CO^EPEAHME 

CTy^eHT ko HoepBaTopMM AJieKceii 03 ©poB {Axema) 
nocJie bo $hh B©pHyjicH b CBoft ropofl, - leHHHrpafl, m 
npoflOJiaaoT sa HHMaT bch n ©hmqm ( singing). 

-69- 


(Film Unit VI) 











KpaTKOe coflepscaHMe (npo^oJiseHHe ) 

B TeaTpe, Ha 6aJi©T©, oh sHaKOMHTCH c yneHHijeft 6aJi©T- 
hoto ytrwjr wn^ HaTameii Cy66oTHHoi r i • HaTama xhbSt c #eflyniKofi 
H 6a6yniKoii; ©S ^©flyniKa Kane JiBflftHep (usher ) b TeaTpe • 
Ilo^pyra HaTamH QmBra (OJieHKa) BepeiicKaH toe© yHHTCH b 
6aji©THOM ytfliJiHiii© o OHa aohb HHK©H©pa h 66Bme& (former) 
aKTp6[CH # ES MaTB BC6MK C#JiaMK CTapa©T CH yCTpOMTB flJIH AO~ 
H©pH KapBepy; ajih ©Toro ona nojiBayeTCH MHTpnraMM* 

AJiSma m HaTaura CTaHOBHTOH ApysBHMM• OnasHBaeTC h, hto 
OHM H SHByr pn a om « 

B KOHcepBaT6pnn vl b OameTHoft mKome cTyAeHTN poto- 
bhtch k 6o^BMOMy ko Hi^epTV* Cnei^iiAjiBHaH komhcchs 6yA©T 
BH6wpaTB yndcTHMKOB 3Toro KDHijepTa* HaTama tqtobht TaH©i^ 
H3 6am©Ta "Cnaman KpacaBJma n . OHa h© xohqt TaHi;©BaTB ero 
no Tpa a6i^mm h mqhhqt koh©u;« 9tq h© Hpa bhtch ©8 ynuTejiB- 
hhh;© , KOTopan h© nosBQjraeT eft ynacTBOsaTB b KOHijepTe, xoth 
Apyrsm HJieHaM KOMHCCMM HaTama oh©hb noHpaBUJia cb» 

AJiema tos© noST n©p©A KOMHccKoft k mm©©t 6ojiBmoft 
yonex* 

HaTama thkqjio nep©KHBd©T (takes to heart )cbok> HeyA&ny 
m npocHT AJigmy 6 htb b ©tot B©nep o h©k>. Ho AJiema yse 
o6©majr n©TB b Kiry6 © b 3tot b©h©p bm©ct© c OjieHKoft (no- 
TOMy hto AywaJi, hto HaTama tok© 6yA©T TaM) # Oh roBopHT 
HaTam©, hto h© mosqt 6htb c Heft, ho h© roBopHT nonoMy# 
HaTama b ©Ty hohb xoaht oAHa no yjrmjaM ropoAa w h© npw- 
XOAWT AOMOft* HiIKTO H© 3Ha ©T , HTO C H©ft CJryHHJIOCB ,h bc© 


-70 


(Film Unit VI) 


KpaTKoe coflepsaHMe (npoflo jusenjia ) 


oq©HB 6©cnoKOHTCH. AJieiiia nm©T eg Beafl© m o6bhh6©t ©8 
y^mTejiBHimy b tom, xjto cjiy hiuiocb . HaTaina naKOHen; npH- 
xoamt k ytmTeJiBHMii;© k odBaonneT eft bc^. Rjir BHnycKHoro 
3KaaM©Ha HaTaina nojiyTiaeT rjiaBHyio napTMio b 6aji©T© "CnnmaH 
KpacaBMHp, "« Ho flpys6a c Axemen y H©g ko h tiae tch nocjio 
Toro, Kan OHa y3Ha§T, m o Ajigma b tot Be^ep neJi b KJiy6e, 
BMecTO Toro, *ito6h 6htb c h©eo. AJigma co6wpaeTCfl yeasaTB 
b Cb©paji6bck (ypaji) n© tb TaM b onepe* B 3tot Benep y HaTanra 
BHnycKH6ft on©KTdiuiB "CxiHiijeft KpacaBimbi®* OHa ysHaST^trro 
AJigma y©3sca©T m cnemftT na BOK3aJi. Ho AJieina roBopHT eft, 

*ito oh Bc§■"Ta km y©3sa©T , h ona b cjiesax ( in tears ) B 03 - 
Bpama©TOH b t© aTp• HecMOTpa Ha oto, HaTaia HfleT Ha 
cu;6Hy h c 6 ojibmpim ycriexoii TanuyeTo AJigma b nocjieflHJOio 
MHHyTy pemaeT He ©xaTB b Cb©paji6bck m npM©3^a©T b TeaTp 
CMOTpeT b HaTainy* 


IV* BOIIPOCR K $IULMy* 

I. Kto TaKOM AJiencoft 03 0 p ob ? 

2 * C K0M OH 3 Ha KO MUTCH B T© aT p© ? 

3* r^© ytjH tch HaTaina? 

4. KaK ©My noMoraw nonacTB b TeaTp? 
5 • Kto HaTaimi fleflymica? 

6. Kanoft 6ajr©T AJigma cmotpht b TeaTp©? 

7. Kan sosyr no^pyry HaTaniM? 

8* Kto poflHTeJiM OJi©tn<M? 


~7I~ 


(Film Unit VI) 



Bo tipOCH 

9. 

10. 

II. 

18. 

13. 

14. 

15. 

16 . 
I7 0 

18. 

19. 

SO. 

81. 

82. 

23. 

24. 

25. 

26. 
27. 
80 . 
89. 


I< tyMJIBWy (npOAOJI&ttHMO ) 

qero xoqeT MaTB Ojig^kh? 

Kto soibSt b aom© HanpoTMB AJiemw? 

K tjQwy roTOBMTCfi HaTama? 

Kan ona xoqeT TanpeBaTB? 

notiewy AJiSma onoaflaJi Ha ypon neHHs? 

IIotiGMy npo$occop n©H hh hqaobojigh AjiSih©#? 

Kto b kommccmm 6un npoTHB Ha-ramM? 

0 tiGM HaTama npocHT AJiUrny? 

notieMy AJiema h© mosqt blhiojihmtb npocB6y 
HaTamif? 

Hto p,GJia.&r HaTama sto# hoxibio? 

Hto npoMcxoAMT Ha Apyroft a©hb? 

PaocKaatHT© o ri&u roBopHT yqwT© JiBHima 
c HaTameft? 

noqewy HaTama dojiBme h© xoqeT Apy*MTB c 
AmSmeft? 

Hto pemaei* A^JiaTB AJiema nocjie 3Toro? 

B naKOM 6aJi©T© TaHpyeT HaTama? 

Kai< ona ysHaST, ^to AjatUma y©3»a©T? 

Hto OHa A©Jia©T Tonr\Aa ? 
yeasaeT jbi AJiSma? 

ICaK HaTama yana^T, qr o AJiema ho yexaJi? 
JIio6ht© jm bh 6am©T? 

KaKM© baJieTH bh bhagjih? 


— 72 ' 


(Film Unit VI) 


v, MAJorM M3 mi-bm. 


mMm 


KC)Jflt 

kJ[Mkt 

Kojfl: 

AJEHIA? 

KOJIHi 

AJfifflAt 

OJH: 

HATAIHA* 

OJfll 


HATA1A t 

AjSflIA: 

OJg» 

ajEmai 

HATAHIA: 

KOJIH: 


I• B $o&6 TeaTm» 

Jlunmero dmioTa hot? H©t JuimHero 
6wJi©Ta? 

noflxo^HT Kojih, HaTama m 0jih ♦ 

OaepoB? 3flpaBCTByMT©! r^e BW 
6HJIM? BoS Bp© MH BO JJIOT6? 

H©T , H© BCS Bp©M51 0 

A cefeo? Ohhtb b koH cepBaTopHH? 

OnaTB* 

^©BymKM, no3Ha kombtgcb: BHaiieHft- 

TH?I T^HOp AJieKCeft O3 0pOB, 

Kojsh, *it6 bhI 8) 

CojiMCTKa Hamer o TeaTpa HaTama 
Cy66oTHBa * 

HenpaBfla! 

BaJiepMHa OjiBra BepeftcKan./ om©x/ # 

A B caMOM fl©JI0, nTO 3£©CB CM©HIh6- 
ro? M 6y^y 6aJiepjiHa! 

Hy, Kan ace c 6*fJieTaMif? 

npHfl^TCH MflTM flOMO#* 

3Ha©T© ^to? .flaBaiiT© Barn© 
naJiBTo! 

To-qctb, KaK? 3) 

KOJIH BO 3BMeT ©PO K C©6© B 

ytiopHyio. 4) 

Ilpa bmjibho ! H BaM npwHecy ero 
nocji© on© KTa kjih» 


1) tho Navy 2) Oh, come now| 3) What for? 

4) dressing -room 


-73- 


(Film Unit VI) 

























^Ma-norM M3 (|if jiBMa (npofloji&eHMe ) 

M fifflA : Hy, a aajiBma ? 

HATMUAt Hy, a flaJiBin© ... flajiBine y® 

KaK HM6yflB caMH npocKQ jibbhSt© 5) 

AJTElHAi Ho h He yworo ckojibs^tb. 

OIAt nocTofiT©, BeflB y HaTamM b TeaTpe 

fleflyniKa. Oh sa Hnwa©T bhcokhA 6 ) 
hoot. CaMNii bhco km$. Ha iihtom 
fcpyce. 

AJEllflA* Ha n«TOM? ... 

PacxoflHTCH. AJiSma 6 ©hmt Ha nHTNft npyc. 

nflTHii Hpvo. AJiSma M ^eflyniKa HaTamM - Kane jib- 

flMHep . 7) 


flWHIKA i 


Kan se 3 to bn 6es 6mieTa? 


klEmki 


H ... m©ha Bama BHfgna 8) 
npMCJiajia* 


JlEJWWKkt 

mM± 

AjSiHAt 

MaiMAi 

AifiniA* 


Ar&! A bn onasflNBaeT© • AJUierpo 
yae koh*ihjiogb. npMXMMTecB k 
CT ©H K© . 9) 

EyflBT© flo6p£ - H6JIB3H Jin 6 mh6kjib? 

ByABT© flo 6pH - HOMepoK Ha naJiBTO* 

Hom©p6k? CeiiMao ... Bm^ht© jim f 
h 9PO c^aji bm©ct© c naJiBTO. 

HoMepoK Ha naJiBTO c^aJiM bm©ct© 
c naJiBTO? 

y m©hh ero HOT. 


^E^yfflKA 1 


naJiBTO H©T? 


AJfifflAt 


Hgt, naJiBTO 6 hjio ... 


/lE^ y illKA. 2 M MT© , MflIIT© , no TO M pa3 6eT)^MCH 10 

5) to sneak through 6) a puns Natasha speaks about her grandfather's 

7) usher high position and actually refers to his being 

8) granddaughter an usher in the gallery. 

9) stand back against the wall. 10) straighten out 


-74“ 


(Film Unit VI) 




























^naJiorH M3 

(npoflo jra©HM© ) 

2. B 6a JI© THOM VH# JIHUI© • 

CUE: 

Aiiojiji6h Bjrafl&MHpoBjn f bh 3Ha ©t© 
TaKoro hsbaA - OaepoBa? 

HBOJIFMHs 

K CO*aJI©HMIO, 3HaiO. 

OlEt 

PaaB© oh xuioxoft n©B©i;? 

HBOjrrHH* 

K cosaJi©HMio, npeKpacHH#. 

CUE: 

A notjeMy *© " k co xajr©HMK) w ? 

MBOJirMHt 

A IIOTOMy,tiTO M 0 JIOB ©K. KPOM© rojioca, 
o6^3aH MM0TB XOTB i) H©MHO*©^KO 

bot TyT /noKasHBaeT Ha jio6/. 

OJE* 

H© 3aM©THJia # E xony, mto6h bh npM- 
rjiaciuiM ©ro yiacTBOBaTB b Hameu 
kohh;©pt© TpnHafli?a Toro nncjia. 

MBOJirMHl 

Becnojr^ 3 ho§ )6jr©tjKa. E ©wy npeji- 
JiaraJi kohix©t>th. oqeHB B&rojiHHe 3). 
He MflgT* 0 tK a 3 hb a ©t oh. Bhamt© 
jim f " ©My ©m§ paHO BHCTynATB" .. ♦ 

OJEt 

A BcS-TaKM, Ahojijioh BJiaflMMHpoBHti, 
vroBOBMT© 4) . H xomv nocjrvmaTB 
©ro rojioc. 3 to uoft Kanpns. 

MBO JirKHt 

Bam KanT)M3 juih mqhh 3aK<5H. 5) 

Hbo jirMH m AJiSnsa . 

MBOJirMH: 

Omqhb xopomo, mto bh sflecB. y 

M©HH k BaM HHTepecHO© npeflJioateHM©. 

ajejias 

3Haio h BamH npefl jios©hhh ! ... 

MBOjrrwHt 

H©t, h© 3Ha©Te. CeroflHH oco6©hho 
MHT© p©CHO0 npeflJIOSeHM© . 

AJifiniAt 

CnacH6o f h© HHTepecyrocB. 

1) at least 

2) useless 3) profitable 4) convince 

5) law 


75' 


(Film Unit VI) 























Ana-norM ms $MJiBMa (IipO AO JI® ©HM© ) 

JIBOJirHH 2 A& n££ 2 A^T©l 6) H k BaM o^OAHoft 

- M3 TepncP1 x 6p . 7) CaMoft npeJiecTHQM , 8 

AJEfilHAi Kan, pa3 b© oHa yxiacTByeT b 

ko Hn;epTax? 


MBOJirMH! 

AjgjAt 

MBOJITHH: 


AJ&IIAl 

KBOirMHt 


Koh©uho! 

Hy, xopomo» TorAa « corjraceH* 

3an6MHMT© , mojioao^ ^©jiob©k? 
X3-ro qMCJia, pobho b aobhtb 
tjaooB, b /lOMe KyjiBT^pH. 

XO pOIHO e 

Ho bh He nogBeaeT© 9) AnoJUiOHa 
"^BOJirMHa ? H©ct noe cjiobo? •. * 

A BO T M OHa ! 


Hoaxoamt OJiBra BepeftcicaH® AJiSma yAMBJiSH* 

OJH! SApaBCTByiiT© • A bh m©hh h© 

ysHaJiM? 

AJEDIA: Ko h© tiH o © 


OJfli 


AJfiUTAt 


HATAfflA t 

AJtEIHA. : 


A Koro bh ®a8t©?.#« A, noHMMajo: 
Pom6o ®a©t cbo io A®yjiB6Ty«, H© 
6©cnoKoiiT©cB, Mofi Apyrs OHa 
c©Mxjac n©p©OA^n©Tca m bhma©t « 
/3TXOAMT O KBOJirMHHM/ 

Ajjgnra m HaTama * 

3ApaBcTByiiT©! Hto x bh Tan AOJiro! 
Mh© Ta k xotqjiocb Bac bma©tb! 

H oti©HB paAa* 

HaTama, bh onoaAaJiM Ha oAHy 
MMHyTy, m a cA©Jiaai 6ojn>myio 
rji^nocTB# 


6)nOAO®AMT© 7) (Greek mythology: Muse of Dance) 

8) charming here: a goddess of ballet 

9) you won’t let me down# 


"76 


(Film Unit VI) 




















^Majiorn M3 $MJiBMa (npoAOJiaeHM© ) 


HATA1UA t 


aj fiiitA: 


Xoporno, hto h He ono3flajia Ha 
AB© MHHyTH. AJiSma, bh mhg 
OH 0HB Hy*HH. 

A tiro Ta Koe ? 


HATAIIiAl 


MfleMT© t h BaM pa ccnasty b h§m 

AeJio® 


AJEHIA* 


HATAfflA t 

AJEIIIA : 


MBOJirKHt 

ajEmai 

MBOJirUHt 

Mll4l 

W BO JHfHt 


3 . IIOQJie KOMMCCKH. 

HaTarna, ycnoK6%T©cB» I) Hy, y 
koto ne 6HBaeT HenpH/iTHocTeft? 
Bot itb 6ca 8) H^xosa w H&mK a* 3) 
Ha nepBOM cneKTAKJie npoBaaff- 
jacB ,,, 4) HaTaia } a©P^&t©cbI 
Hy, KaK BaM He cthaho 5) 
cAaBciTBCH 6 ) paHBnre bp©m©hh• 

Mn ©m8 mm ,,. Ohm ©m§ yBMflHT , 
Kto npaB! 

AJiSma, He ocTaBJia^T© MeHH 
oeroAHH oAHy• 

Hy, kohghho, HaTaia. Bh xe 6 hjim 
TorAa co mho#. nocjie KOHcepBa- 
TOpMM • HO MR MT© ? /nOHBJIfl©T OH 
WBOJirMH/* 

/monoTOM/ AJieKceft Aji©kc©©bmh, Ha mm Hy- 
TOHKy . 

npocTMT©, HaTarna . /Otxoamt/ 

Bh h© 3a6njiH o kohd;©pt©? 

Kano# kohh;©pt? A bhh© nojiytiMJiH 
mo eft sanMCKM c oti cd sqm? 7) 

Pa3B© HaTarna BaM h© n©p©Aa-»a? 

n©p©Aajra, ho affift ma 6njia yxe 

B6nym©Ha» 8) 


1) calm yourself 2) play 3) "Seagull" 4) was a flop 

5) aren*t you ashamed 6) to surrender 7) refusal 

C>tha hand bill was already printed 


- 77 


(Film Unit VI) 


























^iiajiorw ms <$MJiB*a (npoflojnsteHne ) 


A JEM t 
MBOirifHt 

ajEiiia* 

MBOJrMH: 

AJEM t 

HA TAM 1 

A JEM : 

HATAIIIA l 

Mill 

MBOJTMHx 

A JEM > 
HBO JFHHi 

A JEM t 
KBOJFHH: 

9) respect 


H He Mory. 

Hto? 

TO, MTO BH CJHflUMT© - H6 MO Ty ! 

HeyseJiM bh He bm^mt©?! 

H BMiy, MTO BH Mrpa©T6 CJtOBOM 
AnojuiOHa MBOJirHm • Bh h© 
yEaeeTe 9) ny6Jinny ^ 0 Ma Kyjit- 
Typn, UoJioRoft apTMCT, a nanp&~ 
3HMxiaeT© , nan cTapaa npMMaflOHHa, 

Hy, noflo&flMT© mm hjF TKy /BOSBpa- 
maeTCH k HaTame/o Bm^mt© JiMj 
HaTarn, npoM3oniJi6 H©flopa3yM©HHe. 

Hto Tanoe? 

£©JIO B TOM, MTO H 3aHflT ceroflHH 

BenepoM. 

/ x6 JIOflHO/ npOCTMT©, H H© sHajia, 
MTO BH 3aHHTH « 

H nocTaparocB ... /otxo^mt/, 
AnojuioH BjiaziMMM-pOBMq f QTiiy ct^t© 10) 
MGHHo 

H Bac OTnym^ cpa3y nocjie Bamero 
BHCTynJI^HMH . 

Hqt, ceiiMac * 

nocjie Bamero BHCTyn jighmh 9 
Hy, 3HaeT© ... 

AJieKc&ft Aji©kc4©bmm , mh onaaflH- 
Baey. 


10) let me go. 


- 78 - 


(Film Unit VI) 



















FILM UNIT VII, 


GENERAL SUVOROV 
/ CyBOPOB / 


79- 


(Film Unit VII) 



I, 


COMMENTS TO THE FILM, 


1) The film was released shortly before World War II* It was directed 
by the famous director, Pudovkin. Tho music was written by Shaporin, a pupil 
of Rimsky-Korsakov* Suvorov is played by the Moscow actor Cherkassov,who 

is not to be confused with the famous movie star of the same name# 

2) Alexander Suvorov (1730 - 1800) was the greatest Russian troop 
leader and unquestionably the foremost military genius of his time* His 
troops were never defeated# Suvorov served under three Russian czars and 
during his brilliant career rose from a private to a generalissimo# 

He participated in wars against Prussia, Poland, Turkey and France* He is 
also the author of the famous book "The Art of Victory" (Hayna nooe* *r 
/jaTB )• Socially Suvorov often behaved eccentrically* The film starts 
in 1794 during the war against Poland when he i3 already the most popular 
Russian general# He is later shown during his vicissitudes after the linperor 
Paul I ascended the throne# Paul I reorganized the army according to the 
Prussian pattern, with excessive parade drill and the treatment of soldiers 
as cogs in a machine# Suvorov did not conceal his disagreement with the 
now order and therefore was exiled to his village by the Czar* Russia*s 
allies, Austria in particular, persuaded Paul to give Suvorov the position 
of supreme commander in their war against the Napoleonic armies (Napoleon 
himself was at that time in Egypt, and thus Suvorov never met him in 
battle)# Suvorov drove the French out of Italy# However, the Allies resented 
Suvorov*s popularity and even created obstacles in his path# Further pursuit 
of the French did not interest them, and they insisted instead that Suvorov 
march to Switzerland to rescue another Russian corps which had been 
abandoned there by Austrian troops that withdrew to winter quarters# 

Suvorov made a brilliant march over the Alps under extremely difficult con¬ 
ditions. When he arrived he found that the Russian corps had already been 
deserted by the French and that he himself was surrounded# The end of the 
film shows his escape from encirclement by means of his legendary crossing 
of the abyss on the Devil*s Bridge# 

3) Although in general the film follows historical facts very closely, 
the slanting and bias sometimes distort the historical perspective# 

Thus, Suvorov, in his patriotic expressions, distinguishes between the 
Russian rulers and the Russian people* This is nonsense for the 18th century 
and is included in an attempt to show Suvorov as a hero of the Russian 
people rather than of the Russian Empire# 

Paul I was not as anti«democratic as he is shown; indeed, his re¬ 
lations with the nobility were the worst in the history of Russia# 

Paul*s henchman. General Arakcheyev was a sinister figure; however, he was 
never a clown as portrayed in the film# 

4) The habit of men exchanging kisses is explained in the Comments 
to the Film "The Boxers" § 6# 



Comments to the film (Cont*d) 


5) In Suvorov*s village, the old veteran Platonych relates to the 
peasants Suvorov *3 heroic deeds during the attack on the Turkish fortress 
Izmail (the most brilliant of Suvorov*s victories). The story is told 
like a fairy-tale with a predominance of legendary and even fantastic 
elements# 

6) The man who wears a patch over his eye, who is greeted by Suvorov 
at the Court as the only kindred soul among 11 flatterers, M is the famous 
Kutuzov, the future hero of the 1812 campaign against Napoleon# 

7) The dialogue is an imitation of the speech of the 18th century* 

both the common everyday speech and the military dialect* Examples are 
the words: noceMy m therefore, z military report, 

flwpeKijHH . direction, TmeTHO « in vain. 


—81' 


(Film Unit VII) 


II. KEY WORDS AND PHRASES» 
- hero 


rep6ft 
cji&Ba 
3H&Ma 

"IIoMMJiyii Bor!" 
myha^p (oba.) 
cp Has 3 CTa$ 6 'ra (obs*) 
no ycT^By 
Hapym^HM© ycT&Ba 
"Boh!" 

Kpe c t6 

"KOMy nO^HMHH ©HIBCfl ?" 

Kp6nocTB 

nrridPH 

"OTfloxHii c floporn* 
Bam© BejiftnecTBO 
nojiKOB<5fleu; 
rpa$ 

COfcSHMKH 

COBQpIU^HHHil M 6 XaH& 3 M 
60JIB&H 

HM0HH6ii yic&a ( obs.) 

HlBeftn;&pMn 

36 jioto 


glory 

banner 

Merciful heavensl (Suvorov*3 favo¬ 
rite expression) 
formal military coat 

urgent dispatch 

according to the book 

violation of regulations 

Get outI 

crosses (medals) 

Whom do you serve? 

fortress 

swords 

Rest from your journey 

Your Majesty 

military leader 

count 

lackey 

allies 

perfect machine 
robot; fool 

a personal order (from Emperor) 

Switzerland 

gold 


82 - 



strike from the rear 


yfl&pitTb B TNJI 

npHr6poqeK 

12 6©3 cyfld 

"Mh OKpyiceHft" 
OTCTyndTB 
CJIOIK^TB Op^SH© 
np6nacTB 


- small hill 

- 12 guns, without trial 

- We are surrounded 

- to retreat 

- to lay down (our) amis 

- chasm 


111 • JESCTByPmHB JHIIA. 
AJieKcaHfl p Bac&JiB©BHn Cvb(3pqb 
I lJaT6HHtI, CTapHM GOJIflaT 
PI Ban Cmr ftna . Mojio^oft coji^aT 
IIOJIKOBHMK Tfepil H 

IIp6xop (np6niKa), fleHUjifK CyBopoBa (orderly) 

Mem&pc K HPi, a^BiOTaHT BiTa6a 

IlaBeJH I, MMnep&Top (emperor) 

ApaKg^QB, ero (pa bo pfiT 
BarpaTHdn. renepaJi 
£ Ba aBCTpMPlCKHX nOJIKOBHHICa 


KPATKOE COilEPJKAHME . 

Hana.no (^HJiBwia noKasHBaeT CyBdpoBa bo bp©mh n<5jiBCKoii 
K&MngCHMH, b 1794 r. Ero nacTW tojibko hto aaHaJiH nocJio 
6 oh ji&repB HenpnnTOJifl* CyBOpOB xb&jimt ( praises ) o#hmx 
ocpKijepoB a cojr#aT h HaK&3HBa©T ( punishes ) flpyrnx. 
npn© 3 JKaeT a^BioTaHT M3 rjiaBHoro nrTa6a • Oh npMBOSHT npM~ 
i<a3 CyBopoBy bmoct© c flpyrMM reHepajioii b3htb JiarepB He- 


-83 













KpaTKOo coflepHanwe (npofloJiHeHH© ) 

npMHTBJiH. Ho CyBopoB yxte b3hji JiarepB. BTopoft reHopaJi bcS 
em8 ma©t no xopomwM floporaM, a CyBopoB, 6es flopor, npo«* 
iueji H©p©3 jigc h hqo xn^aHHO HanaJi Ha h© npun t e Jifi • CysopOB 
CM00TCH Hafl np H Ka 3 OM a 

HMn©paTpni3;a EKaTepftna II yMepjta. Hobh& MMnep&TOp, 
ITAb©j[ I, He jik>6mt CyBopoBa. IlaBeji bbo^mt b apMHH H©M©n;KHSi 
nopaflOK. ApaKn6©B, caMHit OjihskhIi HMnepaTopy neJioBeK, hm- 
•ra©T IlaBJiy nwcBMO CyBopoBa, KOTopoe nonajio k H©My b pyKH. 
B hhcbm© CyBopoB KpHTHKyeT hobh© nopafl KM b apuMM♦ Has ©JL 
npHKaaxiBaeT pacnycTHTB ( dissolve ) nrra6 CyBoposa. K HMne- 
paTopy npMGxaJiH c o^hijh&jibhhh nnc bmom ot CyBoposa flBa 
no JiKOBHMKa. OflMH H3 hhx - jnodMMH# o$ME(ep CyBopoBa M repon 
no jikobhhk T&pnn. MMnepaTop ruioxo BCTponaeT no jikobhmkob t 
npHKa3HBa ©t apecTOBaTB mx aa to, hto y hhx cTapan dxDpua. 
TlOpHH CT p©JJ£l0TCH • OflHH COJlflaT B 3T0 BpGMfl pOHj£©T (drops) 
pyjKtS. 3a 3 to HaB©Ji nocmiaeT bqcb hojik b Cm6^pb# 

Kyptep npMB0 3MT CysopoBy hmcbmo, MwnepaTOp nMiiieT, 
t|TO OH OH© HB H©flOBOJI©H CyBOpOBHM« CyBOpOB C 06 Hpa©T 
o$HB;0pOB m npomaeT ca c hmmm: oh peniHJi yftTH mb apMHH. 

Ha nncBMo HMnopaTOpa oh h© OTBenaeT* noTOM oh nponjaeTOH 
O COJIflaTaMH H OOTaBJIHOT MM CBOM Opfl©H^( KpOCTfi) * 

CyBopoB EMBeT TenepB b cboqm flepeBH© • K H©My npn*- 

» 

XOflflT ©TO CTapH© COJIflaTH, KOTOpH© KDHHMJIM C JiyKMT B B 
apMMM. njiaT6HHH Toae npnxo^MT b 3Ty flepeBino, Oh paccKa- 


-84- 


(Film Unit VII) 



KpaTKoe coflepsaHM© (npoAOJiseHMe ) 


3 HBa©T Kp©CT BflHaMj KaK CyBOpOB BOeB^Jl C T^pKaMH • CyBOpOB 
b flepeBHQ nwm©T cboio KHwry. r©H©paji BarpaTM6H t£#ho 
( secretly ) npn© 3 sa©T k Hewy b tooth. Oh npHBOSHT CyBopoBy 
nopTp^T ©ro ao^©PM m paccKa 3 HBa©T ©My 06 ycnexax Hano- 
Ji©6Ha b EBp6na « CyBopos nonmeT, ^to nJiaH HanojreoHa 
MTTH Ha PoCcftlO* 

MMnepaTop IlaBeji BH3HBaeT CyBO poBa k c©6© . HanoJieoH 
yrpoaa©T (threatens ) coiosHOft Abctphh, h IlaBeji xoh©t, 

HT 06 h CyBOpOB KOMaHAOBaJI OIIHTB BOflCKaUH, Ho CyBOpOB H0 

xoner KOMaHflOBaTB apMHeft, ©cjih Taw 6yA©T HeMeijKan M©xa« 
H^qocKafl AMCD;HnjrftHa. 

Hep©3 toa HMnepaTop bo§—t aKH nocujiaeT CyBopoBa 
C pyCOKHMH BOfiCKaMM B Kt&JIHIQ IIO MOPaTB ABOTpMH. CyBOpOB 
OCB06oSAa©T WTaJIMK) OT $paHD3f30B H AyMaeTHTTH BO ^paHQHK), 
ho Abctphh h© xoh©t stoto m nooHJiaeT CyBopoBa b HlB©Jiri;£~ 
pHK) noMoraTB BoftcKaM renepajia PiiMc Koro~K6pcaKOBa. 

^.Ba aBCTpnftoKHX otfnijepa - <J>paHii;y 3ckh© hthhohh. Ohh 
coo6maK>T $paHii;y3aM Q ruiaHax CyBopoBa. Oahoto H3 hhx 
paocTp^ JTHBaiOT (execute ). 

CyBOpOB Ae-ffaeT ohqhb OM^JiHii ( bold ) h TpyAHHii 
ManSBp. Ero cojiAaTH HAyT Hopes canne bhcokh© ropu h 
aTanyioT (^panijysoB TaM, ta© ohm He oxHAaioT. KorAa HaKoneA 
pyooKH© npnxoAHT Ha noMomB cbohm, to y3HaioT, hto <£paHD;y3H 
yuc© pa3 6 hjih Phmcko ro-KopcaKOBa. Apmhh caMoro CyBopoBa 


" 85 ' 


(Film Unit VII) 


KpaTKoe coflepsaHHe (npOAOJns©HMe) 

b oKpyxQHHH• Coji^aTH Mep3Hy t h roJiofldioT. Ohm xotht ot- 
CTynaTB. Ho CyBOpos fl©Jia©T enjg o^mh CMejnii ManSBp ~ 

nepexofl qep©3 H6pTOB moot. Oh o6t>hchh©t coJiflaTaM Ma- 
h8bp. $hjibm KOHHaeTCfl ycn6iiiHHM (successful ) nepexo^OM 
Hep©3 HopTOB MOOT# 

IY. BOnPOCBI K SKJLMT. 

I* Kto 6hji CyBO pob m i©rfla oh hmji? 

8. C K©M OH BO ©BaJI? 

3. Il 0 H©My coji^aTH ero jik>6mjim? 

4. Tfl© HaxoflHT ch CyBopoB b HanaJi© $HJiBMa? 

5. IIogeMy oh Ha3HBa©T MDJiofloro ooJiflaTa repoew? 

6. Kan oh HarpasflaeT Mawopa TropMHa? 

7. Kanoft ripuKas npMB 0 3HT a^^ioTaHT ? 

8. IIotieMy CyBopoB h© mosgt bhbojihmti* a tot npHKa3? 

9. IIotieMy CyBopoB npHm©Ji ciofla pa hbm© , h©m 
flpyroft r© H©paoi ? 

10. 3aq©M oh npocMT npMH© ct m ©My JiosKy? 

II* Kto cTaji pyocKMM n;apeM nocjie Ena t©pmhh? 

IS* Kan IlaBej! p©opraHM3y©T apMMio? 

13. Kto Ta noii ApKaneoB? 

14* non ©My MMnepaTopy naBjry h© Hpa bm t ch CyBopoB? 

15. Hto npMB93Jm MMnepaTopy cyBopoBCKM© no jikobhmkh ? 

16. Kan bct p© na©T mx HMnepaTOp? 

17. Hto fl©jra 0 T no jikobhmk TiopMH? 


86 - 


(Film Unit VII) 



Bonpocn k fyvuibuy (npoflOJixeHHe ) 


18. IIotieMy naBeJi nocHJiaeT nojiK b Cn6np£? 

19. *lTO 6wi O B nHCBM0 9 KOTOpO© KypBGp 
npuB^a CyBopoBy? 

80. Hto ^©JiaeT CyBopOB nocji© TorotKaK 
OH npOHM TaJI XIM OB MO ? 

81. Hto oh roBopHT cojiflaTaM, ko r#a irpomaeTOH 

C HMMM? 

88. Kyfla oh yeaasa©T? 

83. Kanofi cojiflaT npMXOflHT b #ep©BHro k CyBoposy? 

84. 0 hSm cojiflaT paccKa3HBaeT KpecTBflHaM? 

85. Hgm aaHHMaeTCH CyBopos b flepeBHe? 

86. *lTO OH nMIQT B KHMT©? 

87. Kto npn©3»a©T K CyBopoBy b fl©p©BH»? 

88. *Itq npHB§3 CyBoposy BarpaTMOH? 

89. 0 ko u ohm paarosapMBajOT? 

30. *Ito CyBopos flyiiaeT o HanojieoH©? 

31. IIotieMy MMnepaTop BH3HBa©T CyBopoBa? 

38. 0 hSm MMnepaTop FOBOpMT c CyBOpOBHM? 

33. Kan KOHHaeTCH mx paaroBop? 

34. Hto npoMcxoflMT H©p©3 rofl? 

35. Kto xoneT, hto6h CyBopoB KDMaHflOBaJH Bo^CKauM? 

36. Kan mast MTaJiBHHCKaH KawmaEMH CyBopoBa? 

37 • Kyfla no cji© aToro xoh©t mttm CyBopos? 

38. IIotieMy oh h© MOxeT mttm Ha IlapMS? 

39. Kyfla nocHJiaioT ero TenepB? 

40. 3atI©M OH flOJUK©H MTTM B HlB© ftljapHIO? 


~87 


(Film Unit VII) 


BonpocH k $11 jib My (npoAOJUateinio) 

41 ® Kto 6 hji mmioH? 

42 ® Kan CyBopoB yanaeT ero? 

43 ® ^to co imihohom fleJiaioT? 

44 . noqeMy CyBopoB ne mojkqt noMOtiB PmiCKOMy-Kopca^ 
KOBy? 

45 . IIoxieMy CyBopoB TenepB b TpyAHOM noJiosceHMH? 

46 . IIotiQMy h© aobojibhh coJiAaTH? 

47 ® ^TO OHM COBGTyiOT CyBO pOBy A©JiaTB? 

48 . Hanoi* nJiaH y CysopoBa? 

49 * PaccnasHTe o nepexoA© Mepea *IopTOB moot. 


CYBOPOB5 


iliatokhb:? 

CYBOPOB t 

CO 

IUATOim* 

CYBOPOB t 

MATOHLiq* 


iWAJOrM M 3 SKJLMA. 

I o IlocJie 6 oh no a CokojikoA. 

qf AQ~ 6 oraT£i-p h 1 1 ) IlTeng^ mom 1 2 ) 
PepdMlCJi^Ba Bawl 
/IIoaxoamt k MOJioAOMy cojiAaTy/ 

Hef KTO 3 ) TH 3 H &UX B 3 HJI? 

Oh, Banie CmA to jibctbo ! 4) 

Kan 3BaTB t©6h? 

Chh&h^ • 

MBaH Cmhhd^l . nepBHft paa b 6oib. 

TBOft, lUaTOHHM? 

Mofi f Bams Cmht©jibctbo ! 


1) wondrous warriors 2) my flock 3) Hey&ejin 
4) Your Excellency 


“88 


(Film Unit VII) 

















/UiaJI OPM M3 ( npOflOJI SC0HM0) 


CyBOPOB t CMHMi(a 9 roBOpMniB? Kanan me 3TO 

htH ua - cgpma'? S ) H©t , h©t: cmhhii^ 

He roflMTCHl Th - repo#, opgji! 6) 
Bot TaK opjiom m ocTaBawcfl. Cna- 
cm6o t© 60 , IlJiaTOHHti, 3 a hoboto 

___ r ep o h ! 

i>T titmouse 6) eagle 

8. IIpomaHHe CyBoposa c 
co JiflaTaMK » 

cyBOPOB x CojrflaTH* stot KpecT bh flaJiM mh@ 

3a . I ) 3 TOT - 3a If3Ma^JI ? t 

3t3, aie 3 fla cbqt6 Jia 8 ) mh© Ha h©6 @ 
Bapii^BCKOM ♦/CpHBaeT kp©cth/. 

C BaMM 3a CJIW HJ? , 3 ) Bau M OCTaBJIHK)* 
CopOK Jie t BOflmi h Bac ot no 66 ah 
K no > 4 ) C BaMM a h© snaji 
nopameHiSi ,5 ) He OTCTyna-a HMKorfla * 
Tepopi! $eTH mom! IIpomaiiTe! 

IIomhmt© CyBopoBa - ^©jiBAMapmJia 
m cojiflara I XpaHMT© 6) 6o©Byio 
ojiaBy Bamy! XpaHMT© ee b cepApdx! 
H©cmt© ee na mthh^x 7) Bamux - 
BnepSfl, Bcer^a Bnepefl! 


1) Names of 

battles 

2) shone 

3) earned 4) victory 

5) defeats 

6) 

guard 

7) bayonets 


- 89 - 


(Filra Unit VII) 

















PIIM UNIT VIII 


SPRING 
/ BECHA / 


90 - 


(Film Unit VIII) 




I* COMMENTS TO THE FILM* 


1) This is a post-war musical comedy directed by Alexandrov, the 
director of "Volga-Volga," "Tanya," etc* As always, the star is his wife, 
Liubov Orlova, who plays two parts in this film* The music is by Isaac Du- 
nayevsky, the Soviet Irving Berlin* Besides Orlova, there are other big 
names of the Soviet movie industry: Cherkassov as the movie director, 
Ranevskaya as the scientists companion, and Zelyonaya as the make-up girl* 

2) The film tries to combine science-fiction (a research institute 
studying the possibility of the practical use of solar energy) and what is 
called in the USSR "lyrical"motives - i.e*, praise of love and spring, 
Soviet style* It is interesting to note that the mythical Sun Institute 
is a secret place surrounded by a high fence and that there is a careful 
check of papers at the entrance* 

3) A heroine of the film, Verochka, is like many young actresses in 
soviet theaters (always government institutions)* She receives a salary, 
but she works very little. The boss has not noticed her for six years, and 
she has little hope of receiving a break * When she gets, by accident, a 
starring part in a film, the boss refuses to give her a leave* He is 
afraid of being accused of not discovering her earlier if she is a success* 
Instead he gives her the title role in an operetta (the primadonna re¬ 
fuses to sing, anyway) and later publicizes her as his "discovery." 

4) The film shows several views of Moscow* The background at the be¬ 
ginning, is the Bolshoi Theater$ while during the "night of love" scene 
the banks of the Moscow River can be seen. Notice also the ubiquitous 
street loudspeakers* At the beginning of the film they announce the exact 
time ; during the love-scene they play music* Two makes of Soviet cars 
are shown in the film: Nikitina drives a "ZIS" and uncle Lyonya has a 
"Pobeda" ("Victory") which often gives him trouble* 

5) When Nikitina and the director cross the studio, they witness 
various movie scenes either in rehearsal, or being filmed* All of them are 
about love* First the great Russian poet,Pushkin, on Petersburg street is 
shown reciting an excerpt about love and spring from his "Eugene Onegin," 
with a musical background by Tchaikovsky* Then the Russian classical 
composer, Glinka, sings his famous song "I remember the wonderful mcment." 
After the Mazurka for Glinka®s opera "Life for the Czar," an example of 
Soviet collective love is shown? a group marching with flags, singing the 
song "Comrade, Comrade*" 

6) Two morals are stated in the film. In the scene at the movie 
studio, where two actors , trying out for the part of the famous writer, 
Gogol, ask the director about the correct pronunciation of the word 

" nodciceHKM " (fancies, dreams, phantasies), the director reads an 
excerpt from Gogol which states that fantasies and fairy-tales play an 
important part in human life, that they live forever and drive men to 
action* At the end, the meaning of the film is stated in more modest terms: 
it is about some dry scientists and superficial moviemen, and the moral 
is, "It is bad to deny spring and song." 


-91- 


(Film Unit VIII) 



II. 


KEY WORDS AND PHRASES, 


n Bc8 bo cnpemaeTCH K 

*PyKH BBepxl* 

Tfle 6 h hm pa6oTaTB s 
tojibko da ne pa6oTaTB w 

cdjiHe^HaH 9H^prnH 

c6jiH©HHHe Jiytiit 

HOCTOp6HHH^ 

w Mh GHHMaeu KapTHHy® 

w MlI^HTe &M0HHO TaKOil TJtn* 8 

“^BOHHMKOB B IipHpOfl© HG 
6HBaeT* 

"B6jIHTaH EHKMTHHa* 

"Xopomo, ho He noft#ST® 

*ytlgHUil 3 TO nyCT^HHHK B 
6ojn>iuoM ropo#©** 

"IIopasiiTe^BHoe cxdflOTBOl* 

yTBepH,Z$CS0 

BoonpemgC k> 

renepdJiBHaH peneTfajHH 
"Ona cnocddHaH?" 

"Mqhh npocTO yB6jiHT w 

TJiaBHafl po jib 

n B 3TOM flejie Haflo pa30~ 

6p & TBCH * 

n y Bac omfidoHHoe npeflCTaBJ0[6~ 

HH0 O HHKHTWHOft" 
®Pa3roBapHBaiiTe co mhom Ha bh 


- Everything is forbidden 

- H Hands up! 19 

• Wherever you work,the main thing 
is not to work, 

- solar energy 

- solar beams 

- outsider 

- We are making a picture 

« Look for exactly such a type 

• There are no duplicates in 
nature 

« She looks just like Nikitina 

- It*s good, but we can f t use it 

- A scientist is a hermit in a 
big city 

- What a striking similarity! 

« I approve 

- I disapprove 

- dress rehearsal 

- Does she have talent? 

- I will simply be fired 

- main role 

- We must look into this matter 

- You have a wrong idea of 
Nikitina 

• Don*t be familiar with me 


92 - 


(Film Unit VIII) 



Key word3 and Phrases (Cont'd) 


"CymeHan an^Jia * 

neriyxd 

"M©hh He ycTpdMBaeT btot 
cn;©H&pMft * 

**XBaTa^Te 08, Tam ft t© b MamHHy- 
H B03MT0 CK>fla " 

"Bot n^TaHMip, no Jiy ^jaeTcal " 

stMJirui6maflB - 

n y6Mpd^TeCB BOHl* 

cko pan rdwomB - 

"H comjia c yid" 

"H flyMajra, hto pesHccSpH 

6ojree HadjooflaTGJiBHbi * 


literally, 

"the dried shark" (the nickname 
used by Nikitina's subordinates and 
suggesting her stiffneckedness and 
stricktness) 
fiddlesticks 

This script does not suit me 


Grab her, shove her into your car 
and bring her her©. 

What a mixed-up mess we're 
getting! 

living space (here{apartment) 

Get out| 
ambulance 

I*ve gone out of my mind 

I thought that movie directors 
were more observant 


in. itEftcTByiomME mm. * 

Mpfma n©TT)6BHa HMKftTMHa. M3B0CT Hafl yqeHaH (famous scientist) 
ApieC ffMft Mh^mjiobmh Tt)6MOB. KHHO-p©HMC cgp (movie director ) 
flflUH J[gHg. ©ro n0M6mHMK ( his helper ) 

B6pa r© 6r>rHQ BHa IHaTP6sa /B^ponKa /, apTftcTKa onep6TTH 
By6eHg6B« pa66THin< UncTMT^Ta 

MaprapftTa iBBdBHa, K0imaHB6HKa HuKftTMHoft 
Ub& h CeMgHQBHti P6mHH» penopTep 
npod)6cc o p M^jibhiikqb 

TSth ndm » ero npHCjtfra (housekeeper) 


- 93 - 


(Film Unit VIII) 














/^ettoTByiomHe JiHija (npofloji x©hh© ) 

Acomct6ht KMHopesMccSpa 
rpHMHp6BmJtri2. (make-up artist) 

^MpeKTOp TeaTpa Onep£ tth ( director of the Light Opera Theater) 
XIpjmafl6HHa onepeTTH 

KPATKOE CO ilEP&AHME . 

B Mockb©, b Mhctmt^t© C6jiHiia t pa6oTaeT H3B6cTHaH 
( famous ) ytie Han HnKfeTWHa , KOTopaa fleJiaeT aKcnepmi^HTH 
C c6jIH©TlHOi5[ 3H4prM©^« KHH0~CT$7JHH XO*I©T CflOJiaTB $HJIBM 
O XH3HH TaKOK ytjgHofi. Il0M6mHHK p©«MCCgpa, 

B©3fl© wm©T ajih (puiBMa KeHmMHy, noxoxyio ( resembling ) 

Ha IlHKHTMHy* Ohh Bmqct© ©flyT B MeotHT yT noCMOTp©TB Ha 
HHKHTHHy h ©S patfoTy . Pa6oTa b Mhc THTy t© ceKp^THaa, m mm 
tojibko c Gojibhium Tpyfl6w ( with great effort ) yflaSTCH no- 

nacTB Ty^a* £hah JI^hh 3Ha kometch c By 6 ©HD; 6 BNM, KOTopnft 
cjiysHT b xosAJicTBeHHoft qaCTH MHCTMTyTa ( Maintenance & Service 
Section )* EybeHijoB h© HHT©p©cy©TCH pa6oToft Mhc THTyTa 9 a 
xotisT tojibko 3 apa 6 aTHBaTB fleHBrH. Ero np^HnHn - 'Tfl© 6 h 
hm pa6oTaTB, tojibko h© paOoTaTB", ^to6h 60JIBIII© y 3 HaTB 
o Hmkm THHoii, leHH npeflJiaraeT By6©Hn;oBy pa6oTy b 

MHO. HMKM TMHa OtJ©HB H© flOBOJIBHa , qTO no M HC TMTyTy XOflHT 
nOCTOp6HHH© • Ona H© JIK)6mT KHHO M H© MHT©p©CyeTCH KapTHHO# 
O CBO©ft 

B KHHo-cTyflHio npMXOAHT aKTpftca onep^TTH B6potiKa 
UIaTp6Ba, yHQH^na AHflH JIe hh « OHa xohgt nojiyqHTB paOoTy 


- 94 - 


(Film Unit VIII) 



Kps TKoe coflepstaHMe (npoAo JixeHM© ) 


b km ho t noTOMy mt o y h©S MaJio pa6oTH b TeaTpe. Pexnccep 
3aM©MaeT, mto oHa om©hb noxoxa Ha Hmkm THHy• Eft flaioT po jib 
Hmkhthho#. CHanajia pexnccgpy KaxeTCH, mto OHa h© cmo»©t 
CH rpaTB po jib« B cTyz* mjo npnxoAWT Ey6©Hn;oB. Oh nyp&eTCH 
BepOMKH, noTOMy MTO flyMaeT, mto 3tq HMKMTMHa. Torfla pe~ 
xnccep p©ma©T, mto BepoMKa moxqt MrpaT b» 

Ho b TeaTpe, rfl© pa6oTa©T Bepotina , eft h© paspemaioT 
yXOflMTB B KM HO. £np©KTOp flax© fla^T eft 60 JlhmyTD POJIB. 

BepOMKa h© 3Ha©T» mto fleJiaTBJ ona AOJixHa 6htb b oaho m 
to xe bp©mh Ha pen© tmii;mm b TeaTpe m b kmho. OHa ma^t 
K HMKMTMHOft M npOCHT ©§ noftTM BMQCTO H© 8 B KMHO-CTyflHIO. 
HMKMTMHa co rjiamaeT ch ( agrees ) « 

B CTyflMM Hmkmtmhe cn6pMT ( argues ) c pexHccSpoii, 
noTOMy MTO eft h© Hpa bmtch cn;eH&pMft. PexMeeSp corJiamaeTCfl o 
Heft m pema©T, mto b (J)mjibm© Haflo noKaaaTB jiioGobb. Hocji© 
pa^OTH ohm MflyT bmqct© ryjiHTB M bjik>6ji^iotch ( fall in love ) 
Apyr b flpyra. Pexnocgp bo'6 bp©mh AywaeT , mto 3T0 BepoHKa. 

B a to BpeMH BepotiKa noeT b t© aT p© m mmg©t 6ojiBiiioft 
yonox. nocji© stoto OHa ©a©t Ha kb apTMpy k Hmkmtmho^i , ho 
Taw e'e BCTpenaeT penopTgp m otbo3mt b toctm, KyAa HM¬ 
KMTMHa o6em;aJia npMTTM.3 to aom irpo#eccopa, ta© MHoro 
yneHHX. Korfla BepoHKa xomot mttm AOMoft, penopTep mast 
BM9CT0 c Heft. Ohm bjiio6jihiotch APyr b APyra. PenopTSp 
BC§ BpeMfl Ay^a©T , MTO 3TO HMKMTMHa. 


- 95 - 


(Film Unit VIII) 


KpaTKoe coflepwaHHG (npo aojnrqhm© ) 

MaprapftTa JlBB6BHa, KOMnaHBdHKa Hmkmtmho^ , bjik>6ji©h& 

( is in love) b By 6©Hu;oBa ®By6©HijOB chaht y h© 8 w nteT nMBO . 
CJiyqdilHO ( accidentally ) oh ro bo put > hto ©My Hyscna ho 
oHa, a ©8 &minjiomaA£#MaprapHTa npocuT Ey6eHD;oBa yiiTii* 

Ho B 3TO BpeMfl npHXO^HT HWKHTHHa, h By 6©hi^ob np6~ 
q©TCH ( hides ) b mKa$. MaprapHTa h© mo hot ysHaTB HnKMTHHy, 
KOTopan oq©HB nop© m©HHJ iacB nocji© pa 3 T 0 B 0 p 0 B o jiio6bm m 
nporyjiKH c poxwccSpoM. BepoqKa npiixo^HT k Hhkhtwho# nocjie 
CBoeli nporyjiKPi c penopTSpoM. Korfla MaprapifTa npHHO out 
yTpo m 3 aBTpaK, OHa BHflHT AByx OflMHaKOBHX ( identical ) 
aceH^HH h AywaoT, qTO OHa coioa c yMa. Ha cJieflyiomHii a©hb 
BC© ©AyT B HHCTHTyT COJIHI^a CMOTp©T B Ha fojIBIIIOft 3 KCnepM- 
M©HT HMKJITHHO& « HMKHTHHa XOH©T KOHfleHCMpOBaT B COJIHQqHyK) 

3HopFHio# 3Ken©pHM©HT yAaSTCH, By6©HD;oB ynpaji (stole ) b 
Jia6opaTopnii kohaohcj! posaHHyio coJiHeqHyio iSakoctb (liquid ) 
AJIH CBoeii saxuraJiKH, ho 3 to y Hero njioxo KOHqaeTca* 

HaKOHei; bcS odBHCHHeTCH. PesMccgp h penopTep no- 
HMMaiOT, B KOTO KaatAHfi M 3 HMX BJII06HJIGH • HMKMTMHa COB©Ty©T 
peawccepy A 0JlaT b h© c©pB©3HHii $hjibm o Hhkht MHoii # a b©- 
c^Jiyio ( gay) KapTHHy o Toai f mto c hmmm npoM 3 omjio * $mjibm 
KOHqaeTCH necne# o Beene. 


- 96 - 


(Film Unit VIII) 


IV. BOIIPOCH K QVLIbW . 

I® Kto Tanan HMKMTMHa m r^e ona pa doTaeT? 

2. H eu saHHmeTCH Mhctmtyt CojiHija? 

3® J\jir Hero peKMccep m ruru Musi npHexa-SM b 
MHOTMTyT ? 

4• Kto Tanoft BydemjOB? 

5. Kto Tanaa BepoHKa m ©anew oh a npunuia b 
KHHO-CT yflHIO? 

6® Htq 3aM©tia©T peKMcoSp, Kor^a BeponKa TaHny e t? 

7* KaKHM ROJmeu 6htb ynSHEJM no mhghmio pexHccgpa? 

8® IIOTi©My EydeHijOB Hcnyrajica Bepoq km? 

9. Hto fl©jia©T fliipeKTop TeaTpa, Korfla oh yBHaST, 
hto BepoHKa xoneT padoTaTB b kmho? 

10® noxi©My BeponKa h© MoaeT noexaTB b km ho—OT y#Mio 
Ha peneTHijHK)? 

II. 0 Beponna npocMT HmkmTHH y? 

12® Kto Tanaa MaprapHTa JlBBOBHa? 

13. B Koro BJiradjiGHa MaprapHTa? 

14. ^to HMKMTMHa roBopMT pesHccgpy o ©ro $MJIBM©? 
15® ^to pesHceSp Aywa©T o eg cjiOBax? 

16. HTO B ©TO BpeMH fl©Jia©T B t© aTp© BepOMKa? 

17. Kan BepOMKa nonaflaeT b tooth k npo$eccopy? 

18. ^to OHa fl©Jia©T b foctax y npo<|)eccopa ? 

19. Hto fl©JiaioT pesMcoep h HMKMTMHa nocji© padoTH? 

20. Koro ohm bot p©T mjim bo BpeiiH npory jikm? 

21® Kto b koto bjuo6hjigsi ©Toft hohbk)? 

22® Hto flejiaeT Bydemjos b KBapTMp© y Hmkmtmho^? 
23. Kyfla MaprapHTa npaneT EydeHijosa? 


-97* 


(Film Unit VIII) 



BoripocH k ji Bisy ( npoflOJUKoiino ) 


24© notiewy MaprapHTa flyMaeT, hto ona conuia c ywa? 

25* Ky^a ona 3 bohht no Tojre^ony h hto ona 
TOBOpHT? 

26. ^to Ha cJieAyiomH^ fleHB nponcxoflMT b 
MHCT iiTyT© CojiHn;a? 

27. Kano# pe3yjiBTaT 3KcnepwM©HTa ? 

28© HTQ CJiyqMJIOCB C By6eHI];OBHM? 

29. Kan pe&HccSp m penopT§p y3HaioT, b h§m ^©jio? 

30 « ^TO HHKH TMHa COB©Ty©T CflGJiaTB c $hjibmom? 


ARAR JlEHff ? 

EYEEHHOB : 


HMKHTHHA. > 

EYBEHHOB » 

Mil JfiH Ri 

HKKMTHHA i 

ARM Jtfimis 


Y. jlMAJOrH M3 <31 JLhUA . 

I . B Hhcthtvt© 

Hto 3 to Taicoe? 

Cb©pxc©kp^ THaa 

/K HUM nO#XO£HT HMKHTHHa. 
ApKaflH# MwxaMJiOBHq/ 

B qgM flGJIO? 

Bor TH MO it I ... 


CoJiHixa . 


hit# qna! 

no TOM 


I) 


TOBapMXH HMKHTHHa , OflHy MK- 
HyTOtiKy! ... 

noxjewy bh nponycKa©T© no- 
CT0p6HHMX B Jia6opaT6pMK)? 

Aexo b tom, tiro h h© no- 
CTopoHHiffi. H noMOHJHMK p©~ 
snccSpa . 


HMKHTHHA i Tgm xy&e rjlh. pe&HCcepa* 

APKAHMH MMXAfiJOBMH s KaKO© ciie ii iH 6 a M H©jr 6 noQ 

h e a o P a 3 yis6 hhq . 2) 


1) a super secret gadget 2) laughable and ridiculous misunderstanding 


-98- 


(Film Unit VIII) 



















flHaJIOrH M3 $MJIBMa (npO^OJI 22 QHM 9 ) 


jH/iH Jitimi 

HMM THHA : 

APR AM ft MMX «t 

IIHKMTI1HA i 

APKAMft MMX,: 

HHKHTHHA : 

APKAiUiM MMX.: 

HHKKTMHAt 

APKAMM MftX.: 

HMMTMHA : 
APKAilUft MMX,: 


HMMTKHA t 
APKAUMft MHX.t 


IIOK6piieflni e rrporny npHHHTB HamM 

rJiy6oKMe M3 bhh^hm, 3] 

H3BMHGHMH IipftHHTN. T©n©pB BOS? 

A KapTMHa? Hoyac© jih OHa Bac He 
MHTepecyeT? 

Bm^htg jim, h 6oiocb , mto y Bac 
M3 3Toro HMMero He BHftfleT# 

IIoqeMy ? 

IIoTOMy mto HMMero Becejioro m 
paaBJie kAtqjibho ro 4) b mo ©ft 
paboTe h©t* H fleJiaio cepB- 
S3Hoe flejio* 

Ho BeflB Hama KapTMHa to*© 
cepBe3H0© fleJio* 

BMfleJia h BaiHM KapTMHHl BaM 
HyJSHH H© $aKTH, a 3(J)<J)6 kTH # H 
h© no kji 6HHMiJca khho, 6) 

Omqhb xopomo« 

He noHMMaio, veuy bh pa^yeTecB? 

ftejio b tom, mt o, pa6oTaa Ha a 
K apTMHO# , h coctAbmji c©6© 
hokotopo© npefl cTaBJi^ hmq 6 ) 

O Bac, M H O M © H B paA , MT O BH 
QKa3aJiMCB 7) mmghho Tanoft, 

MT O IX H© OmH6cfl * 

Bcero xopomero! 

ByABT© 3fl0p0BH! 

/HMKMTMHa yXOflMT/ 


3) My humble apologies 4) entertaining 5) movie fan 
6) formed an impression 7) turned out 


« 99 


(Film Unit VIII) 
























^MaJIOrH M3 (npo^o JIS0HM© ) 


JElHfl: Hy, Kan oHa Bac ycTpaMBaoT? 8) 

APKAilHH MHX.t OHa npenpacHa! TaKoft OHa flOJixHa 

6HTB* MmMT© ^MOHHO TaKO# tmii • 

H©m dojiBine Hama repo^HH 6ya©T 
noxoHa na HmkhTMH y , t©m jrytinre* 

8 ) How will she do? 


TfiTH n ahia t 

MEIBHMKOBi 

TflTH IIAIIIA t 
HBAH CBUEHOBITCt 

MEILHMKOBg 

HBAH CEMEHOBIPl! 

MEJH BHHKOB! 


HBAH CEM.f 

MEJILHHKOBt 


2. Ksar>TMpa rmo&Qccopa MeJBHHKOBa* 

MBaH Hhkojei©bmh, 3B0HHJia HpftHa 
II©Tp6BHa # OHa rrpnexaTB h© moxot# 

Kan h© MoateT? nonewy? 

H© 3Haio• CKa3aJia. 

A bot m h! .AoSpnft B©H©p! 

Hy, rrpecca . I) nan Bcerfla, 
onaaflHBaeT« 

Hy, BMHOBaT . * . 2) 

CKaaiMT©, HBaH C©m8hobhh, bh Ha 

ManiHHQ? 3) Hy cfl©Jia#T©, 

ro jiy6hmk 4),flo6po© flejio: npH- 

B©3MT© MH© WpMHy n©T pOBHy! 
HMKMTMHy? A OHa hto,h© npnexajia? 

B TOM TO M JieJIO , 5 ) HT O H© T • 


HBAH CEM*8 


MEJLHHKOBt 


OHa mh© caMOwy ohohb Hysna. 
P©fldKn;MH 6) mht© pecy©TOH COJI- 
H©tlHHMM OlIUTaMM . , . Ceftxiac 
npMBesy* 

nocToHT©, a bh aflpec 3HaeT© ? 


1) "the press*' (Ivan Sem* is a reporter) 2) I'm sorry 
3) do you have yourcar?4)ny dear 5) that's it exactly 
6) (hero) the newspaper 



- 100 . 


(Film Unit VIII) 
























^iiajiorM M3 (JmiBMa (npoflo jiseHMe ) 


MBAH CEM.l 

Hetf, HmkmtmhoM ? Hqt, h© 3HaK>. 

MEUBHMKOB t 

Bh # Ka»©Tca, ee y m©hh bma©jih? 

11 BAH CEM. : 

HpenpacHO now hid* 

MEIBHHKOB 1 

Hto 6h OHa hm roBOpMJia, XBaT&ftT© 

08 9 TamiiTe b Mauiftny m b©s6tq 

CIO JJJ2L « 

APKAimfl MMX.: 

3. B KMHO-CTyflMH, 

Hv&ho noKaaaTB ©8 BH#TPeHHHM I) 

MMp, t|TO-TO JI&MHO©? 

HMKMTMHA. 1 

A a, KDH 0 TIHO*,, MHa^e OHa 6y^©T 
MaH0l4 H« • . 

APKAMM INLX.t 

^ony ctmm? noKaieu b KapTMH© 
e'e jiid6obb 

HMKMTMHA. : 

Hto? 

APKAUMft MMX.: 

JlK>60BB HMKHTHHO# ! 3tO 
ytiSHaa flojisna jho 6 mtb, moxqt 
jho 6 mtbI Xb^tmt paccyacjidTB! 4) 
^aBaftT© nonpo6y©M..« 

K npMMepy. cKa»©M. t> 6 iuiHKVS 5) 

"H Bac joo6jno n .• • 

HMKMTMHA s 

Kan? Tan cpasy! 

APKAJMR MMX.: 

HV, MOKHO H© COaSY... B3flOXHflT© ! 6) 
B 6 pa F©6prM©BHa f BH,no“Moeny, h© 


COBC 6 M nOHHMaeT©, TITO TaKOO jiio 6 obb 
T&TBHH& HBanopuay sac waTepudjiH o jho 6 bh? 

npMHeoMT© ciofla l 

ApKaflKft MMxaiiJioBMti mhT a ©t ijMTaTy o jiio 6 bm * 

1) inner 2) personal 3) Let’s assume 4) enough theorizing! 

5) cue 6) sigh 


- 101 - 


(Film Unit VIII) 




















^Majioril M3 (npOflOJI*©HKB ) 


APKAHKK mX't 


HKHKTMHAs 


APKAilKK MMX, I 


HMKMTHHA> 
APKAHHH mX.t 

HMKTf TITHA t 
APKAJMft MMX .i 


Bot, bot! Bo Bsrjiflfl e 7) yxe 
iito-to ©CTB. jlasaMTe 3aKpen^M 8) 
B3T JIHfl • 

CMOTpHT0 Ba MQHfl M O 6'BHCHHMT6 CB 
MH9 B JlJ06m . B HMMaEM© ! IIpM- 

totobmjimcb! HatiaJin! 

H h© mo ry 3 to, ApKaAtfft MMxaftJiOBHti! 
K comaJieHMio, ajih m©hh oto om©hb 
T pyflHO• 

Hy, Tor^a nonpodyiiT© Bfipa3MTB 9> 
CBOM MyBCTBa 6©3 CJI OB • ^BMSe- 
HMHMM ... CTaMH • • • 10) 

B3rJIHAaMM •. • 

HTO 3T0? 

Ham© Bpewa oko HtiMJrooB. 

HaMMHaeTca j -p yraa cB^MKa, II) 

Mojkhd nOCMOTpGTB? 

MOHHO, nOCMOTpMT©, 3T0 BaM 

6yA©T omghb noJi63HO, 12) 


7) expression of eyes 
10) gestures 

12) useful 


8) let*s keep 9) to express 

11) they*re going to start to shoot 
another scene 


-102- 


(Film Unit VIII) 
















VI, 


IIECHH 0 BECHE 


sypgdTB 

xy*i 

T^HTB 

n©HB 

6©p83Ka 

niMeJiB 

ryfl6TB 

Tp©B( 5 ra 

3afl6pHH^ 

cKBOp^n; / Plur* 

flop6ry + Dat* 


Sy-px^T pytIBfr, JieTkT Jiy 
M t&©t xefl 9 m o6pfln;© tsC eT 9 

M fl&K© IT© HB B anp£ JlBCKHft fl©HB 
Eepe3Kofi GH6Ba CTaT b m©^t^©t, 

BecSjiHfi ihm©jib ryflftT b©c6hhjoh> TpeBdry , 
KpMq^T 3aa6pHHQ B©C SjEbl© CKBOpi^, 
KpHTI&T CKBOpigl BO BC© KO Hljfit 

"B©ch& MflgT, b©ch 4 ffop6iyI w 


- to gurgle 

- beam 

- to melt 

- stump 

- birch - tree 

- bumble-bee 

• to hum, to sound 

- alert 

- full of mirth 
CKBOPA&/ - starling 

«. make way for «*» 


-103- 


(Film Unit VIII) 
















FILM UNIT IX 


\ 


TANIA 

/ cBETJufi nyn> / 


* 


“10 4 “ 


(Film Unit IX) 





I 


COMMENTS TO THE FILM# 


1) This is a pre-war film directed by Alexandrov (director of "Volga~ 
Volga," "Springy etc#)* The star is Liubov Orlova, his wife, who also starred 
in many other Soviet musicals# This film is an example of clumsy, and at 
times outright silly domestic Communist propaganda# It is one of the first 
attempts of the Soviet movie industry to glorify the Stakhanovite movement* 

This film freely follows the Cinderella theme, with the heroine as Cinderella, 
the engineer as Prince Charming, and the Communist party as the Good Faiiy* 

2) The Stakhanovite movement in Soviet industry started in 1935® In 
that year the coalminer Alexei Stakhanov mined a record output of 102 tons 

of coal during one shift* This feat was given enormous publicity in the press, 
and the Communist party started a large-scale campaign in support of this 
movement# Many workers in other branches of industry followed the example 
of Stakhanov# 

The usual pattern was as follows: individual workers announced 
their decision to produce above the regular "norm#" They were strongly 
supported by the local Communist cells* The increase was achieved by the 
careful organization of the production process to utilize even a split-* 
second and by attaching to the Stakhanovite a group of aides to do all 
of the auxiliary work* 

The Stakhanovite movement was,first of all, a means to increase 
the productivity of workers (industry was lagging behind the production 
goals set by the party)« It also divided the workers into regular workers 
and a Stakhanovite aristocracy with much higher wages,which strongly 
supported Soviet authorities# From the point of view of Marxist theory, 
the movement was declared by Stalin as the vanguard of a new era in which 
the difference between physical and intellectual work would be abolished* 
Stalin considered the Stakhanovites as the first examples of the new 
man of Socialism* In reality, the Stakhanovite movement created a difficult 
situation in industry* The increase in quantity brought about a drastic 
decrease in quality, and the "norms" for non-Stakhanovite workers were 
raised in line with the production of the Stakhanovites* Besides, in spite 
of all the publicity in the press the whole thing was often phony* The 
film itself, is probably a result of Stakhanovite work in movies with 
traces of haste, especially at the end# 

3) The film gives an interesting behind~the-scenes glimpse into the 
administration of Soviet industry# Notice the important part played in the 
life of the factory by the woman who is the Communist party cell chairman* 

The factory director becomes immediately cooperative and even obsequious 
when she speaks to him* She is in charge of " 1wk6©3 " (contraction 

of « JlMKBMAaijHH BesrpaMOTCDCTMjthe liquidation of illiteracy) in 
the town, and it is she who sends Tanya to school# The meeting where 
Tanya*s Stakhanovite plans are discussed is the regular feature of Soviet 
everyday factory life, the meeting of the professional committee 

( 3aceflaHHe ripo^KOMa)# 

The factory director, the Party boss, the engineers, the foremen 
discuss at such meetings problems of production, personnel, etc# Notice how 


005- 


(Film Unit IX) 



Comments to the film (Cont*d) 


the factory director* who a minute before was reluctant to accept Tanya*8 
offer* changes completely after Tanya receives the telegram from Comrade 
Molotov himself* When Tanya* after getting a cleaning job at the factory 
goes around with the list, she is gathering data about the workers little 
children for May Day presents* It is interesting to note* too* that Tanya 
lives in the dormitory which was formerly a church, closed during the 
Soviet pre-war fight against religion* Tanya*s girl friends are typical* 
unglamorized examples of ordinary Soviet girls* When Tanya is being con¬ 
gratulated for her work on many machines* one can see in the background 
"The Board of Honor" for portraits of Stakhanovites and another board 
for portraits of " yflapHKKH " (** Shock* Workers) who also cverfulfill 
their "norm"* but not by enough to be considered Stakhanovites « 

4) The custom of throwing a person in the air is discussed in the 
comments to the film "Musical Story*" § B 0 

5) When Tanya goes to the Kremlin* together with scientists* generals 
and others* she receives a medal for her good socialistic work (notice the 
reflection of the medalcn her face as if the medal were a magic jewel). 

In a symbolic scene before the mirror the whole idea of the film is stated: 
Soviet reality is more extraordinary than any fairy tale* Tanya sees in the 
mirror the stages of her life: a housemaid (it is riot quite clear who her 
mistress is* but obviously in the USSR of 1930 she couldn*t be a "Capita¬ 
list exploiter" $ she is probably simply the wife of some Soviet big-shot) * 
a weaver* and finally the fairy-tale Cinderella who modestly retreats 
before the more fantastic reality of Tanya*s real life* 

6) Tanya, at the beginning of the film* heavily stresses her un¬ 
stressed "0*s" like a peasant girls after becoming an engineer she loses this 
accent with fairy-tale like ease* Notice also that after her first Stakhar- 
novite success* friends call her Tatiana Ivanovna (her full name plus patro¬ 
nymic), instead of Tanya* in order to show their respect. 

7) The last scenes take place at the "All-Union Agricultural Exhibition" 
which was inaugurated in 1939 in Moscow. It is a kind of national fair where 
each region has its paviliion to demonstrate the best results of its main 
branches of agriculture* It was organized by the government for propaganda 
purposes and has become a permanent institution. Scenes of this Exhibition are 
also shown in the film "They Met in Moscow*" 


-10 6 - 


(Film Unit IX) 


II, 


KEY WORDS AND PHRASES, 


KHO-KHO~KHCS 

« Here, kitty, kittyl 

OaMOBdp nOCTaBMTB 

- put on the tea kettle 

Tnppy ! 

- whoa! 

36jryniKa 

- Cinderella 

cdsa 

- soot 

h6mqp 

- hotel room 

aadpoHftpoBaTB 

— to reserve 

”Mh© Rena. hot* 

- That's not ray business 

BOjnff66Hima 

- the Good Fairy 

"Oh t©6h o6ftfl©ji?" 

« Did he offend you? 

rpdMOTHan 

-literate 

/mh©/ c6b©ctho 

- (I feel) shy 

Kypndcaa 

- pug-nosed 

o6pa36BaHHaa 

- educated 

CTOJi^a 

- capital 

y Bao HHaero H©T 
notiw TaTB? 

- Have you anything to read? 

IlpMcdawBa^TecB 

* caflMTect 

"3a^atiKa h© bhxopt* 

« The problem won't come out 

"Hy BOT HH O t 6 JI©t|KO * 

- Not the least bit 


"*Ito 3afl#MaJiacB?"» 0 hSm th flyMaemB? 


"npaSM jihct OyMarw?" • 

CKOJtBKO CTOMT JIMCT 6yMaPH? 

no am© T&ti ! 

- sweep* 

"y Bao okojibko pe 6ht?® * 

■ Ckqjibko y Bac #eT©ft? 

KBM ! 

- shoot 


-107- (Film unit IX) 



Key wo 1x13 and phrases (Cont’d) 


niiiypKfr 

CTandK 

Hto y Bac TaM? 

HGMCnpdBHHil 

3acTyn&©TecB 

BCTpdija Hoboto Tofla 

n Hy m nycTB, nycTB!" 

"C HOBHH rOflOM, C HOBHM 
CqaCTBQM" 

"He naflo! " 

TKanfexa 

ct axdHOBCKOe abh^hh© 

MftTMHP 

"H TyT HenpHtiSu** 

p© K 6 PAH 

atfcfpA 

CT© HH JIOMaTB 

"Haw h©t nperpdft hh b Mope, 
HH Ha C^E© 10 

KOMCOMdjIBCKaH opraHHsaijMn: 

yA^PHHKH 

rocyA^pcTBo 

6pA©H 

"BOJ 1 H^©T 0 CB ?" 

BoecofosHaa CeJiBCKOxos&ft* 6 * 

cTBeHHan B&CTaBKa 

A©ny t b Bepx6BHHii Cob6t 


- shoe laces 

- machine tool (here:loom) 

- What*s the matter over there? 

- defective 

- you*re taking (he**) side 
« New Year*s celebration 

- Let it be that way§ 

« Happy New Year ! 

- Don*tl 

- weaver (female) 

- Stakhanovite movement 

- rally 

- I had no part in it 

- records (performance) 

• nonsense 

- to tsar down walls 

« There are no obstacles for us 
on land or sea 

- Young Communists* organization 

- "shock" workers 

- the state (government) 

- medal 

« Are you excited? 

- All-Union Agricultural Exhibition 

*® deputy to the Supreme Soviet 


108 ' 


(Film Unit IX) 


III. flEftCTBTOmHE IWilA . 


T 4 hh Mop6aoBa /TaTBHHa IlBaHOBHa /, fleByniKa H 3 flepeBHH, 
flOMpa 66 thmi^i , (housemaid) 
no tom TKanftxa, no tom whs©H ep 

Ajeqkc6^ Hkko eBira JI&6efleB, hhjk©h©p t©KCTJU iBHoii $a6pHKH 
Tajifl&KHH, aaBeflyiomMii rocTHHHn;©# (hotel manager) 

Xo3H#Ka TaHH 

^6pox oB, Awpewrop da 6pm<M 
3y6K6B a MacTep ( foreman ) 

Arpa&fena « cTapan TKanuxa 

Uapftn Cepr6©BHa IIp6HKHa« napT6pr ( the Party organizer at the 

factory) 

CenpeTapna #npa kt ora , cecTpa xoshAkh TaHH 

Kji&sa ) 

Happen ) noflpyrn TaH k 

Bdpn ) 

KfpnKOBr udcTep 

KPATKOE CO ilEP^AHME « 

TaHH Mopo 30 Ba, fleBynma ns flepeBHH, pa6oTa©T flOMpa66 T~ 
hhd;©^ ( housemaid ) B Ma jiqhbkom ropo#e b 1930 r% Eg xoaniiKa 
HMBgT B TOCTHHMUe "MaJJH# PpaHfl 0 t<&JIB" * 3 aB©flyK>mMK OT©Jd©M 
yxaiHBaef (courts ) 3 a TaH©ft # B ropoflOK npne3 sa©T uoJioftofi 
MH3K©H©p J66©A©B pa60TaTB Ha T© HOT MJIBHOil (£a6pMK©. Oh OCTa- 
HaBJiMBaeTCH b rocTHHMi$e m BCTpenaeTCH c TaHeft. Oh Ha 3 HBa©T 
©e 36 HyraKOM (Cinderella ). TaHH BJno6jiAeT ch b H©ro* 

X 03 HMK© TaHH TOSte Hpa BUTCH MOJIOflOK MHieHep, 

napT6pr ( the local party boss ) MapHH C©pre©BHa ysnaeT, 
tiTO TaHH h© yy@©T HMTaTB H nuc aT b $ h nocHJia©T ee b mKOJiy, 


- 109 - 


(Film Unit IX) 












KpaTKOG cofl©p«aHH9 (npoAOJiffieKMe) 

TaHa yawTca Jiyarne bc©x. Xo3fliiKa p©bh$"©t ( i3 jealous ) K Tan© 
H bhtOHH©T ©6 (throws out ) • IlapTopr nocHJiaeT TaHK pa6o~ 

TaTB Ha <£a6pHKy. Tana pa6oTa©T y6 6pm;Hii;eft (cleaning woman) 

M HHBSt C flpyTHMH A© ByiUKaMH B obn^QHHTMM® 0 Ha XOM©T 6HTB 
TKanrixoft ( a weaver ) h MHoro yxiHTCH * HaKO Hen; OHa nojiynaeT 
pa6oTy TKatiHXH . Ho n ©pbkm a©hb pa6oTH KomiaeTCfl Heyfla^iHO 
( in a failure ) • MacTep fla^T eft n-noxoft TKaijKMft o t aH6 k (loom) 

a no tom xaJiyeTCH, tjto oh a h© yMe©T pa6oTaTB« 

B 3Ty ho^b b $a6pMHHOM KJiy6© BCTpo^iaioT HoBHft Toa* 

Taw 6ojiBiiioft 6a ji Ha JiBfly. TaHH cm amt Ha c k&m© ftK© n©p©A 
KJiy6oM # Ee HaxoAMT JI©6 ©a©b, pa3roBapnBa©T c H©ft f TaHi;yeT 
m Ha KOH©ii u;©jiy©T ©8 • Tana yderaeT m njia^eT, OHa AyMa©T,*iTO 
MQSAy HMMH CJIMUIKOM dojIBIHaH pa3HMIJ£.J OH MH2C©H©P, a OHa 
npocTaa pa6oTHnna• 

B ra3©T© n IIpaBAa" nnmyT o HanaJie cTax&HOBCKoro abh- 
h£hmh ( Stakhanovit© movement ) • 

TaHH xoneT CTaTB CTaxliHOB ko ft ( female Stakhanovit© ) 

OHa nmneT nwcBMO MojroTOBy* mto moiho pa6oTaTB cpa 3 y na 
16 cTaHKax, Ho KOHcepBaTfiBHHft AwpeKTop He no3BOJiH©T eft* 
.ZjMpeKTop npoTHB TaHM| a 3a h© 8 - napTopr* m&ct©p m jih~ 
SGHGp J©6 ©a©b* KorAa ohm cn6pHT f TaHH nojiynaeT t©ji©« 
rpaMMy H3 KpeMAft: ot MojiOTOBa, pa© Mojiotob no3ApaBJiH©T 
TaHio c ycn^xoM* AwpeKTop, kohqtiho, Tenept bc 8 no3BOJiH©T* 
TaH© AaK)T HOByio KBapTMpy « OHa pa6oTaeT OHanaJia Ha 30 


-110 


(Film Unit IX) 


KpaTKQ© oo^epscaHM© (npo^ojiseHii©) 

m Ha koeqxx na 150 CTaHKax« IIocjieflHirii ©KcnepHM^HT koh« 

H[a©T oh yonexoM, ho Tana wa Ta©T b rasoTe* ^to ^pyran 
TKatmxa pa6oTa©T Ha 800 CTaHKax vl nJia^ieT ot tofo, h© 

ona nepBan cflejiajia a to . MapMfr CepreeBaa pyr&eT (scolds) 

©e aa 3roft3M vl rosopuT* qTO OHa flojusna pa/toBaT bch s no™ 
tomv qTO Bee padoTaioT h© flJiH c©6h, a fljia rocy^^poTBa® 

TaHH efl©T B MocKBy b KpeMJi b noJiynaTB opfl©H (medal) 
sa cbok) cTaxaHOBCKyro pa6oTy. OHa oTaHOBHTCH hhx©h©pom 
m flenyT^TOM b B©px6bhh& Cob4t. 

B ko hd;© $HJiBMa ona bct p© qa©T ch o 1©6e#©BNM s KOTopnt 
T©n©pB flHpeKTOp (Ja6pMKH VL TOH© HM©6T Gpfl©H» 

TaHH BHXOflMT 3a Hero 3aMyx© 

iy. BOnPOCH K SHJLMy. 

1. Pfl© cHanaJia pa6oTa©T TaHH? 

2. OTKyfla ona? 

3. Kanyio pa6oTy OHa fl©Jia©T y X03flftK5i? 

4. Kto TaKoii Je6efl©B vl Kan oh bct p© qa©T ch 
c TaHeii? 

5. Kan TaHH nona^aeT b lUKDJiy? 

6. IIoneMy TaHH TepneT pa 6oTy y xosh^kh? 

7# Pfl© OHa pa6oTaeT nocjre 3Toro? 

8 # iIto OHa Taw cHanaJia £ejiaeT? 

9« Tfl© TaHH T©n©pB smbSt? 

10. K©m ona xoneT cTa tb h hto OHa #jih 3Toro 
flejiaeT ? 


-III- 


(Film Unit IX) 



BonpOCH K (£'MJIBMy (npOflOJIH0HM0 ) 


II# no^ewy nepBHii aghb ©8 pa6o'ra Ha ct a hk© 
KonqaeTCfl HeyflaHHO? 

12# ^TO B 3Ty HOHB npOHCXOflWT B KJiy6©? 

13# Kan ona BCTpenaeTCH c Je6©fl0BHM b aTy Hom>? 
14# IIoneMy OHa nJianeT? 

15. PaccKa»MT8 , hto Tanoe CTaxaHOBCKO© flBMseHMe ? 

16. KoMy TaHH nwnieT hmclmo h hto ona mim©T ? 

17# *Ito fly^aeT flwpGKTop o ee nJiane? 

18. Kto sammuaeT Tanio? 

19. ^TO KOHHaeT MX flMCKycCHIO? 

20. ^to nHm©T Mohotob b TOJierpaMM©? 

21. *Ito TaHH roBopMT Ha MHTHHre? 

22. Kyfla TaHH ©fl©T c bgid^mh? 

23. non© M y JiowaiOT ctghh Ha $a6pMK©? 

24. PaccKasHT© , Kan TaHH pa6oTaJia Ha 150 CTaHKax? 

25. noHQMy ona nocjie 3Toro njianeT flOMa? 

26. ^Ito ©ft roBopHT Mapwn CepreeBiia? 

27. 3ati©M TaHH ©fl©T b MocKBy? 

28. *lTO OHa BHflHT b 34pKaJie? 

29. K©m CTaJia TaHH nepos hgckojibko ji©t? 

30. *Ito TenopB flejiaeT JIgSg^gb? 

31. Kan m r#G ohm b c t p© Ha jot ch 7 

32. ^QU KOHHaGTCH (pIJIBM? 

33. Kto Tanaa 3ojiyinKa? 


- 112 - 


(Film Unit IX) 


BonpOCN K (irpOflOJIH0HH0 ) 


34. PaccKasHTe 3Ty ci(a3Ky. 

35. Hto bh MOJK 0T© ci<aaaT b o coBeTCKoii 3ojryTiii<0? 

y. mAxovw M3 mihUA. 

I • yrpo. Pag no. 

BHMMaHiie. roBopMT MocKBa. IIhtb tjacoB yTpa no 
MOCKOBCKQMy BpeMQHM. .Aodpoe yr po 9 TOBapnnui. npHro~ 


70BMJIMCB ... HanaJin! 




2. Ha JiecTHMU© b rocTHHme. 

MAPMH 

CEPrEEBHA? 

Bh tiTO a mo Vl h6m©p ho npn- 
dupiieT©? I) 

TAHHs 


A h b rocTMHHn;© He padoTaso. H 
y mo eft xoanftKW pa6oi»aK). 

MAPMH 

CEPrEEBHA* 

TH XJTO m 9 fl 0 p©B§HCKaH? 

TAH H? 


ArA 0 

MAP m 

CEPrEEBHA* 

rp&MOTHan? 

TAM* 


Hqt. 

MAPMH 

CEPrEEBHA* 

Hto x th H© ynwniBCH? 

TAHH* 


C6b©ctho . 

MAPMH 

CEPrEEBHA* 

Hero co bootho ? 

TAH H* 


Aa xyfla h noftfly ynMTBCH? 

MAPMH 

CEPrEEBHA* 

XoqenrB h Tedn BHytiy? 

TAHH* 


Th nTO x. bc©x onn© aqjx&giiib b 
yti^HBo? 2) 

MAPMH CEPrEEBHA 8 

Hy, He Bcex... A bo t kotopbio 
Kypno ch© p rex uovy onpefleJiftTB 


T) to clean 

2) a nocHJiaeBiB b niKOjry 


~113> 


(Film Unit IX) 





















^iiajiorw M3 (jMJiLua (npofloji jteHM©) 


JEEEJIEB s 

TAHflS 

lEBEAEBs 

TAHHs 

lEEEflEBg 

TAHfl: 

JtEEEflEBs 

TAHflg 
JIEEEAEB ? 


3 . CKa mq mK a nepea kjiv6om« 

Taira! Bh hto Ty t flejiaeTe? 

$oh&pb Kapafrjno. I) 

Ara. Mokho c BaMK nooHA©TL? 

Hy aTO s, cKaMeMKa y m©hh 
HeKfajieHHaH . 2) 

Tan® 

Em;g aero cnaieT©? 

y Bac m b rocTHHHu;© TaKMe rjiasa 
6hjim? 

H©T, 3TO MB9 Ha $a6pHK© BH^aJlM a 3) 

Ha q?a6pMK© BaM m xapaKTep 
Apyroii AajiM. 


JEBEilEBt 

TAHHs 


C Hobbm roflOM, Taira! 
C hobhm caacT LOU1 


JedefleB nejrfreT 4) Tanio* OHa y6©ra©T ot Hero 
h c nJiaaeM npM^eraeT b o 6 iu; 0 fmtm©• 

nOJPyrA l TaHH, TH aTO 3 to ? 5) 

Hto c to6osT? 


TAHfl? /nJiaaeT/ Oh..* Oh mohh nou;ejioB&jr* 

HO flPyTA ? A OH “TO T©6© HpaBMTCH? 


TAHfl:$ KOHQHHO , HpaBHTCH! 

HOJPyrA> Tan aero » t© 6©. flypgxe . 

©me Hy«iiol? 6 ~T 

TAHHi Oh, h©66cb 1 7) mhsohop, o6paa6~ 

_BaHHtiM a©JioBeK f a h kto? 

1) I* am guarding a lamp-post 2) He moh CKaMeMKa (h eg ho 

3 ) It was issued KynHJia ) . 

4 ) kisses 5) what»s the matter with you? 6) what else do you need, 

7 ) you know you fool? 


-114- 


(Film Unit IX) 






























yi 


IIECHfl 


B CTapoii cKasKe roBopMTCH 
npo I) BQJiig4 6H£ie 8 ^eJia i 
Rvuin-6wu& 3) flB© ceoTptoi, 
Tp©tbh 36jiyiiiKa dunk « 


1) *• 0 2) magic 

3) once upon a time there lived 


- 115 ' 






FILM UNIT X 


VILLAGE TEACHER 

/ CEIBCKAH ytMTEJLHPmA / 


116 . 


(Film Unit X) 



I, 


COMMENTS TO THE FILM* 


1) This film was released in 1947* It shows the career of an out¬ 
standing Soviet teacher* The main aim of the film is to contrast pre-Revo- 
lutionary Russia with the USSR* The comparison is* of course* in favor of 
the latter* The teacher starts her career in a remote, dirty, Siberian 
village where peasants live tho life of savages: at the end of the film 
the same village is already a clean city with a small palace for a school* 
Before the Revolution, the way to higher education for peasants was closed, 
under the Soviets, the possibilities for them are unlimited * The war of 
191/*. is pictured as a meaningless massacre, while the War of 1941 ~ 45 
is filled with patriotism and high purpose* 

2) Both parts of the contrast are grossly exaggerated* Sometimes the 
situations shown in the film are completely false* The story of Prov, a 
brilliant boy hho successfully passed the exams at the city high school but 
was not admitted because of his peasant origin, is not plausible* On the 
other hand, almost everybody during the Soviet regime, gets a government 
medal sooner or later (even the janitor, who,nevertheless, remains a janitor)* 

3) The main part is played by one of the best actresses of the modern 
Russian theater. Miss Maretskaya* However, there is not much to play in 
it, and even Maretskaya cannot make a success out of nothing. 

4) The beginning of the film takes place in Petersburg* Many famous 
places in that city are shown, among them St* Isaac*s cathedral, the canals, 
the Fortress of St Peter and Paul, Admiralty, and the monuments to 
Nicholas I and Peter I* While passing the monuments , the hero recites 
lines from Pushkin*s poem "The Bronze Rider 0 " 

5) At the graduation ball, the heroine sings the popular song 
"During the Ball," by Tchaikovsky* This melody is played throughout 
the entire film* 

6) The peasants in the village pronounce Russian words with a 
clear "0" in an unstressed position* The pupil, Prov, even when he becomes 
a professor of geology, retains his provincial " 6KaHB© " (clear 
pronunciation of 0 in an unstressed position)* The speech of the peasants 
is generally in dialect and filled with proverbial expressions* 

7) The use of the exclamation "It*s Bitter" during the wedding is 
explained in the comments to the film "The Lucky Bride", § 6* 


- 117* 


(Film Unit X) 



II, 


KEY WORDS AMD PHRASES, 


Bh oobcgm BSpocjraH 
Mh nox6sn xapaKTepaMH 
yn p?f wan 
flOdpOBdJIBHO 
MG *1T aT B 

ot qfioToro cepflip 
"ByAeTQ 6KaTB no-on6fipcKM 
"Ecjih 6 fleBymia co rjiacmiacB 

SflaTB flOJITMG rOflH® 
n Ha 1 ^©e^^BCfl? ,, 

TOnfiTB 

b^ptmtch 

w IIOTieMy HMKTO H 0 3aCT^nHTCiI ? tt 

"STOTO 6e306pcC3MH H© ^03B0J!IK) ,, 

"Pa3roBapMBaTB co cTapmHMM 
HysHO ctoh" 

rpa mothhM 

M3 6a o6BaJifuiacB 

"Bot 3to no-HaniGMy 8 * 

H 0 po6£ft 

otm-6tkh 

cnocd 6 hhm 
cc^jnca 


- You are quite grown-up 
-We have similar characters 

- stubborn 

- voluntarily 

- to dream 

- with a pure heart 

- You will 3tross 0*3 like 
Siberians 

- If the girl agreed to wait 
long time 

- You still have hope? 

- to heat(a room) 

- it spins 

- Why doesn*t anyone 3tep in 
and help? 

«*» I won*t permit such a disprder 

• When you speak with your elders 
you must rise 

- literate 

- the roof caved in 

«• That*s our way! Now she is 
one of usj 

« don*t be bashful 

« grades 

- talented 

- exile 


118 


(Film Unit X) 



Key words and phraoas (cont*d) 


n y MQHH KOHWHJICH Cp OK 
CCHJIKI1 n 


I*ve finished my term in 
exile 


w y Hero OTija y6ium* 


-His father Was killed 


nepewena 


c*e3fl 


*• change; recess (the janitor makes 

a pun upon this word*When asked if 
he interrupted the class for 
"nepeweHa® (recess), he saysj^a, 
nepeMOHa n meaning change of 
government )» 

~ Congress 


"Mh em;S yflHBfiM MPip" 
P&H0H B 60K> 


— We*11 astonish the world some day 

- wounded in battle 


3ap© 3aTB 

KanftMH cyfl£6dMM? 

npo63flOM 

COtJHHd HH© 

w HMTB 3 HaHH T CJiySHTB 
p6flHH0" 


- to kill with a knife 

- What brings you here? 

- on (my) way 

- composition 

•• To live means to serve one , s 
fatherland 


6p,z(0H JleHHEa 


*» The Order of Lenin 


3flop6BO ! 


- hi| 


III. ilEflCTByiOIIIME MU A. 

BapB&pa BaciiJiBeBHa /BdpeHBKa /, y wh TQjib HHija 

Cep r ^ft AutiTWtQBim. Map hob * CTy# 0 ht , no tom wys BapeHBKH, 

KOMHC cdp • 

MdmeHBKa, cecTpa MapTftHOBa 

Er6p neTp6Bnq;« niKdJiBHHfr cT<5pos ( janitor ) 

B6pOHOB« KpeCTBHHHH 


“II9' 


(Film Unit X) 








/JeMCTBymjjie jiMUja (rrpoflcui hqhpb ) 

lip O B , ero chh, yqeHHK, noTOM npodoeccop reo.fl6rHM 

( professor of geology ) 

0cTp6r o Ba fl yneHMija, hotom yHMTGJiBHMn;a 
B^kob a 6oraTH^i kp©ctbhhmh 
Ero chh 

HatiajiBHMBa s^hckopo MHCTMif m (the director of the girl school) 
$Ba cfinjHKa (two police agents) 

KPATKOB CO/IEPKAHHE . 

BnnycKHOft 6aji ( graduation ball ) b x6hckom mhctM" 

TyT# b ropo^e IlQTepoypre #o n ©bo jiioi^hh • /JesyinKPi MetiTaiOT o 
HM3HM, KOTOpyBO OHM T©n©pB BatJHyT* BdpeHBKm XOiieT yMMTB 
KpecTBHHCKMX fleTeft# Ha 6aJiy oh a BCTpeqaeTca co CTyfleHTOM 
Mapi^HOBHM, 6paTow ©8 no^pyrM ManieH bkm • Oh p©bo jik)ii;moh6p » 
m aa hum Ha 6 jik > p & ©t no jihijhh ®Ohh bjiiq6jihk>tch flpyr b flpyra 
m xotht SQHMTBCH, ho MapiHHOBa ap© ctOBHB aioT nepefl cavioii 
CBaflB6o& (wedding )#Bap©HBKa ©a©t b flaJiSKyso cm6hpc Kyio 
fl©p©BHK)« E8 Be3gT dikojibhhm qt6pos 3: (janitor ) Er6p Ile- 
tp6bhm. Oh eft roBopHT, mto b a©p©bh© h© HyaHU yxiMTGJiH, 
a HyaHn pa6oTHMi« • Ha hobom m©ct© ynMT©JiBiunja oHatiaJia 
BCTpenaeT mhoto tp^ahoct©#* Hqko-tpph© kp©c-tbhh© h© xotht 
nocHJiaT b fleTeft b hibd Jty . nBHHMft Kpo.CT bhhmh 6bSt (beats ) 
cbok> *©Hy Ha yjrime, yx&i t©jibhmii^l oct aHaBJiMBa©T ero, Chh 
3T0T0 KpeCTBHHMHa, Epos , nOTOM OKa3H Ba© t ch om©hb cno~ 
g66hhm yqeHMKOM# Korfla o6Bafl ftjiacB ( caved in ) Ma6a y 

-ISO- 


(Film Unit X) 






KpaTKoe coflepacaim© (npoflOJUKeHH©) 

©6 yqeHHip flyHH f Bap©H BKa MfleT b rocTH k 6oraTOuy Kpe- 
OTBHHMHy m Ha^inHa©T c6op ( collection ) fl©H©r Ha HOBy» 

M3 6y e OHa yroBapnBa©T IIpoBa flepxaTB ansaMeH b ropofl-* 
OKyro THMHaaMio ( secondary school ) • IIpoB otj©hb xopouio cflagT 
3K3aw©H, ho ero h© npuHimaioT, no TOMy htq oh kpootbhhhh* 
OAHaaflH bo bp©mh ypona k BapeHBK© npHXQflHT Mapra- 
hob, y KOTOporo koh^im jich cpOK cc6jikm ( term of exile ) 

Ohm *©hhtch, ho b nepByro ho^b nocjre cb£ab6h ©ip oiihtb 
ap©OTyioT. HatiMHa©TCH Boiraa I 9 I 4 -ro rofla, no tom $©BpajiB"" 
CKafl p© BO JUMJMH • MapTHHOB OnflTB npM 03 Sa©T B fl©p©BHK) K 
*©H©« Oh T©n©pB 60 JIBIHeBJlK H BM©CT© C leHHHHM TOTOBHT 
0 KTH 6 pBOKyro p©bo jnoijHio* Oh ©a©t b n©T©p6ypp Ha nap- 
th^hh# 0B©3fl« BapBapa BacwJiB©BHa npo^ojisaeT ooTaBaTBCH 
c ©jibckoH y^HT©JiBHime ft. Bo BpeMH rpaxflaHCKoft boShh ©8 
My*, KOTOPHM T©n©I» CJiyXHT KOMMCCdpOM B KpaCHOft ApMHH, 
p^HeH b 6ok>. CoJiflaT npuBOSHT ero b flepeBHio k BapBape 
BacHJiB©BH© . MapTHHOB yMwpa©T # B flepeBH© HannHa©TCfl 
kojui© kthbhs&hhh » EyKOB m flpyrHe Kyjiaid XOTHT y6HTB ytm- 
T©JiBHuny h c*©tiB mKOJiy.CHH ByKOBa coo6md©T ( informs ) 
eft 06 3TOM. OHa caua HfleT k KyjiaK&M. ES onaca©T ( saves ) 
Kp©CT bhhmh B6poHOB . Bp©MH HfleT. BapBapa BaOHJIB©BHa ys© 
CTapaa yi^HTeJiBHMi^a* MaJi©HBKO© c©ji6 cTajio ropo^oM, a 
niKOJia T©n©pB - boJiBuro© MHoroaTa*Hoe sflaHHe • B Heft pa- 
6 oTa©T ytiHT©JiBHim©# Tai<ae 66BnraH ( former ) y^ieHHija Bap- 
Bapj BacwJiB0BHH B ropofl npnessaeT apyroft 


- 181 - (Film Unit X) 


KpaTKoe coflepscaHHe (npoflo juscghh©) 

ytieHMK BapBajH BacmiBeBHH-npoB ? kqtoph& TenepB rrpo^eccop 
reojrorwK® y^©HMKM BapBape Bacn^B©BKM xotht o^mh pas b rofl 
co6iipaTBCH y H©g« Ho nauMHa ©tch BTopan lapoBaa Boftna* Bo 
3p© mh BOJi hh Bapsapa BacwjiBeBHa npo^ojiaaeT 6htb ynnT©JiB- 
HMXieft® Ot cbomx 66bhiiix yxieHMKOB OHa nojiynaeT niicBMa co bc©x 
kohe;ob ot pa hu« QflHa®flH yTpoM OHa ojihiumt no pa#HQ f mro 
COBQTCKO© npa eh Te JIBCTBO HarpaflHJio ( awarded ) ©e opfleHOM 
leHKHa ® Kor^a BoftHa KOHnaeTCH , na BHnycKHoii 6aJi b ©8 
mEDJie c*&©3jitajOTCH ©S 6HBmn© yneHWKH OTOBciofly* 


17 . BOnPOCBI K §VLJLbW . 

I® K©m 6 njra BapeHBKa b n©T©p6ypr©? 

2, Fa© OHa BCTpQTHJiaCB C MapTHHOBHM? 

3® KTO TaKOM MapTHHOB? 

4* Keii xoqe? 6 htb BapeHBKa? 

5« Xloxiewy OHa xon©T ©xaT b b flepeBHio? 

6 ® Hto MapTHHOB h BapeHBKa flejraioT nocjre 6 ajra? 
7« IIoq©My Bap©HBK© h© y^aeTcn bhmt h sawys? 

8« Kan BCTpenaioT ynHT©jiBHimy b flepeeH©? 

9® nonewy KpecTBHH© h© nocHJiaioT fleTeft b nmojiy? 
10® PacoKa^HT© snH 36 ^ c iibhhhm kpgctbhhuhom • 

II® HTO CJiyxDl JIOCB B CGMB 0 ^yilH? 

12® Kan ymi t ©ji BHnnja nonorjia mm? 

13. noneny 6oraTK# kpgctlhhmh stseT 

14® Kto caMHM jiyniniiw yneiuiK Bapsapn BacHJiBQBHH? 

- 122 - 


(Filrn Unit X) 






Bonpocn k (tMJiBMy ( npoflo juice hm© ) 

15. *Ito ona coB©Ty©T ©My RQJia. tb? 

16 ♦ lion© My npoBa h© npHHWMaioT b rHMHa 3hk>? 

17. Kto rrpn©3sa©T k BapBaps BacM jh>©bh©? 

18. noti©My oh npnexaji? 

19. *Ito cjiyxjMJiocB noon© cBa#B6H? 

20. *Ito BCKope nocji© btoto npoHsonijio b ct paH©? 

21. KaK OIWTB B C T p© Ha BOT CH Bap©HBKa H MapTHHOB? 

22. Kto oh TenepB m ny.ua oh ©a©t? 

23. Kan BapBapa Bacw JiBeBHa bct pe^aeTCH c mvs©m 
b nocji©flHiiK pa 3? 

24. Kan ona y3HaeT, hto eg xotht y6nTB? 

25. ^Ito OHa Torfla flenaeT? 

26. Kto cnacaeT eg? 

27. Kan H3 M©hhjihcb ^©p©bhh h ranojia nocjie 
p© bo jik>u;jiji ? 

28. *Ito TenepB rgji a©T yneHHija BapBapu Bacw jibgbhbi 

^3THH? 

29. Kom CTaji ©8 yxieHMK IIpos ? 

30. ^to co6wpaK>TCH fleJiaTB KaiflH^ roeg 
6HBUIH0 y^GHMEH? 

31. ^to HatiMHa ©t ch b 1941 ro^y? 

32. *It o A©Jia©T BapBapa BacmiBe bh a bo bp©mh bo^hh? 

33. ^to OHa cjihiumt no paflwo? 

34* ^©m KOHnasTCH $mhbm? 


123 


(Film Unit X) 


y 

MAJiorw m mihm* 

MAPTHHOB t 

I. Ha 6ajiy. 

3^paBCTBy^T© » BdpeHBKa! 

BAPEHLKA 1 

3flpaBCTBy^T© , Cepr^ftl Hto bh Ha 

M0 HH TaK npfiCTaJIBHO I) CMOTPHTG? 

MAPTHHOB: 

KaTfl cKaaajia, uto mm c BaMH 
rioxoiai 2) xaoaKTemMM. OHa 
rOBOpHT, HTO BH TaKafl me, KEK 
h,- ynpHMaa* 

BAPEHLKA: 

MomeT 6 htb* 

MAPTHHOB: 

H SHaiO, BH eflGT© B flepeBHio 
yH&TQJl BCTBO B3TB * 

BAPEHLKA: 

Bh pa3B6 to ice 3 Ha © t© ? • • • 
Ocya^eTe? 3) 

MAPTHHOB: 

Hto bh! 4) Baum HaM^peHiiH 
6jiarop6^HHl ... 5) 


1) attentively 2) similar 3) disapprove 


4) Oh, come now 

5) Your intentions are noble 

MAPTHHOB : 

2. Ha 6aJiy. 

Kan bh xopomo nejin! 

BAPEHLKA s 

A MameHBKa 6paH&Jiac B. I) 
tr to a mioxo noio* 

MAPTHHOB t 

Hto bh! ... Bh v/uiBiift to-a bho 2) 
nejml... (Co6wpaioTCH HflTii 
flOMOfi ) * 

M Kan bh peniaeTecL exaTB b Cm6hpb? ! . 

BAPEHLKA j 

A paaBe Taw ruroxo? 

1) criticized 

2) amazingly well 


“124- 


(Film Unit X) 


























^Majiom M3 (npoflojUKOHM© ) 


MAPTHHOB; 

BAPEHLKA ; 


MAPTHHOB : 


3 ) to exile 4 ) Ham 
5 ) serious crimes 
7 ) necessarily 

9) MH© HpaBHTCH 

ErOPl 
BAPEHBKAt 

EroP: 

BAPKHLKSA t 

EFOPt 
BAPEHLKA t 


HeT , OTtiero s© ! B©ab Tyfla ccHJiaroT 3) 
Hamero 6paTa 4) sa tAsckm© rpexft. 5) 

A m flo6poB<5 jibho «, 3naMMT f bh 

CM JIBHaH • 

H©t , mt6 bh! TaM omghb HyjKHH ytiM- 
TeJIH • M HMKTO Tyfla H 0 XOTIGT. A H 
MQMTaio. H 6yfly y mmtb fleTeft. Bh 
3HaeT©, mh© KaseTCH, ©cjih m©~ 

JioBGKy flojiro BHymATB xopomee 6) 

M a©J iaT b 3to ot mmctoto Cepfllja # 
to jitq6oVi , fla«e caMHM mioxofi 
HGJI OB ©K , n©p©M©HMTCfl « TOJLBKO 
Haflo Henpe mIhho 7) ot mmctoto 
cepflna . H© cm©mt©cb! 

H He cmgiocb . Banra y6e»fl8HHOcTB 8) 
mh© no me, 9) 


6paT (idiom) - people like us 

6) to teach better things 
8) conviction 


3 « B niKQJie. 

OflnaKo, HafleeniBCH? 

HafleiocB© 

Hy, HafleiicH , Hafl©ftcal TonMTB 9 mto 

JIM? 

Tohm. 

A, MOXCGT, H© TOIIMTB? 

Erop n©T pobmm ! Ka*floe yTpo th 

6 yfl©HIB TOIIMTB II© HB • H OTMQHK) i) 
cBoe pac n opHKeHMe ^TQJiBKo b Tpgx 
cjiyMaflx: Kor.ua h© 6 yfl©T flpoB, 

Korfla HacTaHe T 3 ) BecHa mjim norfla* 
.A© flail Bor, cropMT mKOJia* 


1) cancel 2) - npMKaa 
3)anpMflST 


~ 135 - 


(Film Unit X) 


























^MaJiom M3 cftMJiBMa (npoAo;i*©HMe ) 


ETOPj 


BA PEHLKA t 


ETOPi 


/6ep8T b py km rjio6yc/ 3to mto *e 
aa niTYKa 4) Tanaa? 

3to, Erop IleTpoBM^, rJioGyc. 
K3o6paa6HMe 5; nJiaHeTH Ham©# - 
3©mjim• Th 3Ha©mb, mto 3©mjih 
nauia BepTMTCH? 

l/l Ky^a s© oh a b©ptmtch? 


4) thing 5) representation 


4• IlepBHfi ypo k BaPBapH BacnJiB— 

QBHH o 

BAPEHLKA! IIp©HA© Bcero, A©tm, a no3ApaBJxaio 

Sao c HatiajroM 3aHa tm$ « C ce~ 
roAHHUTHero ahh bh h© npocTO 
MaJIBHMniKM M A© Bao HKM • BH - 
ytJ©HMKM « Bh Hat^MTOCB MMTaTB, 
nMcaTB, cMMTaTB i bh 6yAeT© rpa- 

MOTHHMJt# 

H paccKaacy Ban noaeMy a©hb cm©- 

HHQT I) HOtib; KTO SHB^T 3a 

mo pa mm; noa©My Ay©T b©t©p; KyAa 
T©Ky t p©km; h Hayay Bac m© aTaTB ... 


1) follows 


126 - 


(Film Unit X) 














FID! UNIT_n 


VOLGA-VOLGA 
/ BOJIFA - BOJirA / 


-127 


(Film Unit XI) 



I, 


COMMENTS TO THE FILM, 


1) This is a pre-war musical-comedy released in 1938* The film was 
directed by the famous Soviet director, Alexandrov, director of “Tanya," 

“The Spring,” etc#, and, as is usual with his films, stars his wife, 

Liubov Orlova# The music for the film was composed by the Soviet "Irving 
Berlin," Dunayevsky and the lyrics by the Soviet “Oscar Hammerstein," 
Lebedev-Kuraach* This film was a great favorite of Stalin# 

2) The action starts in a typical small town in the Ural Region# Notice 
the primitive ferryboat and telephone, and the lack of a public water supply# 
The major industry of the town is the manufacture of musical instruments# 
Byvalov, the“villain" of the piece, is the director of the small handi¬ 
crafts industry ( KyoTnpoM ) for the region# 

3) The part of Byvalov is played by Ilyinsky, a leading Soviet actor 
both on the stage and on the screen# He is a master of the techniques of 
his craft and was starred in many of the early Soviet movies in the 20*s# 

He is very popular with the public in the USSR# The part of Byvalov is a 
caricature of minor Communist officials# Such officials are assigned by 
the party to supervise activities with which in many cases they have no 
technical acquaintance. Thus Byvalov is in charge of production of 
musical instruments and is completely ignorant of music# Notice how in 
the film he constantly mispronounces the name cf the composer Schubert as 
Schulbert# His speech is filled with newspaper cliches and stock party 
phrases# This type of satire is common in Soviet life in movies and perio¬ 
dicals* However the criticism is always directed at minor officials and 
never at important officials or at the Communist party line# It appears 
near the end of the film that the producer feared that his criticism was 
too strong, for he inserts a line into the final song to the effect that 
people like Byvalov are seldom found# 

4) During the period in which this film was made, the Soviet 
government experimented with a six-day week* Thus to show the passage of 
time the phrase "first day of the six-day week" (shestidny&vka) is used* 

5) The film shows a movement which \ms very-strongly supported by 
the government at that time, the " caMO^QHT ©jibhocob * 1 or self-acti¬ 
vities movement# Through this movement people were encouraged to join 
"circles" for leisure-time activities, such as dramatics, painting,singing, 
etc# Local competitions for these amateurs were held, followed by regional 
competitions for the winners, culminating in a national Olympiad of Arti¬ 
stic Self-activities# In the picture two circles are shown, a classical- 
music • and a folk-music group. Both groups go to Moscow to participate in 
the Olympiad* 

6) The town in the Urals is located on an unnamed stream# The trip 
on the river (interestingly enough on an American river steamboat) takes 
them down the Chusovaya and Kama Rivers to the Volga and then up the 
Volga to the Moscow Sea and through the Moscow-Volga Canal to the capital* 
The Moscow canal and the newly created Moscow Sea were two of the proudest 


- 128 - 


(Film Unit XI) 



Comments to the film (cont*d) 

accomplishments of the Soviet regime during that period. Note how the film 
shows the newest types of steamboats, a barge with new cars, speed boats, 
and even a new dirigible during the passage to Moscow* 

7) In the early scene showing the heroine in the village on her 
bycicle, she tries to convince Byvalov that her "circle 1 * possesses 
talented people. In order to show him what they can do, she herself per¬ 
forms. She sings an aria from "Eugene Onegin" by Tchaikovsky, dances a 
Georgian folk-dance the " Jiear&HKa* and recites from the "Demon" by 
Lermontov* Byvalov does not understand the poem and thinks it may be 
subversive and directed towards him* 

8) There are several Russian puns in the film. An example is when 
Byvalov is asked near the end of the film " Bh cowaflJM ?" 

This verb may mean either compose or invent in the sense of make-up 
a story. Not realizing that he was asked whether he composed the song,he 
answers "No, I haven*t made up anything." 


029- 


(Film Unit XI) 


II, 


KEY WORDS AND PHRASES, 


nPtc£MOH6cnn£i ■ notiTaji£6H 

o^eToedfl - bookkeeper 

T©J!©rpaMMa-MO JiHMfl - urgent wire 

KycTnp6M (the contraction of 

KycTapHaH npOMHinji©HHQGT£)«■» Administration for the 


HOfl BaiHM pyKOB<5^CTBOM 

"IIpOOTO XOtJQTOH pBaT*» H 
ue T^TB* 

"KaEflyio MMHyTy sfly BH3 ob a * 

PICnOJIHjt T£ Bee TBOM 2t© JI&HJ4H 
w Th o6ftfl©Jiac£? B 

SaHMMaT BCH nyOTHK^MM 

M&CCOBO© npOHSBdflCTBO 

CO^HH^TB 

Kpys6n 

©pyHfl^ 

BOflOBd 3 

nap6M aaoTp^JK 
TnppyS 

xyfl6aeoTB©HHafi caMO- 
$6 ht©ji BHOCT £ 

CQB0pm&HHO CeKp^THO 

GOpeBHOBdHM© 

OTG^TCTBH© 

H noBesrf 


Handicraft Industry 

- under your leadership 

- X am so mad I simply want to 
throw things 

- I am expecting a call any minute 

- to fulfill all your wishes 

- Are you offended? 

- to busy oneself with trifles 

- mass production 

• to compose (a song, a novel etc # ) 

- circle 

- fiddlesticks 

- water carrier 

- the ferry is stuck 

- whoal 

« amateur artistic activities 

** top secret 

- competition, contest 
« lack 

•1*11 take (you) 


"130 


(Film Unit XI) 



Key words & phrases (Cont*d) 


napox6fl 
nojinuJi (xo^)! 

"H 3fl0 CB BC0 3HaX>” 

P©6&Ta ! 

Hecji6xaHHo© xyjmr&HOTBO 
aanwoaTB Ha h6 th 
hoth 

H6THa« 6yMdra 

“CnaodftcH kto MoaeT" 

"H©M 0 flJI©HHO BHSBaTBl" 

"H© Ta Af hh ! * 

"IIp0H30UIj6 flOcdflHO© 
Haflopasyw^ hh©" 

*H©M6flJI©HHO COSHaB^ftTQCB* 

"ABTopaf * 

III• 

VI b£h KbAhOBIKI EhbAjIOB . 

CTpd Jina 

A-nUiia, 

J6iXMaH (pilot) 

Afina Kfraa. BOflOBda 
OxAnna h» flBdpHHK 
36a PIbAhobh a« ceKpoTdpma 
MHJIimHOH6p 


steamboat 
full speed aheadI 
I know all sandbars here 
fellowsl 

an unheard-of hooliganism 
to write down the music 
sheet music| notes 
music-paper 
Run for your lives! 

Call without delay! 

A wrong Dunya! 

There*s been a regrettable mis¬ 
understanding 

Confess at once 

Author! Author! 


(the local director 


flEfiCTByKME JHIIA . 

flnp©KTop KycTnpoMa 

of the Handicraft Industry ) 
micBMOHd cima /notiTajiBOH/ 

c^eTOBcf n ( bookkeeper ) 

( water carrier ) 

( janitor ) 

EuB&JiOBa 


-131- 


(Film Unit XI) 










/JewcTByionpre Jinpa (npoAojtHeim© ) 

0 $ 1113 ; ii an t 
Il 0 Bap& 

Jleco py 6 ( Lumber j ack) 

HanaJiBHMK nrra(5a Ojimmiim&ah~ ( The head of the board of judges at the 

Olympiad) 

KPATKOE COilEPJKAHMB 

Topoa6k M©jikob6ack. Ero $ht© jih joo6ht MysHKy u tehd;h* 
B ropoflK© 0 ctb ABa My3 bike Ji Bhhx Kpy&K& (circles ). Oahhu 
K pyHK^M pyKOBO p,fiT (leads ) ch©tqboa AAgma, APyrim - 
imcBMonocMpa CTpeAKa• CTpenKa H Anem jxio(5ht APyr APy^a, 
eo Aneina Hpan*TCH cepBeanan uy 3 H ica, a CTpejiice - jrSrKan, 

M OHM tiaCTO CCOpHTCH M0-'3a 3TOrO, CTpeJIKa COMMHflJia 
( wrote ) necHio, KOTopyio OHa nogT A-nSisa • Ho ona rosopMT, 

•qro 3Ty necnio coHHHHJia ©8 noApyra Aynn • Axems neciin h© 

Hpa butch* HanaJiBHMK KycTnp6m Bhbe jiob chute©t c©6h 
6oJiBmMM HeJiOB©KOM. Oh ohohb hoaobohoh, ht o ©My npuxo- 
AMtch hmtb m padoTaTB b MajfieHBKOM ropoA© ♦ Oh HaA©©TCH, 
hto ero cKopo nepeBOAyT b MocKBy* 

Ms Mockbh npMXOAMT TGJierpaMMa* CTpoJiKa ho mosot eg 
AOCTaBMTB, nOTOMy HTO nap6M OCTaHOBHJICH Ha C©p©AHH© pa KM* 
Bhbejiob npH©3;m©T Ha 6©p©r p©Kii* Oh Ay Ma©T, hto tgjtg*** 
rpaMMa BH3HBa ©t ero b MocKBy* Ho b TeJierpaMM© ero irpo- 
cht npMCJiaTB MysHK&HTOB b MocKBy Ha 0 JiMMnKci Ay XyA6~ 
B 0 CTB 0 HHOS CaMOA^HTeJTBHOCTM (Finals of the National Amateurs* 
Contest)* 


-132 


(Film Unit XI) 



KpaTKO© coflepsaHHe (xipoflojiR9HH©} 


BHBa JOB OTB©tja©T, HT O B 3 TOM TOpOfl© H 9 T M H© MO*©T 6HTB 
HHKaKnx TajdHTOB* CTpejKa, AJSnia h apyrpfe shtqjm 0 Ta- 
pa»Toa flonasaTB BNBaJOBy, ^to b ropofl© mhobo jiofl©#, 
koto pu© xopomo noDT, TaHijyiDT k MrpajoT Ha MyaHKaJB- 
hhx hhot py m 6 HTax« Ho BHBaJOB h© B©pHT • Tqjbko AJ8me 
yflaSTCH yroBopftTB ( persuade ) Ensa job© * AJgma cjy- 
HaiiHO ( by accident ) flaST ©My mhcjb ( idea), hto oh, BHBa- 
JOB, MO JR© T IIOB03 TK HX B MOO KBy« BHBaJOB npHKE 3HBa©T 
noqwHHTB CTapnil napoxofl (steamboat ) H $ZJ©T B MoCKBy o 
OHM$OHJttj©CKHM OpK^CT pOM AJSIUH. HO OH H© XQt|©T 6paTB O 
co6oft KpyaoK Ctpqjiw* CTp©JKa h ©8 flpysBH Boe-TaKM Ha- 
xoflflT cn6co6 (a method ) toh© noexaTB b MocKBy* no flopore 
o o6©hmh rpynnauH ojyqaeTOH mhobo npHKjfcneHHft (experiences) 
Aj8ma h CTpejKa cjyqaftHO m©hhk)tch napoxo^aMH# CTpeJKa 
IK>©T CBO» nOOHIO MyaHKaHTaM GHM$OHH*i©GKOrO OpK©CTpa, HO 
roBopuT, *it o n©cHK» cotjHHMja ©8 no^pyra ^yia, Hm neoHH 
OH0HB Hpa BMTCfl , H OHM ©ailHCHBa IDT ©8. TaK K&K y HHX HOT 
hotho# 6yMarH, ohh nojBayiOTCH 6yMaroft Bhbhjob a• HatiMHa ©toh 
rp03a . B©T©p yHOCHT HO TH • JlMOTH HOnaflajOT K paSHHM JK>flHM« 
Korfla KpysKH Ctp©jkh h Aj8uim npH©aaa»T b MocKBy, TaM bo© 
y*© BHaioT h noK>T ©8# CTpejKa h© mojsot no hhtb»b h8m 
flejo. A ©8 TOBapn^H ysepeHH, hto Ryun ynpaja (stole ) 

3Ty n©CHio* B Moo kb©, b nrTatfe OJHMnHaflN, HmyT aBTopa necHH* 


-133 


(Film Unit XI) 


KpaTKO© coflepxaHKe (npoflOJixeHiie) 


GHa^caJia flyMax>T» ar o 8 to Bhb a.noB, noTOMy *itq oecHfl sanMoaaa 
( is written ) Ha 6yi*ar@ c ero MueReu* IIotom mb^t ^©BymKy 
O HM6H0M AyHfl 9 nOTOMy HTQ CTp©JIKa BOeFfla POBOpHJja* *iro 
neoHK cobhhhjb ©8 noflpyra #yHa« HaKOKexs ysHaioTp ^to anr op 
n©cHH - CTpejiKa* IleoHH noJiytjaoT nepen# npaa* 


iy. BOnPOCH K MJLMT f 


I* PaccKasHT©, KaK bhtjihamt ropofl* hotoph# bh 

BMAeJIH B (£n JIBM© » 

8* H©M SaHHMaiOTOH XMT6JXM B 3T0M rOpOfl©? 

3* KaKH© Kpyswf ©ctb b ropofle? 

4 • Kto TaKO^ BHsaJK ob ? 

5* PaccKaiHT©, nan Bhbmob pasrQBapHBaeT 
no TeJieipoHy? 

6« Kanaa pa6oTa y Ctp©jikh? 

7* noaewy OHa ^acTO ccopKTca c AaiSmeft? 

8* ^to c Jiytoi jiocb c napoMOM? 

9* IIo^©My BHBajioB noexajs Ha peny? 

10. IIoaoMy ero Tan hht© p©cysoT TeaerpaMMa? 

II* Kto TaKoii fla^a Kyaa? 

18* Pfle Bcerfla 0CTaHaBJiHBa©Toa ero JiomaflB? 

13* Hto 6hjio b TeJierpaMM©? 

14* Hto BHBajioB OTB©qa©T Ha 3Ty TeJierpaMMy? 

15* ^[to CTpejiKa cTapaeTca flonasaTB BHBa JioBy ? 

16. PaccKa*HT©, Kan ro pofl noKaaHBaeT cboh 
T ajia hth BnsajiOBy? 


134- 


(Film Unit XI) 




BonpocN K $KJiBMy (npoflojiKeHMe) 


17. 

18. 
19. 
80. 
81. 

88. 

83. 

84. 

85. 

86 . 

87. 

88 . 
89. 

30. 

31. 


CTFEIKA t 

Al£mAt 

CTPEJKA t 

AjElHA | 
OTPEJKAt 


IIotieMy BHBaJiOB p©ma©T nocJiaTB b MocKBy 
KpyaoK AJigmM? 

Ha qgll OHM ©AyT b MocKBy? 

Oiihuimt© ©tot napoxofl. 

Kan ©aqt b MocKBy Kpy*OK Ctp©oikm? 

PacCKaiHT©* MTO 6uaO C OGoHMH KpyaKaMM 
b Aopor©? 

Il0M©My oc TaHOBMJiMCB o6a c^AHa (boats ) 

Kan CTpejiKa m Ajrema m©hhk>tch m©ct aim? 

Kto a artMCHBa© t men jo Ctpqjikh? 

Kto, no GJioBaM Ctp©jikm, HanucaJi ©Ty necHio? 

Ha mb©^ 6yMar© wyaHKa hth ©anncHBaroT necH®? 

Kan necHR nonajia b MocKBy? 

Hoxieny AJiem Aywa©T, hto £yHH ynpajia necHio? 
noH©My BHBaJiosa BHSBajiii b thtb .6 OJiMunHaAH? 
PaccKaxHT©, Kan MOKaJiM aBTopa xiqohh? 

H©M $MJ!IBM K0 HRaeTCfl ? 

y. jlHAJOPH M3 ^KJLHA. 

I* Ha naooM©. 

CKaxM. AJiSma, a t©6© hmkofa& h© 

XOTQJIOOB COMMHftTB MTO-SJlCyAB CaUOuSr? 

CaMOM^? HMKOPAa! 

Ecjim 6 k si ©HaJia Myanny Tan, KaK 
th p si 6u ijejmft js©hb oommhh jta . 

y t©6h 6 k HMH©ro h© no JiyMHJiooB. 

IIoH©uy ? 


- 135- 


(Film Unit XI) 









^wajrorM M3 (ftMJiBMa (npoflojiaceHiB } 


CTPEJTKAl 


aj£isa t 
CTPEJIKA t 

AlglHA? 

CTPEJKA: 

AJIElflA § 

CTPEJIKAl 

AJlfim l 


IIOTOMy qro TO IIMCBMOHOCMIja* 
a ho KOMnosftTop. 

Kan! Th cxiMTaenrfe, mto iihobmo- 
HOCKi^a Hzqero h© mo»©t cotu*- 
hmtb? A bo t cotiMHJiJia! 

HTO 00 MM HHJZa ? 

IlecHtt* 

Kto? 

IlMCBMOHOCMm . 

Mory p© 6 @ npeflOTaBMTBl I) 

Kto JR© ©to? 

M-m-m... Th eg h© 3HaemB* 
3Haio® SMHKa ©to* 


CTPEJKA 8 

AJlfilllA S 
CTPEJIKAl 


AJgEfflAl 

CTPEIKA* 

AI £ea t 


HMKaKan h© 3MHKa! ^yHM. 

Iloflpyra mom. 

Mory cede npe# ct aBM tb! Xa-xa! 

A th He cM©ftca • Th cHatiajia 
cohwh^hm© nocjiyiiiaft, a noTOM 

CM©M CM « 
nosaJiyftcTa! 

CTpeJina noST* 

/kohmmb/ * Hy? 

Ilepeflaft cBoefl .AyH©, mto ona aypa. 


CTPEJKA* Hy, 3 Ha ©bib ... 8) 

AJEha i H TenepB anaio, hto bh y c©6h b 

KpysK© epyHjidft saHHMaeTecB . 3) 

1) imagine 2) approx. :Well # X never ... 

3) You* re wasting your time 


-136 























^iiajiorw M3 (npoAOJiseHK© ) 


CTPEJIKA % 

EpyHfloft 3aHMK«aeMCH?^a y nao 

AHAfl Ky3H Ha caMOAd abho$ 4) 
Tpyd© Aymne, h©m th Ha no~ 

KynHdft 5) # nrpa©T. 

AJlElAs 

Kysn Jiymne mghh nrra©T? Tose 

MH9 apTMCT HamejrcH! 6) 

Kojuiqktjib Ha6pajra SfltfflH Kysfi, 
t8th llama, a Tenept ©m§ Aynn 
KOMn0 3HTOp!Xyfl6K©CTB©HHHii 
ancdM6jiB "Kvoaia nd cmgx! 7) 

CTFSJKAt 

Kypaw Ha cmgx? Hy, y» ©cam Ha 

HHCTOTf 8) rOBOTDMTB. TO TaKOMV 

opKecTpv, Kan y t©6h, toabko b 
mo a6 *ihoI?' nr t>aTB. Aa h to agtom! 

ajEuas 

3to ©ejS notiGMy? 

CT PEJTKA. : 

Myx He 6ya©t : ca6xhvt. 10 ) 

AJlfim : 

Myx h© 6yfl©T? A ot Bamer o xopa h 

MyX H© 6yfl©T H CaMOfi MOAOHHOft 

H© 6yfl©T 0 

CTPEJfKA t 

IIOH©My ? 

A-IEEA : 

IIOTOMy HTO OT TaKMX rOAOCOB 
MOAOKO CK^fCH ©T « II ) 

CTPEJIKA: 

Mojioko CMCH 0 T?.., A* ..a..* 

/h© HaXOAHT caob/* 

4) home-made 

5) boughten 6) Now you found me an artist, too 


7) (lit*: (contemp*) for chickens to laugh s ridiculous 

8) frankly 9) a uojioveslh. JiaBKa 10 )e* yMpyr 
ll)wiU curdle 


-137 


(Film Unit XI) 






















AwajiorH H3 (npoflojixeHHe) 


CTPEJIKA 1 

8. Ha 6©T>ery* 

TOBapan* BHBaJioB, bot saw raaeTa® 

A T©Jierpaia£y a nepeflasaTB ot- 
Ka3HBaK)CB * 

BHBAJIOB * 

noaeiiy? 

CTPEJIKA. t 

Bu Boero flse h©a©jih. ksk npHexaaB, 
a 6 ©dSt© na c©6a cmSjioctb I) 
roBopwTB, mto b HameM ropofl© 
h©t TaJiaHTOB. 3 to H©npaB#a! 
TaJiaHTH y Hac ©ctb* 

BHBAJIOB s 

Er>VHzia! 8) B ©tom ropofl© a© 

MDS©T £)HTB TaJiaHTOB* 

1) you dare 

2) fiddlesticks 

CTPEJIKAt 

3 » Ha napoxoae , 

noMHMnn>, Torfla aa nap6M© a 
t©6© o^ay necH® ne.na? 

ajiEiha : 

IlecH®? Kany® neon®? 

CTPEJIKAS 

KoTopyro Ayhh ooaHHMJia* 

ajEdiai 

^yHa? H© xxomh®* 

CTPEJIKAS 

Th ©§ HaaBaJU 

ajiEiha t 

Aypofi? A! TenepB bciiomhmje « 

KaKoii x© a 6 hji Tor^a ^ypin! 

CTPEJIKAt 

npaBMJIBHO! Kano# TH yMHH^ 9 

AJiSimca! 

ajiEiha » 

SnaaHT - mmt>? I) 

CTPEJIKAS 

HaBcerfla? 

ajEbia t 

HaBcer^a « 

CTPEJIKA S 

1) peace 

Cjiymaii, no mo th mh© aTy n©cB» 
aa no th aaiiHcaTB* 


-138' 


(Film Unit XI) 
























^Ma^orH ms (jMJJBMa (npofloJixeHJi© ) 


AJfimAt 

CTPEJKAI 

AJfim l 

CTPEJKAt 

AJlfim I 

CTPE1KA: 

AJfilllA t 


IIoxajiyiicTa* y* h© flyMaeT© jim bh 
© 6 B MOCKBy B03TM? 

Hy fla® 

A a bh mto, c ymA c o hijihI 8 ) 

BeflB BH STofi e-pYHH^i 37 B©cb 
Ham paiioH ocpaMfeT© *4) 

K O TpgCKOM nPQB&JIMTeCBl 5) 

Kan 6 h bh caMM h© npoBajiHJMoB? 0) 

Hy STO MbI ©mg yBM^MM f KTO MS 
Hao npOB^JIMTCH® 

Bh npoBA«HT©ci>S 

He npoB^JiMMCfll 


2) you*ve gohe out of your mind! 3) nonsense 

4) WiUdisgrace 5) you* 11 be a terrible flop! 

6) Did you ever consider that you yourself might be a flop? 


13 9- 


(Film Unit XI) 















FILM UNIT XII 


ADVENTURE IN BOKHARA 
/ B03M3TTftTEJ[£ cnOK6J4CTBHH / 


• 140 . 


(Film Unit XII) 



I 


COMMENTS TO THE FILM, 


1) This film was produced during the war in the Soviet studios in 
Tashkent, Uzbek SSR, not only because the action took place in Central 
Asia* but also because during the war it was impossible to make pictures 
in the areas overrun by the Germans. It was directed by the noted Soviet 
director, Protazanov. The heroine and parts of extras are played by people 
from Central Asia; however, the other starring roles are taken by Russians. 
The action takes place in the Bnirate of Bokhara, an ancient princi¬ 
pality which occupied a part of the territory of the present Uzbek SSR# 

2) The story is based on a best-selling Soviet novel "The Disturber 
of the Peace,"which in turn was based on legends about Nasr-Eddin* the 
Moslem Robin Hood# These legends are told not only in Central Asia, but 
throughout the Moslem world. The Robin hood theme closely fits the Soviet 
propaganda aims, and the role of Nasr-Eddin as a defender of common people 
against the rich and powerful is stressed more in the film than in the 
legends, in which Nasr-Eddin is pictured simply as a clever fellow who 
outwits the stupid and the arrogant, regardless of what class they 

are from# 

3) The film is much more true to life than the average Hollywood 
movie about an Arab or Moslem theme# Note the heroine, who is typical of 
what is considered a beautiful girl in those jsgions, but who t© non-Oriental 
eyes looks rather strange and certainly not beautiful. The Russian dialogue 
is filled with translations from native speech such as "Most Gracious 
Emir," "Allah be praised," etc# In addition several non-Russian words 

are used, notably "ishak" (Russian " OC&JI ») donkey, and "tanga," 
a coin of the region. In the bazaar the hero, Nasr-Eddin ,is shown eating 
plov, a mixture of rice, mutton, and mutton fat, which is eaten with the 
fingers from a common bowl. 

4) The anger of the Moslem populace is finally aroused against the 
Emj r when his soldiers, having heard that Nasr-Eddin is masquerading as a 
woman, start unveiling al 1 of the women on the street# 

5) Nasr-Eddin, as you will see in the film, is a clever fellow who 
delights in outwitting others. The following are some examples from the 
film: 

a) Nasr-Eddin recites the following fable to the usurer, who 
thinks that within an hour he will have the heroine for a slave since her 
father cannot pay a debt. Once a jackal (the usurer) saw a berry (the 
heroine) on a tree, and tried to pick it. He tried and tried to climb 
the tree and finally after scratching himself and wearing himself out , 

a falcon (Nasr-Eddin) came along and snatched the priee out of his 
grasp. Later when the usurer caused the Elnir to place the heroine in 
his harem, the usurer said it was not a falcon, but a lion who got the 
prize. 

b) After eluding the emir at will, and even living with him 
in disguise Nasr-Eddin finally gives himself up in order to spare 


-141« 


(Film Unit XII) 



Comments to the film (cont*d) 


the lives of hostages whom the Efcnir was about to execute. Before revealing 
himself, however, Nasr-Eddin (in disguise) exacts a public promise from the 
Emir , that he will free the hostages and execute the man who was shielding 
Nasr-Eddin. This of course is the Emir himself. 

c) Early in the film Nasr-Eddin brings his donkey into the 
building . When asked why, he says it is no ordinary animal and knows 
how to read. He explains that the Emir, having heard that he is an 
excellent animal-trainer gave him money and ordered him to teach the beast 
to read under pain of losing his head# The crowd expresses regret that he 
will lose his head, but Nasr-Eddin explains that the Emir gave him twenty 
years and adds that in that time either the donkey, the Snir, or he him¬ 
self will be dead# 

d) After Nasr-Eddin surrenders, the Emir debates how he should be 
killed* He wants to behead him, but Nasr-Eddin reminds him that he has 
already been beheaded by the Sultan of Turkey* The Eh&r thinks next of 
burning him alive, but Nasr-Eddin answers that the Khan of Khiva did that 
and finally they decide to tie him in a sack and drown him # He is taken 
out secretly in the sack by three guards to prevent his friends in the 
city from saving him. On the way he asks permission to say a prayer. The 
permission granted, he pray3 that the man who finds the money he buried 

in the cemetery will give a tenth to the mosque so that prayers may be 
said over his grave* The guards hear this and they leave to dig up the 
treasure^ leaving him alone on the road tied in th© sack# 

Seeing the usurer coming 

through a slit in the sack, Nasr-Eddin shouts what a lucky man he is. 

The usurer hears the voice and asks why© Nasr-Eddin shouts that it is a 
magic sack which belongs to an Arab and that he paid 600 tangas for the 
privilege of sitting in it four hours in order to cure all of his ills 
and that now, after only two hours, he is already cured# 

The usurer who is blind in one eye, hunchbacked, and lame 
begs to be allotted to sit in the sack for the remaining two hours in order 
that he too may be cured. Finally for 300 tangas Nasr-Eddin consents and 
they change places* Nasr-Eddin being careful that the usurer does not re¬ 
cognize him# The usurer then asks what he has to do and Nasr-Eddin tells 
him to sit still and no matter what happens to keep repeating the magic 
phrase: “The man with the copper shield has a copper head, kiss my 
donkey under the tail." 

The guards, returning without the gold which of course 
did not exist, hear this and thinking the usurer is talking to them, 
at once dump him into the river# 




(Film Unit XII) 


II. KEY WORDS AND PHRASES« 


n<5nuiMHa 

Mm k 

AepxMTe oro! 

TaHBrd 
jinr^nrKa 
t6h©t 
"Ha! " 

n^flpo B03Harpasf 

"flopdry 3ii6py!" 
ropme^HHK 
cp ok ynJia th 
OTcp6^Ka 

nooTyndeT b pdtfcTBO 

TH^BaeTCH (obs.) * OepflMTCH 

oTpy66TB rdJioBy 

mandji 

c6koji 

B&IEHH 

narpdfla 

66jibhd 

CKpBIBdeT CH 

MyoyjiBMdne 

flBop6i* 

rapdw 


- customs duty 

- donkey 

- Stop him! 

- (a monetary unit in Bokhara) 

- frog 

«• is drowning 

- Here! Take it* 

- 1*11 reward you generously 

- Make way for Snirl 

- pottery maker 

- deadline for payment 
« postponement 

- becomes a slave 

- to chop off /his/ head 

- jackal 

- falcon 
• cherry 

- reward 

- it hurts 
« is hiding 

- Moslems 

- palace 

- harem 


143 


(Film Unit XII) 



Key words and phrases (Cont ! d) 


uyap^ 

- philosopher > sage 

b 6 pH 

- thieves 

n<5ac 

- belt 

o6m&hiuiik 

- deceiver 

n^TKa 

- torture 

Efi JieqMTB 

- to heal 

Ka 3 HB 

- execution 

KaSH^TB 

« to execute 

"Cbo 6o^y ooyxflSHHuu! 

■ - Freedom for the convicted! 

TonftTB, yTonftTB 

- to drown (somebody) 

m©hi6k 

- sack 

III. 

iIEJiCTByB31HE jhiia. 

HacT&flflftH 

Hh 63, ropmeqHHK 

riojiBc&p, ero aoqB 

a$dp, POCTOBIU^K ( 

usurer) 

3mht> ByxApcKHii 

Bh36pb ( Grand Vizier ) 

Tycc&ftH rycjrw6 ’, liyflp^xi M3 Bar^djia 


KysH^ij IOc^xJ) ( blacksmith ) 

KPATKOE OOHEP3KAHME . 

Hacp3fl^ftH npMea«a©T b rJiaBHNft ropofl Byxap6 
CauapK^Hfl. B BopoTax y Hero xotht bshtb ndmjniHy, ho euy 
y^aercH rrpoexaTB 6ea fleHer* Oh 3Hanoioi tch c fleBymKoft 


-144' 











KpaTKoo coflepaaHHe (npoflOJiKeHHe) 

TiojiBoap, flotiepBio ropinetnmKa»IIoTOM oh cnaoaeT 6oraToro qe- 
JiOBeicx, KOTopnii toh€T b npy#y ( pound)* 

B ropoflo, Ha ruioma^n, HaqMHaeTCH cv# aMwpa* Be© po- 
hi6hkh cy/^4 - npoTHB 6©^hhx jik)#©# * Topuietm hk Hhhs #ojnaeH 
SoraTOiay ^aa^apy 400 TaHBrsC, ho hq mohqt saruraT mtb bo- 
bpomh* CeroflHH - cpoK ymiaTH. Oh npocHT otcpohkh, ho no- 
Jiyqa©T tojibko o ahh tiao* Ecjih oh h© sanJiaTHT qepe3 qae, oh 
caM h ero floqB 6yflyT pa6&MH (slaves ) ,Z(Ha$apa* HacpaflflMH 
co 6wpa ©t y cbomx flpyaofi oflosefly h pa shh© B©mn h irpo/jaST 
bo 8 a to £xa$apy sa 400 TaHBra • £sa$ap h© s he ©t 9 hto sth 
fl 0 HBm cnac^T ( will save ) ropiiBMHMKa h ero #oqB. Be© b 
ropofl© y3Ha&T, hto shhm©hh THii HacpaflflMH HaxoflMTCH s^ocb* 
BeflHH© JHOflH paflH, 6oraTH© h© flOBO jibhh*3mhp npMKa3HBa©T 
nofiMaTB HacpaflflMHa * £a:a(£ap, KOTopowy ho y^ajrocB noJiyqHTB 
fl©BymKy b cbo& rap§M, xoq©T otomctHtb ( revenge ) HacpaflflH- 
Hy h paccK&3HBa©T aiaupy o ©8 KpacoT©* 3mhp npMKa 3HBa©T 
flocTaMTB fl©BymKy k h© My bo flBopei*. HacpaflflHHa h© MoryT 
HaiiTM. 3mmp odBABJiaeT 6ojrBmyK> Harpa^y TOMy, kto noftMaeT 
ero. a mm pa xoaht no ro pofly m muqtt HacpaflflMHa* Ohm 

ysHaioT, mto HacpaflflMH nepeoflejncn b z©hcko© nJiaTB©, M 
HaMMHaroT npoB ©pht b bc©x seHmHH# 

B a to bp©mh k aiiwpy ©flax H3 Bar^afla 3 HaMeH HTHfi 
Myapoi* m Bpaq rycc6^H rycjiM6* Hacpa#flHH ro bo pht eiiy # 
q T o ero, rycc©iiHa # muqtt, hto6h nocaflHTB b TiopBMy* 


145- 


KpaTKO© coflepaaHwe (npoflooi xqhm© ) 

noTOMy ^to kto-to oKaaaoi, mo uyapeij co6wpa©TCH noxxacTB 
b rapeM 3MMpa * HacpaflflWH coBeTyeT ©My nepeo^QTBCH b 
xqhoko© nJiaTB© m 6hctpo yexaTB M3 ropo#a* Pycce^H se- 
pHT HacpeAAMHy m fla§T ©My cbok> o^ea^y* 7 ropoflCKMX BopoT 
Myflpeu# apecTOBHBajoT, noTQMy hto ayMaioT* ^to stq 
H acpaflAiiH* HacpaflAMH b oflesfl© My^pei^ npuxoflMT k ampy 
h cpaay aanpemaeT ©My noflxoflMTB k a©HmnHaM» noTOMy hto 
3bS3^h (stars ) na b© 6© ceftnac h© noasoJiHiOT 3Toro* TaK oh 
xo^©t cnacTif cboio fl©ByniKy, KOTopan y»e HaxoflHTCH b ra* 
P©M ©* IIep©Qfl©THft Haop3flflHH OtieHB Hpa BUTCH 3MHpy f HOTOMy 
HTO OH HaXO^HT HOHO 3MHpa, a XIOTOM 6HCTpO BBIJI©HHBa0T 
(heals) 6ojiBHyK> fleBynrKy * Kor^a xxpHBO aht apecTOBaHHoro 
PycceJiHa, 3Mnp h© BepwT, hto oh HacTo^mnii Myapeis 9 n ot- 
Aa§T ero Haopa^AWHy Ha iMTKy* Hohbio HacpBjot^HH paccKa3H- 
Ba©T coji^aTaM, hto SBeaflH, kotoph© na^aiOT c h© 6a, cTa- 
HOBHTCH 30JI0TI$MH MOH^TaMH. IIOKa OHM HmyT fl©HBrH,OH BH- 
BOflHT flQBymKy H3 flBopija* 

3mhp npMKa3HBa©T Ka3 hhtb bc©x flpyseft Hacpa^fliiHa 
3a TO, HTO OHM H© XOTHT OKa3aTB, Tfl© OH HaXOflMTCfl *TOPfla 
Hacpafl^HH OTKpHBaer c©6h. 3mhp pemaeT yT oiijitb Hacpa^flu-* 
Ha ho^ibjo, a Hapofly o6bhbjihiot , mo Ka shb 6ya©T yTpoM# 

Korfla HacpaA^MHa HecyT b Memne, oh ro bo put 9 mo oh 
saKOn&Ji ( buried ) 100 thchh TaHtra « Jlioflu 3MHpa ocTaBJiHiOT 
ero oflHoro h 6©ryT McnaTB ^©HBm*. B oto bp©mh no flopore 


-146 


(Film Unit XII) 


KpaTKoe eoflepKaHixa (npoaojisoHM© ) 

0AOT £sa$ap® HacpaaaHH pacoKa3HBa©T ©My (£a HTacTMuecicyD 
MCTOpiiio ( see Comments ) m yroBapMBaeT ^sa^apa BHnycTHTB 
©ro ms MGnma m cgctb b mquiok cawoMf * £&a$ap oor^ianiaeT ca 9 
h ©ro 6pocaiOT b boat bmqcto Hacpa^pisi , 

HacpSMHH m flesyniKa yesaaioT M3 CaMapKaHfla® 

IJ. BOnPOCH K 
I® Kto TaKofi HacpaaawH? 

2® Koro HacpoflflMH BCTpe Ma gt y bo^et? 

3® Kan Hacpa^AMH cnacaeT SoraToro tje-noBeica, 

KOTOpHM TOH0T ? 

4. Kano© rqjio ( case) pemaioT b cya© ? 

5* ^to pemaeT cya? 

6® Kan Hacpaaa^H noMora©T ropmeHHHKy m ero 
aOMepil? 

7* ^to 3mm p npMKa3HBa©T ca©JiaTB o HacpaaaMHOM? 

8® Kan 3MMp y3naji o aeBynruB HacpaaflHHa? 

9 # ^to oh npiiKa3HBaGT caeJiaTB o aeBymKoft? 

10® lion ©My jitdrk aMMpa h© MoryT Haifa m HacpaaawHa? 

II® ^Ito npoMcxoaMT Ha 6 as a pa ? 

12® Kto b aTO BpeMH npnes^aeT b ropoa? 

13® *Ito ©My roBopMT HacpaaaMH? 

14® Tloneuy MyapeiJa apeCTOBHBaioT? 

15® Kan HaopaaflHH nonaaaoT bo ABopou;? 

16® notjewy HacpaaAMH noHpaBMJicfi 3 mm py ? 


147 


(Film Unit XII) 



BonpooH k (jMJiBMy (npo^ojiHeHM© ) 


17 • noneMy 3 mu p h© BepuT HacTO^meMy MyApeiflr? 

18 a Kan HacpaAflHHy y^a^Tc h noroBopwTB c fleBymKoft? 
19, ^to aejiaeT HacpaflflMH c My#peu;oM? 

80 . Kan HacpaflAHHy yflaSTca ocbq 6 oaktb A©BymKy? 

81 . notieuy apyaoft Hacp aAflHHa xotht KaaHMTB? 

88 . ^TO Tor^a fleJiaeT HacpaAfiHH? 

S 3 , Kan floJixHEi Ka 3 HMTB HacpaAAMHa ? 

84 0 IXoneMy ©ro xotht y toiihtb hotibio? 

85 * ^to ro bo put HacpaAAMH jiioahm, KOTopne 
H© oyT ©ro? 

86 * ^TO 3 TH JLTQRVl TOTfla A©JiaiOT? 

87 . Kto ©a©t b a to bp©mh no flopore? 

88 * non©My ^sa$ap xo^©t no mohhtbch MeoTaMM o 
Haopa^AMHOM? 

89 . ^Ito AejiaroT o $xa$apoM? 

30 * q©M KOHHaeTOH $HJIBM? 


7. JHAJOrH m 3HJLMA. 


I# y bo-pot. 


X-Hft CTBCKHHKt 

l guard ) 


Aep&ftT© ©ro, flep«HT©! 

3tot chh rpex d I) 

He aanJiaTMJi mh© hh OflHoro 
TaHBI^ •. * 


8-oft CTPAgHHKi 


A OTKyfla th npw 6 HJi? 
3an©M? 


1) son of sin 


“148" 


(Film Unit XII) 








^itajiorH M3 $HJTBMa (npoflo jieghj© ) 


HACP3HHHHS 

H npnexaji ms £aM&cKa» o 
np 0 CBl)TJiHft 2) rocnojiHH! 

3fleoB b ByxapA SMByT mom 
pOflCTB©HHHKH * 

I-hK CTPAEHHKi 

A-a! Paa th ©fleniB k pofl- 
CTBGHHMKEM, nJiaTM rOCTGByjO nOffl- 

JiMHy. 

HACP3iLttHHt 

Ho a eay k poflCTB©HHHKaM h© b 
rocTMo H ©ay no BasHOMy fleJiy. 

2-oft CTPAEHHKi 

no fl©Jiy? Th m b roc tm m no 

Aejiy ?.. njiaTM rocT©By» no nun- 
Hy m fleJiOB^io nonurnnyi 

HacpaflflMH nJiaTHT fl©HBrM m xoh©t 
npOGXaT Be 

I-Hft CTPAEHHKi 

CtoJi ! Ctovi! A kto 6yfl©T nJiaTMTB 
noniJiMHy 3a TBoero HmaKd? Ecjih 

TH ©flGHIB B TOOTH K pOflCTBGHHMKaM, 
3HatIMT ,TBOfi MUEl K TOS0 GflGT B TOOTH 
K pOflCTBGHHMKaM. njiaTM! 

HACP3HHMH: 

BgDHO * BGTJHO! ... 0. ufjOLVuH 3) 

Hana jibhhk 9 y Moero HnaKa, nek- 
CTBMTGJIBHO, B ByXap© OMGHB 

MHOrO PO^CTBGHHMKOB. HHaH© 4.) 

3mm p flasso nojiGTGJi 6 h c Tp6na.5) 
a th nonajr 6h hA koju 6) 


2 ) illustrious 3 ) wise U) otherwise 

5 ) throne 6 ) you would be impaled 


HACPSilZtHH* 

2. Ha 6©pery tb mi . 

CTOft • ct oft ! Th cnyrnSmB I) ©g ... 

TMLCAP t 

Koro? 

HACP3MHH. 

nTMi^y • Boh TaM h BHxy nTMny, 
npeKpacHG© KOTOpofl hgt b MMp©. 

Boh . • . boh Taw .. . bmamdib? 

l)shoo away 



-149- 


(Film Unit XII) 





















^MajiorM M3 (JujiBMa (npofloji hshi® ) 


mjLCAPx 

HACP3MIS1 


riOIBCPA I 

HACPSiUIHHs 


3to z h© nTimal 3 to JiHrf'inKa* 

^to?! JlHrymna?! (Cmotpmt Ha 
OTPagGHM© 8) PlDJIBCap B BOfle) 
Ecjim 6 bc© JTHryiiiKM mmgjih Ta km© 
tiepHH© rjiaaa, tohkm© 6p6bk 3) 

M He ZHH0 4) H©KM • TO H M CaM 
6 hji 6 h Henp6 mb 5} c Ta tb jih- 
ryiUKoE* fl BHiy b bo a© Kpaca- 
bkb; y 9 npenpaoHefi KOTopoft h©t 
b mpe * 

A a BMxy AByx MinaKOB# Tojibko 
h© ycnejia 3aM©TMTB # y KOToporo 
yum 

y o6omx yuin Kopon© tbohx 
pe oh fau 6) KpacdBHija* 


2) image 3) eyebrows 4) tender 

5) willing 6) eye lashes 


pyccEftH ryejni&t 

HACP3MKH: 

ryccEMH ryem at 


HACP3iLflIlH> 

ryccEHH rycjiH& s 

HACESUL/lKHt 

ryccE^H rye imt 

l) famous sage, philosopher 


3 • Ha 6a3a pe « 

Kan MH© nonacTB bo flBop4i*? 

A sa^eM tg 6e bo flBopei*? 

H SHaMGHMTHt MY A p£H i) M npM" 
exaji ciofla M3 Earflafla no npMrJia- 
hghmk) caMor6 3 mm pa « Mghh 3 0 By t 
Pycc^JiH rycjiMft* 

A! «»• HGyHGJIM TH M ©CTB TOT 

cant!# rycceite rycjiMfl? 

Aa. t TOT CaMEI#* 

A! 01 HGO^acTHH^I nponajia tboh 
roji6ByniKa I 

Hto? no^GMy? 


-150' 


(Film Unit XII) 






















jHaJIOPH M3 (jMJIBMa (npOflOJIX©HJS=> ) 


H AGP 3 JAM Hi Ffle 6 h cnt>ATaTB t©6h?I 2 ) 

{npn*i©T ero! 

PyCCEfiH PyCJHfti Hto cJiytjM.iocB? Saveli th m©hh 

npfnjeniB? 


HACP3MM1 


ryccEte rycjHfti 


Jo ymeft 3 mk pa floioo* hto th s 
BHesaaH mb Barflaja, noKJT&JicH 3) 
IIPO HflKHYTB 4) b ©r o rap4*i M 
odec m 6c tmtb o *8 h 

H?I Ho h a© CTapI 3an©M mh© 
b rap©M ?!. 


HACP3JJMHI H© sHaio, h© 3Hax>« Ho 3MMp 3Ha®T ? 

mto tli npnexaji b Byxapy m 
CK pHBaeniBCfl 6) Ha dasap©,* 

Oh noBejiejr t©6h oxBaT^TB 7) 
m o t pyd ht b t© (> © ro x ob y # 


2) Where should I hid# yeuf 3) gave a pledge 4) • npofi'TK 


5) to dishonor 


6) are hiding 


7) he ordered you to be seized. 


HACP3JAHH I 


3MMPI 

HACP3JIiIHHl 


3MMPI 


4« Bo flBopne* 

0! 0! IlyoTB 3 mm p cKaieT mh© $ 

He bxojmji m oh cerofliw k 
seHipme! nycTB 3Mnp otbqtmt 
CB oeMy m Gtf ! I) 

CerojEH? H©t ©n*g, Mh co 6 hp©jimcb 9 

HO ©mS H© BXOflMJIM « 

Grd Ba AjiM xy! Cjiasa AJiJiaxy * 

tiTO h npHinSji b(^bp©mh! 

IIOflOHAK, MH© HenOHHTHO 


1) slave 


X5I- 


(Film Unit XII) 





















^najiorH M3 (npo^o jisghjj© ) 


HACPSiUlKH: 


3MKP* 

HACP3MHH? 


CerO^HH HO^iBK) H yBHfle^, mto 
3 BS 3 flKr •pacnojio gft.HK CB yrpo%£iom© 8) 
fljiH 3 mm pa « H, nona h© m3m6hhtch 
pacnojios^KM© 3B83fl, 3 MMp h© 
flOJISeH BXOflMTB k SeHIUMH© . 1/lEQ.V® 
r fi6ejn> ero HeMHHfem * 3) 

Ho KaK pas ceroflHH b Ham rapeu 
npM b© 3 jim oflHy fl©BymKy • 

O-o-o! 3a6y^B o Heft! Hna^e 
th nori6H©mb.4) 

(iUaueT) 


3MMPt 


HACP3iUIKH> 

3MHPt 

HACP3jLZIMHt 


BJiaro^apio Te6a. Mh bm^mm, mto 
th HacTOfimHft Myapeij. (K cbomm 
MMHMCTpaii) A BH? I A BN *ITO CMO- 
TpHT© ? 3a MTO MH HJiaTMM BEM 
6ojiBmoe sa^OBaHBe? Tn nocMOTpM| 
nocMOTpM Ha hm x 9 rycceftH rycjiMH* 
Hto sa rjrynn© posh! ••• 5) 

3tm Jinpa 5 KaK a BMsy, h© otm^" 
mqhh na^TBro tif j pocth, 6) 

BOT IfMeHH O. 7) H© OTM©tI0HN # 
Cjiktomt©? Bo jib a el* 1 8) 

M H He BMny 3fl©CB JIMIJ, OT116* 
tieHHNX ne^iaTBio ^6 cthqcth 9) 


9MH_Pi BopN. Bee bo pH. Th noBepKinB, 

rycceftH rycjmtf, ceroflHH y tpom 
mh 3a6HJi m b cafly Ham jnoGMUNft 
none. A Korfla mh XBaTilrjiMCB .IO) 
ero yse Tan h© 6 hjio . (npM 3 tmx 

CJIOBetX OflMH M3 MMHMCTpOB Ony- 
CKa©T rjrasa. HacpaflflMH no<nxo~ 
amt k H@uy m HaxoflMT y Hero 
_no hc 3MMpa)• 

2 ) are placed menacingly 3) his death is unavoidable 4) • yMpSmB 

5) mugs ( Jlftija ) 6) are not marked with the seal of wisdom 

7) That's right 8 ) Fools 9 ) honesty 

10 ) missed 


I5S- 


(FiiLm Unit XII) 
























^MajiorH M 3 (puiBiCL (npoflo Jinenne ) 


HACP3HHHH: 

He 06 3 tom jm nonce roBopaji 

B 6 JIHKHM 3MMp? 

3MHP* 

Oh Th, AeficTB#Te jibho , 

Be jimkmm Myapeij, PycceftH TycjiMit. 

3MHPS 

5. Bo iiBonne . 

Kto th TaKoft? nonewy th cnpH- 
BaJicn no a seHCKoft OAesAO**? 

ryccEiiH htcjimsIi 

H exaji k BejiMKOMy snapy H 

BCTpe TMJICH C neJIOBeKOM, KOTOpH# 

cna3aj , nro 3MMp xomot ot- 
py6MTB mho rojioBy. H a b 

OTtaxe I) <5esaji non seHCKoft 
OAe»AO^ • 

3MMPf 

Kto th TaKoft? 

ryccEfiH rycMfl s 

H Pycce^H PycjiM^ , MyApei* ms 

Bar Aa^a 0 

3MMPJ 

Kan th BpgmBl 8 ) Bot rycceftH 
PyccjiHtf. (iIoHaaHBaeT Ha HacpsA- 
Anna ) o 

ryccEHH ryciHflt 

Oh odMaHmMKl Oh itphcb6mji 3) 

C©6© MOg HMfl« 

HACP3ILQHH l 

Oh roBOpMT, xjto a, rycc&ftH 
PycjiMff , npMCBOMJi ero mmh* 

MOXeT 6HTB f OH CKaseT, HTO a 
npMCBOMJi M 3 TO T XaJI^T? 4) 

ryccE0H rycjiKfft 

KoHenno! 3to mo& xajraT# 

HACP3MHH: 

Bmamt©! MoxteT 6 htb m 3Ta 
riajiisd 5) TBoat 

ryccEita rycjtnjti 

Moa I 

1) fear 2) lie 

3) he possessed himself of 

4) robe 5) turban 



-153 


(Film Unit XII) 






















/(wajiorH M3 $MJiRMa (npoflOJiseHM©) 


HACPSilZIKHs 

ryccEite rycjuftt 

HACP3MMH; 


3MMPI 


HACPSAZlHHs 

3MI1P: 


MOS0T 6bITR M 3 TOT IIOHC TOE© 

TBofe? (noKaaHBaeT none 3MMpa)* 

Moii I Mofci 

BMflMTe! CeroflHH 3 tot c t apHK 
roBopMT, hto 3tot none ero, a 
3aBTpa oh oKaseT, hto 3tot flBopeij 
©ro* 

B©pHOi»MH BHflMM, HTO 3T0 OnaCHH^ 
OTapMK* y Hero b ro jiob © .h§phn© 
mhcjih. 6) Haflo OTflejrfiTR *ero 
rojioBy ot JOBMiia . 8T 

Ha#o ysHaTt ©ro HacTOHme© mmh* 

Bosrmh ©ro m y3Haft nooT)6&cTBOM 9) 

IEMT OK , KT O OH Ta KO # * 


6) ideas 7) separate 8) trunk (body) 

9) with the help 


HACP3iLZIHHt 

hha^aps 

HACPBMHHt 

JgA^A P t 

HACPSAflHHs 

ilJXA^APs 


6 * Ho HR* KJi^fldMm© ( cemetery). 
CJiam AJiJiaxy! CJiaBa AJUiaxy! 
H©jiob©k b mqiuk^?! 

A HTO B 3TOM YflMEM T9 JIRHOrO ? i) 

KaK HTO yflMBHT© JIRHOrO?! 

3atj©M th 3a6pajic»q 8) b m©ih6k? 

3HanHT» HysHO, ©cjih satipajica! 

Mostqt 6htr* t©6h nocayHium b 
M© moK Hacr! jirho ? 3) 


1) astonishing 2) got into 3) forcibly 


-154* 


(Film Unit XII) 























$najiorM M3 (npo^ojiseii^ ) 


HACPSililMHt 

mA$AP l 
EkCPSAAffilt 


jIHA$APt 

HACPSiUIKHt 

iUKA^APt 


HACP3iUIHH> 


Hacn jibho? CTajr 6 h h 4) ixJiaTMTB 
mecTBcoT TaHBPjJ7 mto6h m©hh 
noca^MJiM b M 01 HOK hrcmjibho « 

IHecTBooT TaHBra?! 3a mtq th 
ynJiaTMJi TaKM© ashbph^ 

3tOT MQIHOK npMHa^JieHMT OflHOMy 
apAdy 5) m odjia fl aeT Myjt^cHUM 
CBd ftcTBOM 6 T~ HC IX Q JJ HTfeYpS^ " 
JCTBa "? [ M 6OJI03HI1 o H 6hji 

xpomlm « 8) ro r>6a thm 9) h 
KPMBHM 10) Ha 0£HH VJIB.B • HO 
bot h npocufleji b MemK© flsa 
Maca,M Moft ropd II) mcm@3, 
rjia3 irposp^jg 18) ,h ho ra 
B&rrpHMMjracB. 13) 

3aM©M me tk cm^mhib b mgdik©? 

flOClt&MBaiO CBOfi CT)OK« 14) 
^©HBrM-TO h ynJiaTMJtt bc§ paBHO 
sa hgthp© naca* He nponaaaTB me 
mm am * 15) 

nocjiyiiiaft, o tiejroB0K,CM^4SH2. 16 ) 

B M0HIK© « H TOie ropdaT* xpoM M 
KpMB Ha oflMH rjias. H ox6tho 17) 
ynJia^iy Tede TpncTa TaHtra, 

MT06h npOCMflGTB B M0IHK6 OCtAbEIH" 

eon 18) Asa Maca® 

Ja^HO l 19) Ho t© 6© npM^eTCH 
ynJiaTM^B mh© stm fleHBrn 

Bnep S#• 


4 ) y ou think I would... 5) Arab 6) possesses miraculous qualities 

7) to cure deformities 8) lame 9) hunchbacked 

10) blind 11) hunch 12) « Haqaa onsTl BHfleTb 

13) straightened U) sitting my time to the end 

15) should the money be wasted? 16) KOTOpaft CM pv 
17) willingly 18) KOTopae ocTaJi mcb -*-9) Xoporno! 


-155- 


(Film Unit XII) 




























^Majorw M3 $MJii>Ma (npoflOjiaeHMe) 


,fl%A<EAP$ 


HACP3ilZIKHs 


20) (arch*) 
no to My qTO 

23 ) to beat 


CorJiaceH* Ho He tfyfleM t©phtb 
B peweHM, Mdo 20) mmhytn MflyT, 
a TonepB ohm npMHaflJiesaT MHe. 

(Ohm MeHMioTOH MeoTaiiM)* Kan 
se c©6h BecTM ?8l) 

Ecjim k t© 6© npMJreTMT Tpn flgfiHa *82) 
HatiHyT Tedn 6 htb « 83) pyr^TB 24) 
m Ky^a-HM6yAB nonecyT, th roBopM 
bojhh©6hh© cJiOBa* "Tot, kto hocht 
MQ flHHfi IgHT * 85) TOT HM0 0T 
jioO. noijejiyii Moero Mmara nofl 
XBOCT *• 


21)to behave 22) jinn 

24) to scold 25) copper shield 


- 156 - 


(Film Unit XII) 










FILM UNIT XIII. 


THEY MET IN MOSCOW. 
/ CBHHAPKA h xxactj-x / 


■157 


(Film Unit XIII) 



I 


COMMENTS TO THE FILM, 


JL 


1) This is a musical comedy filmed in Moscow and released just before 
the beginning of the Second World War* Not only the songs, but much of the 
ordinary dialogue is in verse* In common with all muscial comedies, a rather 
fanciful and unreal picture is painted (in this case, of a life on a 
Collective Farm*) 

The action takes place in three locations: The Far North, Moscow 
and Daghestan* 

2) Daghestan is a mountainous region located on the Northern slopes 
of the Caucasus Mountains* It is a very wild region and was one of the last 
to be brought under Soviet rule after the Revolution* The country is sparsely 
populated, and it is only natural that the heroine was unable to find anyone 
in her region who was able to translate the hero , s love letters into Russian* 

The attention of student*s is invited to the typical customs and songs of 
the region, which are shown in the film* 

3) The collective farm of the heroine is located in the northern sector 
of Russia near the White Sea* Notice the predominantly forested character of the 
region* Many typical Russian village customs are shown* First the "guly&nka"* 
After work in the evening the village youth gather, either in the village square 
as shown in the film, or in cold weather in one of the buildings* Here they 
sing 4-line songs called ,, chastl!kshki ,, , of which there are hundreds* They are 
usually accompanied on the concertina, which, more than the balalaika, is the 
typical instrument of the Russian village* The village musician is an important 
character, and the strutting antics of Kuzma are typical of his type* Notice 
the primitive ,, rukom6inik , J which i3 used for washing the hands and face* 

Also in the wedding scene, many customs are portrayed, for example: the bride 
cries before the wedding* Of course, in the film she has special reason for 
crying ; however this is a custom. Also the bridegroom is shown bidding a 
formal and ceremonious good-bye to his bachelor buddies* Notice that the 
kolkhoz president is dressed for the part of best-man* He is shown wearing 
an embroidered towel around his waist* 

4) The scenes in Moscow show the permanent Agricultural Exposition 
(See comments to the film "Tanya" § ?•) Notice the portraits of leading 
farm "shock workers," which are prominently displayed at the exposition* 

5) The wager between Kuzma and uncle Vanya needs further explanation* 
Kuzma bets his concertina against uncle Vanya* s watch that he will marry 
the heroine before St Peter*s Day,the 22nd of June* The watch is not an 
ordinary one, since it has a gold chain; which makes it a prized possession 
in the village* 

6) There is a very strange bit of propaganda included in the final 
song* The words suddenly leave the main theme of love and speak of the 
necessity of defending the motherland and Moscow against the tanks and 
planes of the enemy* 


-158. 


(Film Unit XIII) 






II, 


KEY WORDS AND PHRASES* 


fl&BKa 

n&peHB 

CBHHBfi 

nopoc^Ta 

OBU,Qb6r 

KHHS&JI 

"He OTCTaB&ftTe!" 

B3rJE3HflTe 

noTepAjiacB 

CTO^Dgl 

66poB 

3flOp6BO! 

cbhk£phmk 

"IIpocHn&ftcH * * * 
IIpooHndemBCH?# . * 
IIpOOHf’JICH *" 

6bb;h 

rapMdHB (rapwdniKa ) 
CTaBJiio o 6 sami&fl 
tock^kj o Heft 

C JIOBO B CJIOBO 

cp6*moe nncBMO 

yfldpHME^ 

w Ppd6flT! IIoMorftTe!*** 
HeB&cTy yBdaHT!" 
CB^^Bda 
OtfM&HNBaTB 


- girl ) 

) (village expressions) 

- fellow ) 

- Pig 

- piglets (Sing* nopocSHOic) 

- sheep-herd 

- dagger 

- Don't lag behind] 
a no OMOTpKT© 

- got lost 

- capital 

- boar 

- hi] 

- pigsty 

- Wake up *** 

Are you waking up? 

You woke up* 

- sheep 

- concertina 

- I'll bet (something) 

- I miss her 

- word for word 

- special delivery 

- "shock”-worker 

• I'm being robbed] Help *«* 
They are kidnapping the bride] 

- wedding 

- to deceive 


159' 


(Film Unit XIII) 



III. ilEflCTBromME JIP1HA 


rJsdxira /rjiadfcl-pa AHflT>6©BHa H6BHK0Ba/ , c bm HapKa (swine-herd) 

ceBepHoro KOJixoaa 

Kya bm£ « KOHIOX ( groom) 

Ba6ymKa r^aniM 

Afi&si Bang (HBan IlBaHOBsra) . KOJixoaHHK 
Myoaft6 raTfroB, obd;0B<5^ ms £ar©CT&Ha 

CTapHft nacT^x ( shepherd ) 

Ma ji £*ra K-na ct f x 

3KCKypcoBdfl Ha B&CTaBK© ( guide) 

IIpeflceAaTGJiB KOJixosa 

J[ 0 b 6 h MuxaiiJiOBirq , a punHfiH * 6y$6T^MK Ha c t amuHii 

Armenian (barman at the station) 


KPATKOE C0Z[EP3KAHHE # 

rjiama - OBMHapKa b kojixos© Ha coBepa CCCP. E8,bm©ct© 
o flpyr MMM KO JIX0 3HHKaMH f nOCHJiaJOT B Moc KBy Ha C0JIBCKO- 
xo3*tftcTB©HHyio BficTaBKy* BaCyniKa flaeT ©ft t©T pa$£ vl cob©- 
Ty©T SailMCHBaTB BCS, HTO OHa y3HdeT Ha BHCTaBK© O CBUHBHX* 
rjiama BCTpo^aeT b Mockb© Mycan&i, OBQeBo^a c KaBKasa. 

Ohm bjiidSjihiotch flpyr b apyra h o(5©maK>T ti©p©3 rofl oithtb 
bct psTHTBCH b Mockb©* Kor^a rjiama bo 3 Bpam;a©T ch b fl©- 
P©bhio, ona paccKa3HBa©T Ha co6p&HHH ( meeting ), KaKHX 
xopomwx cBiiH&ft OHa BHflejia b ctojihh;©. OHa roBopiiT, hto ©8 
CBliHBH MOryT 6HTB TaKHMH SB XOpomMMH, ©CJIH ©ft fla^yT 
TSnJIHH CBHHapHHK* 


-160 


(Film Unit XIII) 








KpaTKOe co^epsaHHo (npoAOJiKOHM© ) 

K6hk>x ( grocrn ) Kya&i.d, KOTopufr xoh©t sqhmtbch Ha rjiarao, 
HOMO^QT HHTierO paCCKa3aTB, nOTOliy HTO B Mockb© OH BCU 
BpeiiH xoahji no Mara3HHaM h noKynaji Oflesflyo 3H)4oii rjiama 
h Mycaw6 mhoto padoTaioT m bc§ Bpewa AywaroT flpyr o Apyr© • 
MycawC) noojiajr rjiame xihcbmo, rfl© oh roBOpHT o cBoefi 
jitd 6 bu . Tjiania nojiytiiuia iihcbmo, ho hhkto h© mos©t npOHMTaTB 
ero, noTOMy hto hmkto ho 3 h&©t btoto KaBKa 3 c koto H3HKa« 
Ky3BMa 6 ©p©t y h©8 iihcbmo m o6©ma©T eii otb©3th iihcbmo 
k nep©BOfltniKy b ropoA®. Ho oh obMaHHBaeT rjiauiy h rrpii- 
B0 3HT Henpa bhjibhh^ nepeBOA* rjrama HHTa©T b 3T0M*nepe~ 
boa© % ^to Mycan6 eghioch Ha Apyrofi flOByniKe* Ilocjr© ©Toro 
P^iama h© xohgt hh Ta tb Apyrne nncBMa Mycan6a • Mycan6 h© 
noJiytiaeT OTBGTa 11 AyiiaeT, qTO rjiama 60 jibe© ho juo 6 ht ero* 
Cbhhbh rjiama AajiM MHoro nopocaT,H TenepB ©8 nopTp®? 
bhcht b Mockb® Ha Gojibckoxosh iicTB©HHoK BucTaBK©« Myca h6 
H© mosgt 08 Ha#TH b Mockb©. HaKOHeij oh ysnaST, hto rjiama 
ocTajffacB Aoua h bhxoaht 3aMys 3a KysBiiy. Mycan6 ©a©t b 
A©P©bhio k rjiame h bc§ o6*BHCHfieT. rjiama bhxoaht aaiiys 
aa Hero© 


iy. BOIIPOCH K MJILMST© 

I. Kto Tai<an rjiama 11 trq OHa shb^t? 

2© Ky^a e§ nocnjiaioT? 

3© Kto Ta ko& Kyo BMa ? 

4. Hto 6a6yiaica coB©Ty©T rjiame A©^aTB b Mockb©? 


161 


(Film Unit XIII) 



Bonpocii k cftuifcMy (npoAOJiseH m ) 


5 . *I©ft nOpTpOT HOKaSNBalOT K0JIX03HHKaM Ha BHCTaBKe? 

6. Kto tslkoVi MycawG h OTKyfla oh? 

7* Uoxieiiy rjiama ydejsajia ot cbo©# rpyram? 

8 • Kek oh a bct peT HJiacB o SlyeaKtfoM? 

9* ^Ito fleJiaeT b Mocks© KysBm? 

10 . ^to o6emaioT flpyr flpyry Mycawtf h rjiama? 

II• ^[to roBOpHT rjiama Ha co6paHHM b flepeBHe? 

IS. noqewy KysBwa HHtiero He moist cK a3aTB 
Ha co 6paHHM? 

13. Kyfla Mycaw6 HflgT c codaKOM? 

14. ^to cjiytDiJiocB c ero OBi^aMH? 

15. ^to fl@JiaeT 3HM0fi rjiama c nopocHTaMM? 

16. KaKo© napH ( wager) aaKJ^tm jim flHflfl BaHH H KyaBMa? 

17. ^to nMm©T Mycawd b bhcbm© T-name? 

18. Ilo^euy hhkto h© moist npo^HTaTB xihcbmo? 

19. Kyfla flflfla BaHH h rjiama ©AyT Ha JioinaflJ!? 

80. BHJia jim yflatffloft (successful )hx noeaflKa? 

81. ^to Ky3Bua o6©ma©T TJiani© ? 

88. Kanoii n©p©BOfl oh npHBUa rjiame? 

83. Boxiewy na B&CTaBKe T©n©pB n oKa3 Hbsiiot 
nopTpeT TJiamM? 

84. Iloqeuy rjiama noexajia b Moc KBy? 

85. Kan Mycan6 y3HaUT, ^to rjiama bhxo^ht 3aMy*? 


- 162 - 


(Film Unit XIII) 


Bonpocu k $KJi£My (npoROJixenm ) 


26. notiewy rUama, b kohe;© kohi^ob, h© bhxo^mt 
3auyx aa Kyatuy? 

87. noqewy Kyasua BoaBpanjaeT flafl© BaH© tiacH? 
28. Hto A©JiajoT rjiama c KyaBMoft? 


ilEBTOKH t 

T JAMAS 

HE By him : 

KySLMA 1 

TJAHIAt 

Ky3LMA S 

VIAWi t 

Ky3BMAS 

TJIAIHA t 
Ky3 IMA S 

riAHIAs 

Ky3LMA> 


y. UKAJOrH M3 $MJI>MA. 

I* B K0JIX030. 

IIocJieflHee H3B0c TM© I CTpanmaH 
hoboctbI T©6h nocHJiaioT b 
M oc KBy. 

B Moc KBy? 

B MocKBy Ha BficTaBKyl 

rjiauEi y6era©T. Ho flopor© BCTpenasT KyaBMy. 
3flpaBCTBy^T©, rjiama. 
3flpaBCTBy#T©, Ky3BMd CepreeBim. 
B MocKBy ©fl©T©? 

A&* KaaftcB. I) nocHJiaioT. 

Hy, Torfla bmoct© noe#eu. 

M BH? If BH TOH© ? 

A to KaK! M©hh nepsoro 

BfqBMHyJH. 2) 

Ja mr? 3) 

A to ksik! 4) 


Ti (dial. ) Ka seTCH 2) called out 

3) Not really? 4) What else! 


163 


(Film Unit XIII) 























^HaJiorM M3 (npo.no jmenm ) 


&* Ha B&cTaBKe» 


M3TCAHBj 

CKaaMTe 9 no sajiyiioTa, nan Haan- 
saeTCa oxa cbmhbA? 

rjiAinA j 

3to «e obmhbh , a 66poa • 

KTCAJlB* 

npOCTJITO, a 3T0T 6opOB K&K 
HaSHBaOTOJJ? 

mafias 

A BOT 3T0 - CBMHJW , a HO 6opOB. 
A 30BVT eS IdoTOMKa* I) 

MYCahB; 

Kano© xopome© hm£! 

maiha t 

Em Tpn ro#a, a bocht ona 

365 KMJIOrpaMMOB • 

MJTCAHB* 


2) Swallow 

3 » n©TD 0 A HOMOM MaHM. 

mm bahh t 

3x. K-fra&Ka. K*fr3BKa. T6jiocom th 

Ti5 HOIHB• a BOT VM 6l! HO AOCT&- 

hoihe> # Ij H© no t©6© ST fl©BKa, 

H© TH ©ft BO OH© CHtaBCHo 

KY3HMAI 

Ar&. Ho HMM©ro, HM^ero, WBa h 
MB aHOBira* H© Ta km© naBKii na mos) 
KHA^JIHCB.3) BOT VBHAMIIIBS K 

Hot p6sy ahio h egh&cb Ha Mamie©* 
H© Bep&lBIB? 

M3 BAHHs 

HH B EM3HB! 

K3T3BMA: 

TapMOHB CTaBJIK) 0(5 3aKJl£A,HTO 
eghiocb na Mamie© ! 

mm bahh: 

3x! HacaMM OTB©naio, - h© 

EOHJITBCH T©6© Ha H3 ft! 

KY3BMftt 

BAHH : 

HacaMM? Ara! C nen6HKoft? 4) 

C nonoMKoS! Corjidc©H! 

1) a Th yMGemt neTb, 

2) Not your kind 

4) with chain? 

HO H© MOEOmB nOJiyHPITB AOBymKy 

3) Better girls hang on my neck 


164' 


(Film Unit XIII) 




























VI. n E C H ff. 

Xopomo Ha mock6bckom noocTdpe « I) 
CBeTHT 3 B S 3Kp©MJl6 B CHH©Bi> « 2) 
M.KaK pe km BCTpeqaioTCH b Mop©, 
TaK BCT p© KJTCfl JIIOflH B MOC KB6. 

3) 

Hac BeceJioft to and# onpyaftaa, 
noflCKasaaa 4) npocTfi:© cjiob&, 
IIosHaKOMMJia Hac, noj-pynfeaa 5) 

B 3T0T paAOCTHHii B©H©p Moc KBa • 

M B KaKOft OTOPOhS H HH 6vflY« 6) 

no Kanoft hh npoftfly a TpaB©, 

£pyra a hhno r^a h© 3a6yay, 

Ecjih o hhu noflpy*6jiaci> b Mockbo. 


1) expanse 2) Ha H©6© 3) crowd 

4) whispered 5) made us friends 6) In whatever country I will be 


.165- 


(Film Unit XIII) 










THEY 

/ a 




HAVE THEIR OWN COUNTRY 
XOW BEPHYTEOT flOMOft /• 


- 166 * 


(Film Unit XIV) 




I. COMMITS TO THE FILM. 

1) The film, released in 1949, is a part of the anti-Western propa- 
ganda campaign which was at that time in the USSR. It is a movie adaptation 
of the stage hit by Mikhalkov, one of the most well-known literary hacks 

(he is incidentally, the author of the words to the Soviet national anthem.) 
The music to the film was written by the fanous Aram Khachaturian, composer 
of"The Sabre Dance." 

2) The story is the Soviet interpretation of the situation in Western 
Europe after World War II. At that time there were thousands of Displaced 
Persons in Germany, i.e.^people previously by force brought to the country 
by Germans or refugees from advancing Soviet troops during the last years of 
the war . Many of these people decided not to return to their native countries 
because of the Communist regime there. The allies, who at first adhered to 
the paragraphs of the Yalta agreement concerning mandatory repatriation of the 
Soviet citizens, soon became aware of the situation and ceased to return DPs 
against their will . The anti-Soviet minded DP*s with first-hand knowledge 

of Communism^at large in the free world, have always been a matter of grave 
concern to the Communists. Therefore the Communists tried to get them back 
by any means and sent trained secret police agents to Western Europe as re¬ 
patriation officers. Those attempts were, however, unsuccessful. 

3) The film is a good example of Soviet domestic propaganda. The 
general DP problem is wisely avoided. Instead, to make the film a sure-fire 
tear-jerker, the situation of DP orphan children is emphasized. It is needless 
to say that the orphanages, as the one shown in the film, are fictional. The 
children as pictured in the film are under surveillace of the British in¬ 
telligence, whose villainous plan i3 to make out of them people without na¬ 
tionality, cannon fodder for future wars. In the meantime, the children are 
hidden from public opinion and repatriation officers in orphanages on 
starvation rations and under prison discipline. Outside the walls of that 
prison, another prison. Is pictured, Germany under occupation with drunken, 
black-marketeering soldiers who terrorize the population, a press filled with 
lies, horrible jazz music and"the opium of the people",a religion. In order 

to show Western Germany as an especially dismal place, most scenes were 
filmed in the rain. 

4) On "the good side" of the film there are the head of the Soviet 
repatriation mission who unswervingly fights for truth and justice against 
capitalistic lies, delaying tactics and legal red tape, and the Latvian 

DP girl who tells children about their native land "where all are equal, all 
are happy, where Stalin lives," the country whose "stars shine for the whole 
world 1 .' 

5) Much propaganda in the film is simply funny to those who know the 
real situation,!.e., the Germans patriotically refusing to smoke American 
cigarettes. 


~ 16 ?< 


(Film Unit XIV) 



Comments to the film (Cont*d) 


6) The end of the film shows the loading of the children who were 
unable to escape on a boat, exactly in the same way as Nazi Germans loaded 
them in the beginning* However, hope is given in the speech of one of the 
DP boy*s mother, a Stakhanovite weaver, who tells a female audience of 
some Communist-sponsored Congress: "The fate of mankind lies in our hands"* 


— 168 — 


(Film Unit XIV) 


II, 


KEY WORDS AND PHRASES, 


cupdTCKHft npn&T 
nepeBo ct fi 
p©md KM© 
p6fliiEa 

h&cthh# nocT^noK 
cnficKii 

b ruioxfix yojrdBMflx 
OTJIOaflTB 

cJiya66Haa KOMaHflHpdBKa 
KOHTp~pa3B6flKa 
COBepeJ HHO TOTIHHft 
coBepmiHHO b&pho 
CM pOTd 

Kp^rjcnii cupoTd 

MOJlflTBa 

"He 60C^OKd^TecB ,, 

paCCMOTp^HM© fl,6 JB 
3aC0#llHIl© 

pofllmoe naTEd 

HOT OCHOBsChI# 
^OTnyCTf£T0 MGHfl® 
KdpTOHKa 

HpMBIbIHKa 


- orphan asylum 

- to transfer 

- decision 
« homeland 

» honest deed 

- roster 

- in bad conditions 

- to delay 

~ business trip 

- counter-intelligence 

- absolutely accurate 

- absolutely correct 

- orphan 

- complete orphan 

- to fight 

- prayer 

- "Don*t worry” 

«. consideration of the case 
«• session 

- birth-mark 

- no reasons 
~ "Let me go” 

- photograph 

- habit 


-169' 


(Film Unit XIV) 



Eenaislssy - I hate 

iiaii^HHMK - traitor 

npefl&TGJiB « traitor 

OTKpOB^HHOCTB - frankness 
c6b©ctb - conscience 

tiejiOD ^tieoTBO -mankind 


cjimhkom xoponrafl -too good a memory 
n&MHTB 

-deceived 

Bp4 Me H H O - temporarily 

"y Hero He t t6*i- ”He doesn't have 
HHX CB§fleHHw" exact informat ion" 

hc*i©^ -disappeared 


m # hehctbtoiiwe imiA . 

flpa CoKOJt6Ba, pyccKaH fleBOiiKa 
Cdma ByTf bob « pyccKHii Ma jib^ikk 

flogp&HHH .l) COBGTCKH^ nOJIKOBHHK, Ha tjaJX BHHK 

penaTpnan;H6HHOM mJIccmh. 

BapKjiH « aHrjmft CKHft no jtkobhhk 

Ckott , 8) aHrjntft CKHft KamiTa h, na^ajd bhhk npufoTa 
ynMaHHo, JiaTfim (Latvian ) f nepesdfltiHK npuroTa 
JldHjiMan, jiaT^niKa, cjiysaman npnioTa 
KypT « HeMei;-mo$ep 


$pay iiypc?« Heuna, xoss^Ka miBH6£ ( beer hall ) 

Hhohcoh v, aHPJiHfecKHii KanHTaH, o$imep cbA3M (liaison officer) 

Kyn , aHrjmft ckm# Jiopfl, npeflce^aTeJiB komhcchm no pena- 
TpHdn;nif 

Mhcq Aork* aMepnidHKa, KoppecnoHfleHTKa xypHajia 1 Life " 
Cqp6kHH . COB 0 TCKM$ Maiiop, nOMOlUHIIK ^o6p£iHHHa 


1) derived from " flo6piriS " (kind) 

2) this name sounds in Russian the same as n cko*? " (beast) 


-170 


(Film Unit XIV) 


















.HeftcTByxomHe jiHEja (npoflojiseHM©) 


MaTB C&nni « TKaqrf xa ( weaver ) 

MaTB fltBI , BOQHHHii Bpati 
^Ba aMepMKa hc kk x go Ji#aTa 

KPATKOE COHEPJKAHHE . 

Kan noKaaHBaeT c£kjibm, bo bp©mh bo#hh h©me;h yBosmiM 
COBGTCKMX fl© TO Vl B TepMaHHlD* IIOCJI© BO&HH b SdnaflHO# r©p- 
waHMM MHome mb btmx fl©T©ft nonajin b cmpotckm© npMioTH* 
Cob©tckm^ o$*mep ^oCp^HMH 3aB©fly©T penaTpaaijM©# • Oh 3 Ha©T, 
tITO B npMJOTaX ©CTB COBQTCKM© flGTK, VL CTapaeTCH B©pHyTB 
mx na poAMHy, hd aHrjiHtia h© MemaioT ©wy* Korfla ^o6pnhhh 
ysHa^T, qro b o^hom h©m©ii;kom ropoflK& HaxofliiTCH Tano# 
npIOOT t aHrJIHfiCKHft IIOJIKOBHIIK BapKJIH 6HCTPO n©p©BOflHT 
nprnoT b apyroft ropo/u Ho coBeTCKHft o$imep y3HagT h 
hobhm aflpec. Torfla ©wy roBopHT, hto fl©T©ft h©jib3h b© pHy tb 
6©s komhcchh, KOTOpan flOJtfHHa onp©fl©JiftTB ( determine ) 

MX HaHIIOHaJIBHOCTB* 

/[©thm b npiooT© MMBeTCH TpyflHOt ©fla iuioxaa, a flHcmi- 
nJiHHa CTporan ( strict J*CJiy«amaH npHioTa CM&iifla, cob©t- 
cjcafl naTpisdTKa, xoa©T , *ito6h a©th BepnyjiHCB Ha poflHHy, 
a ojiysamidi yrmaHKc tojibko bhiiojihh ©t npMKa3H aHrjiH^ia h* 

KOTOpH© XOTHT IIOTOM CflQJiaTB C©6© CO JIflaT VL #HB©pC&HTOB 
( saboteurs ) H3 3 tux rqt ©ft* IIpniDTOM saBeflyeT xftTpuft H 
s©CT6KMii ( sly and cruel ) KanMTaH Ckott# 

COBOTCKMil 0$Jm©p npOCHT y nOJIKOBHMKa BapKJIM 

“171- (Film Unit XIV ) 





KpaTKOe coflepiaHM© (npoAoJiseHU© ) 

paapenieHHH noexaTB b npnroT, ho EapKJiM bc 6 BpeMH otkji 6.- 
AHBaeT ( delays ) paapemeHM© • 

y COB0TCKHX fl©T©^ Mptl M CaMM ©CTB B CCCP pOflMT©JIH t 
ho b npmoT© mm roBopaT, ^to ohm cmp6tk • Mpy OTflaKT XO- 
3flftK© HMBH6ii (owner of a beer~hall) $pay BypcT , y KOTOpoii 
AeBoqKa flojnsHa MHoro pa6oTaTB* CoBeTCKMfi o$Mijep HaKOHeij 
Hamejr npwioT, ho ©My roBopHT, ^ito Ha^aJiBHMK b OTnycny m 
6©3 Hero nOCQTHTB npKK)T H 0 JIB 3 H* 0(|HIi;ep XOt|©T ©XaTB 3a 
pa3 peineHMOi k aH rjinTi oKOMy r©H©pajiy, ho r©H©paJi tox© 
yji©T©Ji b OTnycK b Ahp^mio* 

Ha 3 ac©flaHMM penaTpMaijMOHHofi kommccmm o$md;©p no- 
Ka3HBa ©t Cam© KsCpTonicy ero waTepM, ho kommmcchs h© cmm- 
*ra©T a to flOKa3a tqjibctbom (proof )# m Gamy ocTaBJinioT b npMioT© 
CMaiifla o6©ma©T cob©TCKOM y oc|»mepy npMHecTM cnMCKM 
COB9T C KMX fl©T©ft f KOTOpM© Ha XOflfl TCH B npHIOT© • 7nMaHM0 
CJIHUIMT MX pasrOBOp M ro BO pMT 06 3TOM Ka nMTaHy CKO TTy • 

Ckott BU3HBa©T k c©6e Cuaftfly* B 3to bp©mh JiiMaHMC 
hhjqt ciimckm y He© b KOMHaT©. EMy yfla©Tca Hai&TM cn mc km• 

Kor#a B©q©poM CMaftfla m^St k coBeTCKowy o^mepy, ymiaHMO 
y6MBa©T ©§♦ Cana h Hpa bm©ct© 6©ryT ( fi e © )* ho mx jiobht* 
Hope# t©m Kan CMaiifla nomjia b coBOTCKyro mmccmio, ona ycnejra 
nepeflaTB koiihb cximc kob fl©T©ft mo<£Spy*H©Mijy KypTy. KypT 
nepe^aeT cnMCKM cob©tcho wy o$Mn;epy» 


-178- 


(Film Unit XIV) 


KpaTKO© coflepxaHHo (npop,oJizeime ) 


Ha aaceflamiQ komhccmm npMQ3jKaeT MaTB MpH* TaK yflagTOH 
flOKa3aTB, xito Hpa He ciipoTa* Cama odhtl yberaeT M 3 rrpmoTa, 
Ha 3 tot paa y#&HHO ( successfully ) * Cob©tckwx rqtqH Ha- 

KO HOJH npMBO 3flT B MoCKBy, Tfl© MX BCTpeqaiOT pOflMT©JIM e 

iy. BOnPOCH K fJHgjt 

I* PaceKascMTe 5 nan cobotckw© fleTH nonamH b repMaHioo. 

2. Kan b Mockb© y3HaioT, hto Hpa w Cama HaxoflHTCH b 
npxDTe? 

3 0 Hto aHrjmtiaHe flemaioT c npwiDTOM nocme 9Toro 
COo6n^HMH ( announcement)# 

4* Hto fleJiaem b aHrjrafi ckoh 30h© cobqtckhM o^Hqep? 

5 # HoneMy Tan TpyflHO HaftTH fl©T©ft? 

6* Ajisi Hero aHrmuHanaM HysHH cobqtckh© a©th? 

7. KaK cobqtckh^ o#imep y3Ha§T , hto npiooT n©p©B©jm? 

8 • Kto TaKoft ynMaHMC? 

9. Kto TaKaa CMaiifla h Hero OHa xohot? 

10 • Kan sHByT a©th b npmoT© ? 

II# IIoqeMy MaJiBHHKM flopyTca (fight) bo Bpowfl o6©#a 
12• 3aq©ii $pay BypcT npwxo/jMT b npHOT? 

13* 3an©M npiixo^MT b rrpwKvr aMepwKaHCKafl KoppecnoH- 

flOHTKa ? 

14* Kai< aHTJiMHaHaM y^aeTCH h© ny ctwtb coBeTCKoro 
o$nn;epa b npmoT? 

15* Hto coB©TCKnft o#nn;ep noKa3UBa©T Cam© bo Bp ©mh 
sace^a huh ? 


-173- 


(Film Unit XIV) 



BonpOCN K (npOflOJIS0HH0 ) 

16. noqeMy Caray He o r rnycKaioT Ha po#JiHy? 

17. Uto CMaftfla roBopHT cob ©toko My o^aijepy? 

18o KaK KanHTaH Ckott yanaeT 06 ©tom? 

19. tjto CMaiifla hohbk) paccKaaHBaeT Came? 

20® 3ati@M Cam vlr' 4 t ho^bio b ©a.n? 

81. *Ito CMaftfla, A©Jia©T, Kor^a ©6 BHSHBaiDT 
k HaqajiBHHKy? 

22. Kan ynwaHHcy yfla§TC« bshtb cn hc km fl©T©ft ot 

CMafiflH? 

83. noti©My CMaftfl© h© yflaeTCH npHTTH. n coB©TCKOny 
o<£Hn;epy? 

24. ^Ito fl©Jia©T Kpa b nwBHO^ $pay BypcT? 

85. Kto npnxoflHT b nMBHyio? 

26. Kan (£hjibm no»a3HBa©T aMepjiKaHc khx coji^aT? 

27. ^Ito fleJiaioT Cama H Hpa ©tom hohbkj? 

28. notjeuy hm h© yflanocB npHTTH k coB©TCKOMy 
o<$jm©py? 

29. Kan coBeTCKwft o$he;©p nojrynaeT chhckh fl©T©ft? 

30. OTKy^a no xymui hx KypT? 

31. Kan Kpa nonafla©T Ha poflHHy? 

32. Kaa Cama nonaflaeT Ha poflHHy? 

33. Kan fl©T©ii BCTponaiOT b Moc kbg? 

34. 0 vl&u Ma tb CaniH ronopHT b kohh;© $HJiBHa? 

35. Hto fl©JiaK)T aHrjrHtiaK© c flpyrHUH a©tbmh? 

36* *lTO BH MOS0T0 CKa 3 aTB O COB0TCKOH IipO- 
naraa^ b ©tom (£hjibm0? 


174 


(Film Unit XIV) 


V« MAI or# M3 $KILMA. 


I* B Ka6MHeTe aHTJiMft okoto 

DO JIKQBHMKa g 


EAPKIM: / B t©ji9$oh/s no jikobhmk BapKJiH cjrynra© t- 9 

rocno^MH reH epaji, HMTax * 

K ooaajieHMK), a#pec ynasaH co- 
BepmeHHO tomhOoM* kb$ I) 
npHioTa , KanMTaH Ckott, y m©hh • 
Kyfla nepe Bee th? CJiymaiocB, cap® 
/ BemaeT tt>v6ky/ 8) nopT, ckojibko bo3h6 c btmmh 
menK^MHl 3l 

non BOCnHTgtHHM® 4 ) TO ~ 

CnOflMH no JIKOBH MK, M3 3TMX 
meHKOB BHpacTyT nenHHQ ncH, 5} 

£a» bh npaBH, KanMTaH Ckott* 

HaM nyHHo ^yMaTB o 6yflym©M# 
npomy Bac, KanMTaH, nponxy * 
/iXOflXOflHT k KapT©/. 

HepeBe^MT© Bam npmoT M3 Ajibt©h~ 
flopc|)a b KpMreHdepr m nocTapaft- 
tqcb, KanMTaH, hto6h Ha a tot 
pa3 Bam aflpec h© odnapf «mjim , 6) 

CKOTTt Beg 6y«©T c^ejiaHO, cap* 

1) Z HanajBHMK 2) hangup 

3) what a lot of trouble these pups arei 4) With the proper education 
5)watch-dogs 6) won*t be discovered 


CKPTTt 

BAPKIHi 


ynMAHHC l 

KyPTt 

ynMAHMc t 

CUkftM : 
ynMAHiic t 

1) showed up 


2. y flBepeft npMMTa, 

KypT, 3fl©CB HMKTO H© nOHBJIHJICH? I) 

Hmkoto h© 3aM©T mji, rocnoflMH 
ynMaHMC • 

30BM I /CU&VlRB. BHBOflMT fl©T©ft/* 

C KO p9 M *, CKOpe^I 
TocnoAMH ymiaHMc! 

Hy? 


-175- 


(Film Unit XIV) 
























^HaJIOTM M3 $HJIBMa (npOflOJISQHM© ) 


CMAHM 8 

ynMAHHc t 

CMAijZIA* 

ynMAHMc > 

GMA^M * 

yilMAHUG t 

2) suddenly 

ilOBPHHIfHs 

EAPKIHg 

flOEPHHKHi 

BAPKIHt 

ilOEPHHHH* 


1) to adhere 
3) strove 


Hto cJiynmiocB? IIoneMy nepoBOAHT 
npMBOT? 

3to h© Kara© neJio 9 CuaftASU 
Tan BHeaanHO 8}* ho^bio «»• 

A noH©My 3 to Bao MHTepecyeT? 
CTpaHHO BCg 3T0 ,,, 

CaAHT© cb ? ^CMaii A a 1 /OTBeaaaioT/ 

3) oaAMTQCB b aBTo6yc 


3. Ha 3ac8flaHHM> 

Hama c BaMH o6H3aHHOCTB, rocnoAMH 
nOJIKOBHHK, H0 YKJi6hHO mPMA^DSH— 

BaT bch I) pemeHHH coB©Ta mhhuotpob 

MHO C TPaHHHX fl0.fi 6) O p©IT aTpHai^HM 
C0B6TGKMX rpaHAaa. 

PocnoAMH noAnoJiKOBHHK, mh BoerAa 
CTBGMftfiHCB 3) K BHIIO JIH^HHIO 4) 

3THX p©n©HHft. 

nponiy Bac np ob ©p m t b * 

0 6©maK>« 

BjiaroAapK)* Kpon© Toro* 6ojiBni© 
roA a to vy nasafl aHrjiM&cKafl 
aA mhhmct pai^MH HacTO^Jia Ha 
co 3 AaHMH 5) cn©n;MaJiBHoii komhccmm 
no p©naTpMai^MM cob©tckhx fl©Teft. 
HpaBfla, A*®h nac Bonpoc coB©pnr©HHO 
HC0H H 6©3 KOMHOCHMS COB0TCKH© 

AOTM fl O JIH HHT 6HTB B03Bpam©HH 
B COBQTCKW^ COJ03* 

without deviating 2) Council of Foreign Ministers 
4) fulfillment 5) insisted on the formation 


-176 


(Film Unit XIV) 

























^MaJiorM M3 ($MJii>Ma (npo^o JisenM© ) 


EAP KJKg 0 60 CTOpOHH O^MHS.KOBg> 6 ) 

3aMHT©p©coBa hh b cyflBflfo 7) 
fl©T©ft, o6e3^6jieHEHX Boff;Hoft .8) 
Ho, k co&aJieHMio, sto He- 
BO 3 MO KHQ 9) 6©3 KOMMCCPIMi, 


jgOEPHHKHf 


EAPKJIM: 


H BOC no JI B3YI0CB 3TMM BafflHM 

3a HBJre^HMeM, mto6bi onydJiK~ 

KO B^Tfe ero caMHM mMPOKHM 

QiSpaaoM IO) B~’np9cc©# 

IIosajiyftcTa * 


ilOEPHHKHg 


BAPKIHt 


. ♦« m TaKs© 3aflaTB Bonpocs 

nOH©My CTOJIBKO nr>OBOJl6M©K II) 

C 6pHTaHCKOfi CTOpOHBT B BH* 

no jihghmm mmm SToro cbhih6h«» 

Horo j6jira, 12) 

3T0 BCS $0 pMaJIBHO CTM • MH, 
aHrJiMnaH© «.. Kan oto cKasaTb.M 
HeMHOSKO 6ropoKpaTH••♦ 


HOEIHHMH* HafleiocB, hto 6ropoKpaTH3M 

h© nowemaeT mh© cero^Hfl 
HaBeCTflTB 13) CMpOTCKMfi 
npMIOT B AJEBTeHflOp$0? 


EAPKJI H S 


JOEPBIHHH? 

EAPKJIH: 

6) alike 7) fate 


AJIBT0HAOp(|)? CTpaHHO, H HMtierO 
H© CJIHinaJI 06 3 TOM npMIOT© ♦ 

Pa3pemMT© MH© BCS-TaKM npo- 
©xaTB Tyfla* 

0 x 6 tho g!4) Moft o^Hijep cbhsm 
k BaicHM ycjitra M . 15 ) 


8) victims of the war 9) impossible 


10) 1*11 give your statement the widest possible publicity, 

11) delays 12) sacred duty 13) to visit 


14) willingly 15) at your service 


-177- 


(Film Unit XIV) 


























^HaJIOrH M3 (npOflOJIKOHM© ) 


CKOTTs 

4 . B npHK)T© • 

Bot omqhb xopomafl fleBOMKa, 

$pay BypcT. Bm#ht© ,KaKafl 
no cjiir miian . 1} 

SPAY ByPCTt 

IIpOCTMT©, OHa MHe H© nOflXOflMT. 
BojiBinofr anneTMT . no tom, h xo- 
Tejia 6& roJiv6^©^rjia3KM • •• 

QCJIH MOSHD , KO H© MHO » 

CKOTT: 

Hy nTO is© , h flyMaro, HaftflgTCfl M 
o rojiytfHMH. BotI 

$PAy BypcTt 

3to to, MTO MH© HaflO. rjr^3KM 
rojrydn©, Kan H©3a6^KM«3) 

BcTaHBI Kan t© 6h 3ob yT? 

HPA! 

Hpa CoKOJi6Ba « 

$PAy BypcTt 

Kan? 

HPA: 

Hpa. 

$PAy BypcTi 

Mpa • 3 to mojkho 6yaeT n©pefl©jraTB 
b Hpw& . KpacMBO 6yfl©T: HpMa BypcT 
KpacMBO 6yfl©T. Tn 6yflemB Moeft 
flonKoii, Hpiia *A a 6yxy TBoeft 
uslmoU 0 0 TKpoii pot! IUnpe l 3aKpoft 
T©n©pB!/BepgT ©S sa nJieno/ 

Ofi, KaKaa xy^h! 4) Kan «e 
a 6yjiy BocnfiTHBaTB 5) ©6? 
n oto6bk> c©6© pyKy. 6) 

CnM TaT B yM©0DIB? CKOJIBKO 6yfl©T 

COMB Ha BOC ©Ml? 

KPMAl 

56. 

$PAy BypcT: 

A 8 Ha 9? 

MPMA i 

78. 

$PAy BypcT t 

£©tm, OHa npaBHJiBHO cqMTaeT? 

1) obedient 2) blue 

3) forget-me-not a 4) thin 5) to bring up 

6) 1*11 wear out my hand 


-178' 


(Film Unit XIV) 





















^MajIOrH M3 ($HJIBMa 

(npoflOJiseHM© ) 

^ETHs 

IIpaBMJIBHO » 

$PA7 ByPCTl 

^oeA&ft! 7) To, mto najrn T©6e f 

He Haflo ocTaBJiHTB flpyrMM. 

IIoHMMaeniB? Kyfla th cmotpmihb? 

MPAS 

3to Cama! 

$PAy BypcTs 

EmB M He CMOTTDH nO CT OPOH<i.M ! 8) 

7) eat it all 

8) don*t look around1 

KypTs 

5 * B rapase * 

3flpaBCTEyMT©, CMa^fla! 

cmaMha t 

H npMinjia c Bauvi npocTMTBCH« 

KyPT: 

Bh y©3sa©T@? 

cmaJiha« 

Hot, ho mobot Tan eJiyHMTBCH, hto 
mh c BaMM 6ojiBine HMKorfla h© yBH- 
flHMCfl. 

KyPT: 

^TO MOI6T CJiytJMTBCfl? BH TO BO" 
pmt© 3ari^KaMH. X) 

CMAfiMs 

fl Mfly B COB©T C KyK) MHCCHJD. 

KyPTs 

H© flejiaftTe 3ToroI 

CMAftHA 8 

CJIVDia^T©, KyPT. BH efl&HCTB©HHHfi S) 
H©JI OB ©K * KOTOPOMV H MO TV ROB&~ 
PHTBC&.3) H 3JI©CB HMKOTO H© 

3 Ha 10 * TaK BOT HTOt © C JIM CO MHO H 
MTO“HH6yflB CJiyHHTCH, TaK h Bac 
otieHB npomy. KypT» coxpaHftTo 4) 
bot 3tm cnncKH. B hmx cyflB6a 

Bcex HaiEMX fl©T©fi. B03BMMT© »KypT # 

1) you speak in riddles 

2) the only 3) trust 

4) guard 



-179' 


(Film Unit XIV) 

























^waJiorK mb $njii>ua (npoflo jdkqhm© ) 


KyPTt 

flOEPKHMHa 

KyPTx 

JlOEPHHHHx 

KYPT: 

JOEPKHHHt 

kypti 

HOEPHHHHt 

KyPTt 

HOEPHHKHt 


6 • Ha JiecTHime* 

TocnoflMH o$Mijep! 

H Bao cjiymaEo 

Bh ypoHfejiM 6vMarH . I) 

Bh oniM6a©T©ci>, h HMMero h© pohhji* 

Hqt, bh ypoHHjm hx* 3to om©hb 
BascHH© 6yMarH d 

A OTKy^a ohm y Bac? 

Ot CMaiiAH JIaHflCMaH. 3 to ©8 
nocji©AHHfl itp6cb 6a «g) 

A BH KTO TaKO^ ? 

H OflMH M3 MHOPMX • • • H©M©IU*# 

Bh *jeoTHHii qejiOBGK! CnacH6o! 


1) You dropped some papers. 

2) request 


- 180 - 


(Film Unit XIV) 
















FILM UNIT XV. 
#MF30-8656 

U.S.S.R. 

C.C.C.P. 

SIMPLIFIED VERSION. 


I. 


Poccmh omshb dojiBmaa cTpaHa. OHa b hockojibko pa3 dojiBine 

CUIA. B 1917 roAy b Poccmm 6nJia peBOJiioijHH m c tqx nop ©e 

CTajin Ha3HBaTB Cob©tckm$ C 0103 mjim CCCP. 

Poccmh dojiBHiaa mjim MajieHBKaa cTpaaa? 

Uto 6ojibiii© Poccmh mjim CUIA? 

Bo ckojibko pa3 Poccmh dojiBiiie CIIIA? 

Uto 6hjio b Poccmm b 1917 roAy? 

Kan Poccmio CTajiM Ha3HBaTB nocji© pqbojuoecmm? 


II. 

TyHflpa - tundra 

Taftra - taiga (vast Siberian forests) 

IlycTHHH - desert 

Ha CQBepe Poccmm noaTM HMaero He pacTe-r. STy MacTB 
na3HBaioT TyHApa. IIotom HaqMHaeTca Taiira. TaM MHoro 
jiqcob. Ilocjie Tanra MAyT 6ojibihm0 nojia. 3 tm nojia Ha3HBa- 
iot CTenM. Ha lore Poccmm nycTHHM - Taia Haaero hot, tojibko 
necoK. 

Uto pacTOT Ha c©Bep© Poccmm? 

Uto TaKo© TyHApa? 

Uto HaaMHaeTca nocji© TyHApH? 

Uto TaKoe Taiira? 

Uto mast nocjie Taftra? 

Uto TaKoe ctoiib? 

Uto naxoAMTca Ha lore Poccmm? 


181 


(Film Unit XV) 


III. 


Kojiokoji - bell 

IbiaBHuft ropoA CCCP MocKBa. 3 i^eHTp© Mockbh ctomt KpeMJiB 
m nepeA hmm KpacHan ruiomaAB. B KpeMjie ctomt oxi©hb 6ojibiiiow, 
CTapaft kojiokoji, KOTopHfi Ha3HBaioT HapB -Kojiokoji m oxi©hb bojiBman 
m CTapan nyniKa, KOTopyio Ha3HBaioT IlapB-nyiiiKa. Ha KpacHoft ruio- 
njaAM fiHBawT napaAn. 

Ha30BWT© rjiaBHHM ropoA CoBeTCKoro Coio3a. 

Hto ctomt b d;©htp© Mockbh? 

TAe HaxoAMTCH KpacHan njiomaAB? 

Hto ctomt b KpeMJio? 

Hto 6nBa©T Ha KpacHoft miomaAM? 

iy. 

B MOCKB© MHOrO T©aTpOB, Mara3MH0B, $a6pMK, 3aB0A0B, 
jia6opaTopMM. Mockobckm# yHMBepcMTeT oAmh ms jrytimMX b CCCP, 

Ectb b Mockb© m cnenjiajiBHH© bo©hhh© uikojih, rA© ytiaTCH tojibko 
M ajiBxiMKM. PaHBm© b Mockb© 6hjio o^qhb MHoro ijepKB©#. TenepB 
mx ocTajiocB Majio. B Mockb© ^acTo 6HBaioT napTMMHH© koh$©p©hbmm . 

Hto ©ctb b Mockb©? 

HtO MOSHO C K33aTB O MOCKOBCKOM yHMB©pCMT©T0? 

Kto yqMTCH b cneijMajiBHHX boohhhx niKOjiax? 

Ckojibko n;epKB©M 6 hjio b Mockb© ao p©bojhod;mh ? 

Ckojibko ceiteac b Mockb© b;©pkb©m? 

Hto xiacTO 6HBa©T b Mockb©? 

V. 

HeHMHrpaA, XapBKOB, Km©b, Cb©pAjiobck - tok© oxiqhb 6ojib- 
ihm© ropoAa, B Cobotckom Coios© MHoro s©ji©3a m yrjin. ffejiesa 
6oJiBm© Bcero Ha ypaji©, a yrjin okojio p©km £oh b AoHbacce. 

B 3TMX paMOHaX OMQHB MHOrO <J>a6pMK M 3aBOAOB. 


I8S 


(Film Unit XV) 


KaKiie dojiBinM© ropoAa b Cobqtokom Coio 3 e bh SHaeTQ? 
Ta© MHoro )Koji 03 a? 

Ta© MHoro yrjiH? 

Ta© MHoro $a 6 pMK m 3 aBoAos? 



VI. 

He$TB 

crude oil 

KepocMH 

- kerosene 

B©H3MH 

- gas 

MaTepMH 

fabric, cloth 


B C.C.C.P. MHoro HQ$TM. M3 He$TM A©Jia?OT KepOOMH M 6©H3MH. 

ECTB MHoro T0KCTMJIBHHX $a6pMK, Ha KOTOPHX AeJiaioT pa3HH9 MaTepMH. 

BojiBine Bcero MaTepufi AejiaioT M3 xjioriKa, KOTopafi pacT ©t Ha ior©. 

%o A©JiaioT M3 h©$>tm? 

Ckojibko b CCCP t©kctmjibhhx $a6pwK? 

^to AeJiaioT Ha tokcthjibhhx $a6pwKax? 

Ms Hero AeJiaioT waTepMM? 

Ta© paoTQT xjionoK? 

VII. 

IIpHCTaHb - pier, dock 

Ppy3MTB “ l° a< 3 

ToBapa " goods 

noABOMHuft KpaH - crane 

OAHa M 3 caMHX 6 ojibiiimx p©k - Bojira. no hqm xoAmt MHoro 

napoxoAOB. Ha Bojire MHoro npMCTaHen. TaM Ha napoxoAa rpy3HT 
TOBapn noAB0MHHMM KpaHaMM • JK0JI03HH0 AopOTM OH0HB IUIOXMe M MX 
OM0HB MajlO, XOTH C©ftHaC IIOCTpOHJlM H0CKOJIBKO HOBHX nyTefl. 

Kanyio dojiBinyio p©Ky b Pocomm bh 3Ha©Te? 

HTO BH MOH0T0 CKa3aTB o Bojire? 

Hto AeJiaioT noABOMHae KpaHa? 

Hto bh 3 Ha©T© o K0ji©3HHX Aoporax b CCCP? 


183 


(Film Unit XV) 


VIII 


C©HTB 


to saw 


Poxb 


rye 


nmeHMija 


wheat 


IIOACOJIHeHHMK 


sunflower 


B AepeBHflx bcq padoTaioT b KOjixo3ax. B KOJixo3ax wajio 
MamMH, ho, Bce-TaKM, Ha nojinx mosho yBMAeTB TpaKTopn m kom- 
CaftHH. BojLbme Bcero cqiot po»b m nmeHMuy. Ha lore CCCP 
paoTeT MHoro noAcojiHeHHMKOB, M3 kotophx AeJiaioT Macjio. 


HTO BH M0S9T© CKa3aTB O AepeBHHX b CCCP? 
ECTB JIM B KOJIX03aX MainHHH? 

KaKHe tyjamwHH mokho yBHAQTB Ha nojinx? 

Hto ceioT b CCCP? 

Hto paoTeT Ha lore CoBeTCKoro Coio3a? 

Hto AeJiaioT M3 noAcojiHeHHMKOB? 


IX. 


to dress 


OAeBaTBCH 


JIioAm b CCCP padoTaioT MHoro, ho acMByT njioxo. Ohm ohohb 
njioxo oAeBaioTCH. B Mara3MHax nacTO HM^ero He dHBaeT. To, 
^to mojkho KynMTB b Mara3MHax, oh©hb Aoporo. Ho apMMfl b 
COBQTOKOM C0K)3© OtJGHB CMJIBHaH. B CCCP OHQHB XOpoiIIM© TaHKM 
M MHoro apTMJIJiepMM. 


Kan aMByT jhoAm b CCCP? 

Kan ohm oAeBaioTCH? 

Hto bh 3Ha©T© o coBeTCKMx wara3MHax? 
HTO BH 3Ha©T© O COBQTCKOft apMMM? 


184 


(Film Unit XV) 


Film Unit XVI 

# MF 30-8656 

U.S.S.R. 

C.C.C.P. 


I. 

Co 103 COB©TCKHX CoiJMaJIHC TMH 0 C KMX p©CXiy6jIHK 
(CCCP) - orpoMHan cTpaHa, 3aHMMaiomafl BOCTOHHyio no- 
JiOBMHy EBponH m coBepHyio Tp©T£ A3KK« Ha aana#© 
CCCP rpaHM^MT C HopBGrM©^, $MHJIHHflM©ii, IIOJIBIU©^, 
HexocjioBaKKeft , BeHrpM©# m PyMHHM©#. K lory ot Co- 
B©TOKOrO CoK) 3 a JT 02 KMT TypiJMH , HpaH, A$raHMOTaH» 
KMTaft m MoHrojiMH. Ha boctok© - TMXHii OK©aH„ Ha 
O ©B©p@ “ C©B©pHHft Jle^OBMTHfi 0K6aH, 

Kanyio naoTB Ebpoiih saHUMaeT CCCP? 

KaKyro nacTB A3MM saHHMaeT CCCP? 

KaKH© rooyflapcTBa rpanMMaT o CCCP Ha aanafl©? 
KaKMe rooy^apoTBa rpaHMHaT c CCCP Ha ior©? 

Hto HaxoflMTca Ha boctok© CoB©TCKoro Coiosa? 

HTO HaXOflHTCfl Ha C©B©p©? 

II. 

OJieHeBOflCTBO - raindeer breeding 

Ha o ©b ep© t baojib deperoB ieflOBMToro oneaHa 

THH6TCH Ha MHO TM© THOflHM KMJIOM©TpOB TyHflpa - d©3- 


13? 


JiecHafl, 6oJioTMCTan mgctkoctb. B Tyuflp© HMBy t tojib- 

KO 30KMM0CH, 3aHMMaiOHJHeCH OJI©H0BOflCTBOM • OjIGHB B 

TyHflpe caMo© noJie3Hoe jkmbotho©, flam;©© ©fly, ofloafly 
h cjnyatamee cpeflCTBOM n©peflBHE©HMH. 

*Ito TaKo© TyHflpa? 

Tfl© ona HaxoflMTCH? 

Kto smbSt b TyHflpe? 

■'iQM 3aHMMaiOTOH 3CKMMOCH? 

^TO flaiOT 3 CKHMOCaM OJI0HM? 

III. 

3a TyHflpoft, flajiBin© k iory Ha^MHaeicfl sona xbo&- 
hhx jiocob - Taiira. B Tafire omqhb mhoto m© jikiix dbg- 

peft, M0X KOTOpHX HBJIH©TCfl OflHMM M3 TJraBHHX npOflMO- 

tob ©KonopTa b CGCP. Tojibko Mexa 6 ©jiok DKcnopTHpy- 
E)T Ha 15 mmjijimohqb py6jieft B TOfl, 

^TO HaMMHa©TCfl 3a TyHflpOM? 

^to bh 3Ha©Te o Taftro? 

Kan nonojiB3yioT m©x otmx 3B©p©ii? 

iy. 

3fl©CB see b Tafrre HaxoflHTOH cami© KpynHHO koh- 
EieHTparsMOHHH© Oiarepfl CoB©TOKoro Coic>3a. Hqkotophq 
M3 3TMX Jiarapeii THHyTCH Ha GOTHM M COTHM KHJIOliOTpOB 
m HaoejxeHM© mx flooTMra©T mjtm flaE© npeBmnaoT mmjij3moh 
^©JIOBOK. 3aKJH0M§HHH© MCnOJIBayiOTCH OOB0TCKIIU npaBM- 


136 


to jibctbom b Kanec tb o becruiaTHoii padoneft chjih. 

F#© naxoAHTca cauMo KpyiiHue KoinjeH- 

Tpai^no humg Jiarepn b CCGP? 

Kanow bo jihhhhh 3tm Jiaropa? 

Ckojibko b Hnx aaKjnoaeHHHX? 

Kai< coBOTCKoe npaBn tojibotbo nonojiBayeT 

3TMX 3aKJH0aeiIHHX? 

y. 

BajinTB Jiec - to fell lumber 

npeflOTaBnTejiB - representative 

3aKJiioaeHHHe BajiaT Jieo, KonaioT KaHajiH, npo- 
KJiaflHBaioT Aoporn, paboTaioT b maxrax, cjiobom - 
bhiio jinaioT Boe Heobxo^nMiie coBeTOKowy npaBn tojib“* 
OTBy paboTH* B Cobotokom Coi03e e ctb hockojibko 
oot KpynHHX n mojikhx Jiarepeft, b kotophx HaxopT- 
ch #o 15 mhjijihohob aeJioBeK. B Jiarepax mohcho 
BOT pe tmtb He tojibko npoacnBaiomne Ha TeppnTopnn 
CCGP HaijnoHajiBHOCTH, ho n npefloTaBHTeJieft Boex 
eBponeftcKnx n a3naT0Knx HapofloB. 

^Ito ^ejiaioT 3 aKJiionSHHHe? 

Ckojibko KOHijeHTpaijHOHHHX jraropeft b GGCP? 

Ckojibko 3 a kji ion & hhhx ch/jht b 3tmx Jiarepax? 

iIto bh Mo«eTe CKasaTB o HaijnoHajiBHOM 

COCTaBe 3aKJIK)HeHHHX? 


187 


yi. 

ooopeflo tohhtb “ to concentrate 
TpoyrojiBHMK - triangle 

3a Taftroft MflyT npoMHimioHHHe h cojibokoxo- 
3HMotB 0HHH0 pafdOHN OTpaHH. 80% BC0# npOMHlDJieH- 
HOOTH COBOTOKOrO Coi03a COOpeflOTO^OHU B TpeyrOJIB- 
HMK 0 9 KOTOpHM JI0 HCMT MOlKfly 3 anaflHHMH rpaHMIjaMM 
Coi 03 a m 3ana#Hoft Ch<5mpbio. TjiaBHHo npoMHUUieHHHo 
pattoHH OTpaHH JioacaT o koji o ropoflOB ; MocKBa, 
•^eHHHrpafl, Khob, XapB kob m CBopflJioBOK. 

Hto HanHHaaTOH 3 a Taiirott? 

Tfle ooopeAOTonoHO 80% Bceft ooBeTCKoft 
npo Manure h ho o t h ? 

TflO HaXOflHTOH TJiaBHHO npOMHHJI 0HHH0 
paftoHH? 


yn. 

MocKBa - CTOJiima CoB©TOKoro Coi03a. OHa 
paonoJio)K0Ha Ha MooKBa-peKe, KOTopan ooeflHHaeTOH 
rawpoKHM KaHajiOM o Bojiroft. B Mockbo cxo^htoh 
II »eji©3HHX flopor. Taw ko HaxopToa o^Ha M3 nofl- 

30MHHX S0JI03HHX flOpOT “ M0TponoJIHT0H MJIM MOTpO. 

Bropo© mot po B leHHHrpaflo. 

HaaoBHTe CTOJn>my Cobotokoto Goioaa? 

Ha KaKoid pen© ctomt MooKBa? 

G hqm co©flHHfl 0 TCfl MooKBa-pena? 


188 


CKOJIBKO JIC9JI 03 HUX flopor CXOflMTCH B MoCKBe? 
x Ito ©me ecTL b ^ockbg? 

yin. 

MaB3 0 Jie^ - mausoleum 

IIocepoflHHe Mockbh ctomt Kpqmjxb - mgcto npedn 
BaHMH OOBOTCKOrO npaBMT©JTBC TBa . nope# KpeMJlSM na- 
xopTCfl Kpacnaa mioinaflB c naB30Jie©M JleHiiHa h CTa- 
JiMHa m TpudyHow, na KOTOpoft HecKOJiBKo pa3 b rofl 
bo b po mh napafloB iiohbjihiotch ujreHH npaBHTejiBOTBa. 
3to eflMHCTBe hhho cjryuaM, Korfla khtojim Mockbh nojry 

UaiOT BO3MOXCHOC TB yBH£0TB CBOMX XO3H0B, 

^Ito ctomt nooope^MHo Mockbli? 

^Ito HaxoflMTca nope# KpewjieM? 

to dHBaoT na KpacHoii nJiomraflH? 

Kto 6BiBa©T Ha TpiitfyH© bo bpomh napaflOB? 

^laCTO JW JKHT0JTH MOCKBH MOTyT BMfl©TB 
CBOMX X03HOB? 


IX. 

MocKBa - KpyriHHH KyjiBTypHHM HjeHTp. TaM np©~ 
KpaCHHft yHHBOpCHTOT , MHOTO MHC TMTyTOB , SoJIBIHH© 
6h6jihotokm. B Mockbo hmgotch 6ojtbiho© kojihhoctbo 
My3©eB, MHoro ToaTpoB. Bo BceM Miipe H3B©ct©h 
Mockobckh# 6buiqt . 

riOHOMy MOHHO C Ka 3 aTB , HTO MoCKBa KyjTBTyp- 
HHii HjOHTp CTpaHH? 

Ito bh sHaoT© o Mockobckom 6 aM 0 T 0 ? 


139 


X. 


naMHTHMK - mo mime nt 

BTopoii no BeropoA b CCGP - JleHMHrpaA, 
KOTopnii ao p©BOJtK)ij;nii 6 hjl cTOJiimeft Poccmh m iia3H- 
BajicH noTep6ypr. 3 to orvlk M3 oaMHX KpacnBHX ro- 
POAOB POCCHH * SaoCB OH0HB MHOTO 3aMQtiaT GJIBHHX 
apxwTGKTypiiHX naMHTHMKOB m aHcaM6.neft* JlenMHrpaA 
caMHfi. KpynHHW nopTOBuft ropoA b CCCP. 

Kanofi BTOpoii no BOJiMt-iHH© ropoA b CCCP? 

Kan oh naaHBajrrcH ao pgbojhoijmm? 

^om JleiiHHrpaA mhT opee gh? 

^to bh 3HaeT© o Jle hmh rpa agkom nopTQ? 

XI. 

npHJieraiomnii - ajolnlng 

hoc jreAosaTeJTB - researcher 

B Mockb© h JIoHMHrpaAe w b npMJieraiomMX k hmm 
o6jiacTflX oocpeAOTo^ena 3HaHMTQjiBHan nacTB npoMtiui- 
JI0HHOOTH COBGTCKOrO Coi03a. 3A©CB OKOHBt©HTpHpOBa- 
HO nO^ITM BCe MaHIMHOC TpO9HH0 , JJjLS. npOKlLHlIJT© HHOOTM 
Tpe6yiOTCH bhcoko KBajm$Mi*HpOBaHHHe cneupiajiHCTM h 
H ayHHO“"HOO JIG AOB aTGJI BCKHe PIHCTHTyTH, KOTOpHG T03KG 
B OOHOBHOM HaXO/{flT OH B MoCKBG H JteHMHrpaA© . 

^to cocp ©aototigho BOKpyr Mookbh m 

JTeHHHrpaAa? 

no He My o ko ji o stmx ropoflOB mhoto MaiuMiio- 

CTPOHTGJIBIIBIX 3 BBOflOB? 

Pag B CCCP MHOTO HaytJHO-MCOJIGAOBaTGlIBCKHX 

HHOTIlTyTOB? 


190 


XII. 


Kpymioft npoMBiinjiGHHoii 6aaoii Cobgtckoto Coi 03 a 
HBJTH0TCK YpaJI . 3fl©CB OH0HB MHOTO nOJI03 HHX MCKO- 
na©MHX. 0co6©hho MHoro 3fl©CB :K 0 ji 03 a m mg^h. 

3flocB HaxopTCH KpynHaJhnnii cobgtckmm 3aB0fl H§p- 
Hoii MGTajuiyprjut - MarunToropcKPift aaBOfl. ypaji fla- 
eT C OB 0 TOKO My Coi 03 y 85% BCG# M 0 #H. 

Kanyio KpynHyio npoMHnuiGHHyio 6a.3y b CCCP 

BH 3Ha©T©? 

r^e mhoto nojr©3HHX MCKonaeMHX? 

KaKM© no jig 3 HHG picKonaeMH© gctb Ha ypajre? 

Ckojibko M©,n;M #aST CoBeTOKOMy Coio3y ypaji? 

XIII. 

B K>ro-3ana,HHOM ^acTM CCCP jigjkht ynpanHa. Ha 
ynpanH© pacTeT Bee - ho oco6ghho mhoto a^eoB miie- 
hhb;h , oaxapHoii cbgkjih m noflcojiHetiHJiKOB. ynpa- 

MH9 jigsht ^onfiaoc - KpynHeftmaH yroJiBHaa 6a3a CCCP* 
B £oH6acc© #o6HBaioT noJioBHHy booto KaMOHHoro yr-na 
b CCCP. 

r*e pacnojroaGHa ynpanHa? 

Hto paoTgT Ha ynpanHe? 

r^© naxopTOH Aon6a.cc ? 

Hto flaeT CTpaH© ^OHdacc? 

xiy. 

Mexfly HepHHM m KacnwftcKMM MopaMH jigemt KaB- 
Kaa . 3^eCB b ropax nacyrcn mhoto^hcjighhhg CTa^a 


191 


obgii;. Ha ^epuoMopcKOM nodepe&B© KaBKaaa mhopo 
K ypopTOB. y KacnHMCKoro nodepesBH c tout Bai<y, r^c> 
O^GHB MHOrO H©$TM. Ha KaBKa3 0 flo6HBaiOT TP H H©T~ 
BepTM Bceii h©$twc b CCCP. 

P^e JieMT KaBKa3? 

Hto moeho yBi^eTL b KaBKa3 ckhx ropax? 

Hto bh 3 HaeTe o HepHOMopcKOM riodepeJKB© 
KaBKa3a? 

Pfle Haxo^HTCH Bany? 

no^©My KaBKas ohohb BaieH GoBeTCKOMy 
Coio3y? 


xy. 

rocnoflGTBo - domination 

C OB 0 TC KHM Co 103 Ha 3 HBa© T Cg6h 6 a 30 M MMpOBOft 
P©BOJIK>H(KH • M BCe CH^H, BCe doraTCTBa CTpaHH co- 
B 0 TOKO© XipaBMTeJIBCTBO HCnOJIB 3 yeT flJIfl 6 opb 6 h 3 a mm- 
poBo© rocnoflCTBo, CoBeTCKan apMMfl - rJiaBHoe, o 
H&M flyMa©T COB 0 TOKO 0 npaBMT©JIBO TB 0 « 

Kan Ha3tiBa ©t c©6h CCCP? 

Rjir Hero CCCP ncnojiB3y©T bc© cbom chjih? 

0 HdM dojTBin© Bcero flyMaeT oob©toko© 
npaBMT© JIBOTBO ? 

xyi. 

J\ji h noflroTOBKM oc|)Mn;8pcKMX KaflpoB cymecTBy- 
iot onei^najiBHH© CyBopoBc km© m HaxMMOBOKM© ynmiMma* 
3 to 3aKpHTH© ynedHHe saBefleHwe, Ky#a, Kan npaBn~ 

JIO , npMHMMaiOTCH TO JIB KO fl©TM O&HLi;© pO B . M 3 HMX T0- 


192 


TOBHT 0$KE(epOB, np©flaHHHX COB0TCKOM BJiaCTM M TO 
TOBBIX OTflaTL CBOIO JKM3HL 3a IIJiaHH KpeMJleBCKHX 
flHKTaTOpOB. 

rA© B GGCP nOATOTOBJIHIOT OCpMIJ;©pCKM© 

KaAPH? 

Koro npMHMMaioT b CyBopoBCKH© m Haxn- 
mob c km e ynjumma? 

KaKMx o$mh,©pob ro tobht b 3 tux ynjuunnax? 

xyn. 

Ha MHoro^MCJieHHHx boqhhhx 3aB0#ax Cob eT~ 
cKoro Coio3a fl©JiaioT opysme rjih. 6y^ym,eVL bowhh. 
3A©CB B OrpOMHHX KOJIKHeCTBaX CTpOHTCH TaHKW, 
nyuiKH, oaMOJieTH, AejiaioTcn bmhtobkm, aBTOMaTH , 
MHHH, rpaHaTBl. 

CKOJIBKO BO0HHBX 3 aBO flOB B CCCP? 

Hto A©jiaioT Ha boqhhhx 3aB0,n;ax? 

J\jw Hero Bee ©to opy>K m© totobutch? 

XYIII. 

BOJfBUIOG BHMMaHH 0 B CoBQTCKOM COI03© YROJIFL- 

©Tca cnopTy, Tan ksk cobgtcko© npaBHTeJiBc tbo 

XOH0T nOflPO TOBMTB RJIH. CBOGH apMMH $M 3 HH©C KM 3flO 
poBH© naAPu. 0 co6©hho nonyjiflpeH b Cobotckom 
C oio 3 e cpyr6oji 9 Ha oJTHMmiaflax b Xgjibojihkm h b 
M ejiB6ypH© cobgtckh© cnopTCMeHH noKa3ajrx bhco- 
Kwii KJiacc, 3 aBo©BaB mhoto 30Jxotlix h cepe6pHHKX 
MQAaJIGM . 


193 


^0My B Co B0TC KOM COIO 3 0 y/JGJIHGTCH 
dOJlBUIOe BHMMaHMG? 

HoHGMy npaBMTGJIBCTBO MHTOpGCyeTCH 
cnopTOM? 

Kai<oii BHfl cnopTa ocodoHHO norryjiHpeii 
B CCCP? 

KaKMX p03yjIBTaT0B flOdltJIIlCB COB© TCKM 0 
cnopTCMGHH Ha nocJie^HMX oJiHMnHa^ax? 

XIX. 

mou(b - power 

cyu;©CTBOBaHH0 - existence 

COBGTCKOe npaBHTeJIBC TBO HCIIOJIB3y©T BC© 6 o- 
raTCTBa h chjih rjir yB© jimhohhh cbog& moiu^h h ynpen- 
JIGHMH apMHH. IIoaTOMy OHO C TcipaGTOfl nOJiyHHTB OT 
obohx rpaaflaH bcS, hto mojkho, flaBafl mm tojibko h©~ 
odxoflMMHft MMHHMyM • Cobgtc khVl padonnft padoTa©T 
6 flH©ft B HQfleJIIO, MM6H flJIH OTflHXa TOJIBKO BOCKpQ- 
C0HB0. 

Ma Hero ncnojiB 3 y©T CCCP bc© cbom cmjih? 

Kan iMByT jiio^h b CCCP? 

CKOJIBKO £H©Ji B HQflGJIIO padOTa©T COB©TCKMi4 
HGJIOB ©K? 


XX. 

jieco 3 aroTOBKa - timber storage 

Ho Toro, hto 3apa6aTHBa©T uyx, Ha hm3Hb h© 
XBaTaeT, h noaTOMy, o6hhho, b cgmbg padoTaeT 
uy& H HGHa. JK©HmHHH B CCCP BBiriO JIHHIOT TaKM© K© 
padoTH, nan m MyacHMHH: ohm padoTaioT Ha saBo/jax 
m cftadpwKax, no ohmctk© yjmri;, Ha 3gmjihhhx padoTay 


194 


h flam© Ha JiocoaaroTonKax. 

IloHeMy o 6 lihho m Mysr m scena padoTaioT? 

Kai<n© pa 6 oTtr bhiio jihhiot sghjhhhii b CCCP? 

XXI. 

sepTBOBaTB - to sacrifice 

HOMMHaJIBHO pa6oHHii fl© H£ b CCCP £JIMTCH bo- 
ceMt nacoB. Ha caMOM flejie, padoHne nacTO ^ojukhn 
sepTBOBaTB OBOHM Bp©MG H 0 M t COdHpaflCB Ha nOJIJlTH- 
^©C KM© MMTMHrM • CBOfi ©flMHCTBOHHHft BLDC OflHO ji fl©H£ 

- BocKpeceHB© - padonne nacTO ho MoryT npoBecTH 
flOMa, Ohm e#yT 3 a ropofl, r#e padoraioT Ha cbomx 
oropoflax, Tan Kan fleiier, 3apadoTanHHX hmm, XBa- 
TaeT tojibko Ha noJiyrojio^Hyio hm3HB. 

Ckojibko nacoB padoTaioT b CCCP? 

Ha hto padonne Macro aojihhh xcepTBOBaTB 

CBOS BpeMH? 

Uoneuy padonwe h© Bcer^a MoryT oTflnxaTB 

B BOCKpeCOHLG? 

F#e ohm paaBOAHT oropo^H m nonoMy? 

XXII. 

C 0MBK COBGTCKMX rpascflail odlJHHO 3KMBy T B OflHOft 
KOMHaTO. B 3T0tf KOMHaT© ©flHT , CnflT, 3 aHMMaiOTC fl t 
npwHMMaioT rocTeii h 6ojioiot. Kyxnn od^aa. Hac-ro b 
thkmx KyxHHX roTOBHT Ha npMMycax ©fly cpasy nflTB 

- ineOTB xo3 h©k• yoopHafl Toxce ofliia Ha bcox. 
IIojiB3yioTon ©ii no oMepeflii, m HMicony h© coBeryeTCH 
3afl©pEMBaTBCH THM CJTHIUKOM AOJIPO , OC060HHO yTpOM . 


195 


CKOJIBKO KOMliaT 06HHHO 3aiIMMa0T 
ooBeTCKan cqmbh? 

KaKan icyxi-in b koMM y h a jibhhx KBapTwpax? 

Ha qeM npMro tobjihiot ©fly? 

XXIII. 

phhok - black market 
B cobqtckkx Mara 3 MHax, nan npaBHJio , ohohb 
MaJieHBKnii bh6op TOBapoB. Bcorfla H©ro~HH6yflB h©- 
XBaTaeT. Kan tojibko peflKafl b©djb noaBjuieTCH b 
waraaMHe, nepefl hum BHCTpaMBaeTca onepeflB fljrMHOil 
b HecKOJiBKo Ksap'raJCOB • B CCCP Bcerfla cymecTByeT 
,,x I§pHHp PHHOK" - TO JIKyHKa - Tfl© MOJKHO HaftTH BCg 

to, ^ero h©t b Mara3MHax - ot wroJiKH flo 3 arpaHHH- 

HHX KOCTIOMOB. 

Kano# bh6op TOBapoB b oobotckhx 
MaraaMiiax? 

IIoH©My n©p©fl MaraawHaMH otoht ^acTO 

OtiepGflH? 

Hto moxcho KyriMTB Ha "h^phom pbihko"? 

xxiy. 

B GCCP MHoro ihkoji h hhc TMTyTOB • Korfla CTy- 
A©hth KOHHaioT hhcTMT y th, ohm H© MMoioT npaea pa6o~ 
TaTB, rfl© OHM XOTHT, HO 06H3aHH exaTL Tyfla, Kyfla 
MX noniJlgT npaBMTOJKBG TBO . HaCTO 6HBaeT, H TO Myzta 
h a©Hy nocHJiaioT b p&anH© m©cT a, 3 a thch^h kmjio- 
MeTpoB flpyr ot flpyra. 

CkOJIBKO HIKOJI M HHC TMTyTOB B GCCP? 


196 


Ffle floJimiiH pa.6oTaT.b mojio^h6 jijorw , 

KOTOpH© OKOIHOUIM PIHC TMTy T? 

v Ito uacro cjiyuaoTCH c Myraew m Henoft, 

KOTOpH© BM8OT0 OKOH^MJTM MHCTMTyT? 

xxy. 

p©M©cji0HHHii - handicraft (adj.) 

TpyflOBoft - labour (adj.) 

B GCCP ecTB niKOJiH, kotoph© Ha3BiBaioTOH pe- 
MOCJI 0 HHH 0 yqprjmma, Ky^a noonJiaioT #©t eft no Tpy- 
flOBoft Mo6nJin3aB;::ii. Hhkto h© mmoqt npasa yiuio- 

HMTBCH OT 3T0K M0 6MJIM3ai];MH. $©TH yWTCH TaM 
H0C KO JIBKO JI0T M OTaHOBflTCfl KBa JIM(|>JmJIpOBaHHBIMM 

pabo^inMM n aaT©M e^yT Ty#a, nyfla mx nomJieT npa- 

BUT©JIBO TBO . 

Kann© ©m© ©ctb ihkojih b CCCP? 

Kto yunTCH b P.y*? 

Ckojibko ji©t Haflo y tbch b Taitoft mkoji©? 

Koto 3 TM IHKOJIH BOTOBLT? 

Pfl© padOTaiOT OKOH^MBBIM© P.2T.? 

xxyi. 

sabnpaTB ~ to take away 

B^jrBuiaa u:acTB HacoJiGHnn CGGP - KpecTBHH© • 

Be© KpecTBHH© - UJI 0 HH K0JIX030B, IIoUTH BCfl 3GMJIH 
IipMHafl JI ©>K MT KOJIX03aM. Bod, ^TO BHpadaTBIBaiOT 
KO JIX03 HWKM , 3 a 6 wpa©T K0JTX03 « BoJIBIliyiO HaCTB KOJI“ 
X03 OT/jaeT rocy^apcTBy, n tojibko to, uto ocTadToa, 


197 


flOJIHTCfl MGStfly HJIGHaMM K0JIX03a. 

Koro dojiBnre Bcero b CCCP? 

Tfle padoTaioT Kp©c tbhh©? 

KoMy npMHaflJieaMT no^TM bch 3 ©mjih? 

^TO flGJiaGT K 0 JIX 03 C no Jiy M GH HBIMM 

npo^yKTaMM? 


xxsru. 

3a nocjreflHM© agcatl ji©t rpaHMijH KOMMyHM3Ma 
b Mwpe o^eHB pacniMpMJiMCB. B opdMTy koMM yHM3Ma 
boiujim b EBpon©: IIojiBiiia, ^©xocjiOBaKMH, BeHrpMH, 
BojirapHH, PyMHHMH, AJida«MH m BocTO^Haa PepMa- 
hmh " f b Asmm - KMTaft, MonroJiiia, CeBepHaa Kopea 
H aacTB Mafl'o-KiiTaa. Cettaao KOMMyHMC th bcgmm cm- 
JiaMM CTapaiOTCH npOHMKHyTB B CTpaHH BjIMHHerO 
BocTOKa* M Bciofly, rfle ycTaHaBJiMBaeTca KOMMyHM- 
CTMaecKan oneT©Ma, hm3hb npnHMMaeT oflay m Ty ate 
$opMy, HasBaHM© KOTopoft padcTBo. 

^to QJiyMMJiocB 3 a nocjre^HM© aqcht ji©t? 

KaKM© ©BponeiicKM© CTpaan CTajiM KOMMyHMC tm— 
■aecKMMM? 

KaKM© a 3 MaTCKM© CTpaHH OTaJIM KOMMyHMC TM“ 
^©CKMMM? 

Kyfla CTapaiOTCH npOHMKHyTB KOMMyHMC TH? 

HaKyio $opMy npMHMMaeT sm3hb b t©x CTpaHax, 
rfl© ycTaHaBjiMBaeTOH KOMMy hmctmhgokeh flHKTa- 
Typa? 


198 



Film Unit XVII 
// TF 8-1765 
SIMPLIFIED VERSION 


MEDICAL SERVICE OF THE AIRBORNE DIVISION 

PABOTA MEtfMItffHCKMX UACTEM B nAPADUOTHO 
flECAHTHOfi flHBH3HM. 

A. KEY WORDS AND EXERCISES. 


I. 


6oeBaa 3aAatia 

- 

combat mission 

BHCaflMTBOH 

- 

to land 

THJI 

- 

rear 

3 aXBBTM TB 

- 

to capture 

CodpaTBCH 

- 

to gather 

pa3pa6oTaTB 

- 

to work out 

odcysflaTB 

- 

to discuss 

AeTajiM /PI./ 

- 

details 

BHcaflKa 

- 

landing 

KpyrceaH odcpcea 

- 

perimeter defense 

0BH3B / F./ 

- 

communication 

ycnex 3aBMCMT or 

- 

success depends on 


IlapaiaioTHo flecaHTHaa ambmsmh noJiyMMJia 6oeHyio 
safla^y - BHcaflM tbc a b THJiy npo tubhhks m aaxBaTHTB 
a 3 poflpoM. 0$nn;epH ambus mm codpajiMCB y natiajiBHMKa 


199 


mTa6a „ hto6h pa 3 padoTaTB njiaH. Ohm 06cyatflajiH Bee 
fleTajiM. Tfle 6yfl9T BHca^na? Kan opraHM 30 BaTB Kpy- 
roByio odopoHy? Kan 6y#e'r padoTaTB cbh3B? Ot bog- 
ro 3Toro 3 aBMCMT ycnex onepau;wM. 


Kanyio 6oeByio 3aflany nojryHHJia 
napannoTHO flecaHTHaa flHBM3iifl? 

Tfl© codpajiHCB o$MijepH? 

3aH©M o^HijepH codpajiMOB? 

KaKM© BonpooH Haflo 6 hjio 

peniMTB? 

■^TO 3 aBMC MT OT IipaBM JIBHOTO 
P01H0HMH 3TMX BOnpOCOB? 


IX. 


$H3MH©CKaH TpOHMpOBKa 
napamioTHaa BHmKa 
HaoToamMii 
npM 3 ©MJIHTBC H 

nnoapB 


calisthenics 
mode tower 
real, trained 
to be landing 
clerk /mil./ 


B 3T0ft AMBH3MH BO© OKOHHHJIH C II©E(MaJIBHH© HIKOJIH 
fljifl napamioTMCTOB. TaM ohm mhoto 3aHHMa jimc b $H3H- 
HecKoii TpeHMpoBKoii ( noflro tobko ft) . Ohm npnrajiH C 
napannoTHO# beoiikm • HacToamMii napannoTMCT flOJiaceH yuQTb 
xoponio npnraTB h npn3 ©mjihtbc a• VueTh npnraTB flojuseH 
KanflHii, HaHMHaa ot imcapa. 


200 


^TO OKOHUM JIM COJI^aTH M 
o$mm;©ph ©Toil flMBM3MM? 


ItOM OHM MHOTO saHMMaJIMCfc 
B ©TOft IUKOJI0? 

OTKyfla ohm npurajiM? 

^TO flOJm©H y M0TB 

napamioTMCT? 

Kto ^ojikoh yM©TB npnraTB 
c napannoTOM? 


III. 

nocaflKa 

BHJIGT 

C paO CB9T0M 
rpy3MTB 
boenpnnacN 
opy&ne 

nprmen /npimenna/ 

HMymecTBO 

TIOK 

yKjra^HBaTB/yjrosMTB 

HOOMJIKH 

MGpKaMQHTH 

6 hht 

6©jih^ xajraT (med.) 
rpy3 

HasMMaTt KHonny 


loading 

take off 

with the daybreak 

to load 

ammunition 

weapons 

trailer 

supply 

pack, bundle 
to pack 
stretcher 
medical supplies 
bandage 
white coat 
cargo, freight 
to press a button 


Ho^ibio HauajiacB noca^Ka na cawojieTH. Blutot 
flOJISCOH 6 hTB POBHO B 8.00. G paCCBOTOM flO JI2KHO Ha- 
^aTBCH HacTynJieHMe. B caMOJigTH norpy 3 MJiM doenpu- 
nacH, opystM©, akhiih c npHUjennaMM, tiokm o m 0 ^mij;iihckmm 
HM ymeCTBOM M T.n. B TIOKM yJlOKVUlK HOCMJTKK, MQflMKa- 
MQHflH, 6WHTH flJIH n©p0BH3OK, MaTpacn, OflOHJia, 6 ©jik© 
xazraTH rjm Bpaneii. Bo BpeMH bhc aflKM rpy3H cdpacNBa- 
iotoh aBTOMaTM^iecKM. IImjiot HajKMMa©T KHonny, h rpy- 
3H onycnaioTCfl Ha napamioTax. 


Kor^a HauajiacB noca^Ka? 

Kor#a flOJiaceH 6 htb bhji©t? 

Korfla floJiKHO 6 htb HacTymneuHe? 

^to norpy3MJiH b c aMOJie th? 

^TO HaXOflMJIOCB B TIOKaX? 

Kan cdpaoHBaioT rpysn? 

^to flejia©T nwjroT, uto6h 
c6poCHTB rpy3H? 


iy. 

II© pBHM flOJIOM 
OpMQHTMpOBaTBCfl 

tiyacan 

nocTpa^aBinpiQ 
Hey^aHHo 
cpoHHo 
Ha M0CT0 


• the first thing 

- to orientate oneself 

- foreign 

- injured 

- unsuccessfully 

- urgently 

- on the spot 

- to take care of 


o 6 c JiyjFc HBa tb 


202 


Ilocjie BHcaflKM ira^o opn©HTnpoBaTBCH. OpiieHTupo- 

BaTBCH Ha Hyjiioft 3GMjie b T0Mhotq ohghb Tpy^HO, yjEte 

npM BHca#K© 6 hjim nocTpaflaBume, KOTopue Hey^aHHo 

npH3 ©mjimji no b• Hm Ha#o cpouno flaTB nepByio noMom;B. 

Kx Ha M9C T© 06 c Jiy)KMBajIM CaHMTapH. 

Hto Ha/^o (3 hjio c^ejiaTB nepBUM 
fleJioM? 

Korfla Tpy^HO OpHGHTHpOBaTBCfl? 

^TO CJiyHMJIOCB npM BHCaflK©? 

noHewy 6 lijim nocTpaflaBinw©? 

Kouy dHJia HyatHa nepBan noMoiHB? 

Pfl© 06 cJiyjKMBajiM nocTpa#aBiinix 
caHMTapH? 

y. 

cneniHTB - to b© in a hurry 

npn 6 jiH 2 B:aTBCH - to come close, approach 

ycneiUHan - successful 

Bee oughb cneniMJrM npwro tobmtbch k 6010 , noTO- 
My uto npwbJiMJKa jioh paccBeT. Ilocjie TH&eJioro 6 oh #h- 
BM 3 HH 3 axBaTMJia aapoflpoM. OnepapMH bmia ycneniHoft* 
noHeuy Bee ohghb cneuimiM? 

^to cflejiajia #mbm3HH? 

KaKO$ 6 njia onepai^Mfl? 


ARM Y-ALS-PM .CAUF-58-600-2 249 


203 











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Neutralizing agent: Magnesium Oxide 
Treatment Date: Dec. 2006 


PreservationTechnologies 


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